Watch: Young Frankenstein 1974 123movies, Full Movie Online – A young neurosurgeon (Gene Wilder) inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. In the castle he finds a funny hunchback called Igor, a pretty lab assistant named Inga and the old housekeeper, frau Blucher -iiiiihhh!-. Young Frankenstein believes that the work of his grandfather is only crap, but when he discovers the book where the mad doctor described his reanimation experiment, he suddenly changes his mind….
Plot: A young neurosurgeon inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. In the castle he finds a funny hunchback, a pretty lab assistant and the elderly housekeeper. Young Frankenstein believes that the work of his grandfather was delusional, but when he discovers the book where the mad doctor described his reanimation experiment, he suddenly changes his mind.
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8.0/10 Votes: 158,921 | |
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For what we are about to see next, we must enter quietly into the realm of genius.Young Frankenstein is directed by Mel Brooks who also co-writes the screenplay with Gene Wilder. It stars Wilder, Marty Feldman, Peter Boyle, Teri Garr and Madeline Kahn. Music is by John Morris and cinematography by Gerald Hirschfeld.
Filmed in black and white, Brook’s movie is an affectionate spoof of the Frankenstein movies that came out of Universal Studios back in the 1930s.
There wolf, there castle.
You are either a Mel Brooks fan or not, there doesn’t seem to be any middle ground. However, even his most ardent fans admit not all of his productions have paid dividends, but when on song, as he was in 1974 (Blazing Saddles also released), it’s justifiable that those fans proclaim him as a spoof maestro. Ineviatbly a bit tame when viewed today, Young Frankenstein is still a picture of high comedy and clinical execution of the film making craft. Everything works, from acting performances, the gags that are both visual and aural delights, to the set design of the Frankenstein castle. It also boasts a smooth storyline, this is not a hodge-podge of ideas lifted from those Universal monster classics, it has a spin on the story and inserts its own memorable scenes along the way (Puttin’ on the Ritzzzzzzzz, Oh my!).
Of its time for sure, but still great entertainment for the Mel Brooks fan. 8/10
When I had the opportunity Ro watch this film again after decades, due to a Cloris Leachman tribute, I couldn’t resist, despite feeling there was a risk of a familiar problem: that of me not liking a program or movie as a mature adult as much as I had as a young man.I needn’t have worried. This is not Mensa material here, but it is a good example of what Mel Brooks did best, spoof movie genres or other cinematic cliches.
Everyone seems to have great fun making this movie, and it shows. Some of the bits have become catch phrases: the horse neighing when a certain name is mentioned, the hilarious sight gag of the secret door (“Put the candle back!), and other classic lines. This doesn’t make any of my Favorites list, but it was well worth revisiting it for the laughs and a glimpse at what my younger self thought was funny, and older self agrees with him.
Comedic Genius
Mel Brooks’ tribute to the Frankenstein movies of the 40s is done with such love, such skill, and such side-splitting, fall-on-the-floor hilarity, that it has rightfully become a comedy classic. I first saw it in a movie theater: I had no idea what it was, had very little knowledge of Mel Brooks at the time, and expected to be bored. Instead, I found myself shrieking aloud with laughter that became so intense, I missed many of the major lines. Hence the video.What can I say? From the wild-eyed Igor, the hunchbacked Transylvanian servant whose hump keeps changing from side to side, to the modern-day descendant of Baron von Frankenstein, determined not to follow in his great-grandfather’s nefarious footsteps, to the nurse, a naif with enormous…er…chestal appendages, to the fearsome Frau Bleucher, whose mere mention causes horses in the castle’s faraway stables to neigh in fear…to the scene of the monster and his creator singing and dancing in black tie to “putting on the Ritz,” this movie should come with a warning: “Danger–Uncontrollable Laughter May Become Chronic.”
The cast is beyond superb. The late, wonderful British comedian Marty Feldman (Igor), who turned his congenital wandering eyes into comedic foils, never misses a beat as second banana to Gene Wilder, who plays the distraught Dr. Frankenstein to the hilt and beyond. Cloris Leachman, who looks like a cross between a witch and a warlock, plays the feared housekeeper Frau Bleucher (neighhh!!!), and a very young, beautiful, and buxom Teri Garr plays the nurse-assistant to the good doctor. Then there is the marvelous Madeline Kahn, who gave a bravura performance as the doctor’s fiancee. The late comedienne’s burst into operatic ecstasy during her rape by the monster is simply inspired, and is one of the comedic high points of the entire film. All of Kahn’s considerable talents came into play during this movie; she was taken from us too soon.
Hilarious Mel Brooks send-up of the classic horror story
Hilarious Mel Brooks send-up of the classic horror story.The grandson of the infamous Dr Frankenstein travels to his grandfather’s castle and works on creating life…
One of Mel Brooks’ better movies, and that says a lot. On this occasion, instead of his usual laugh-a-minute delivery, Brooks opts for quality over quantity. The jokes are few and further between, but are hilarious.
Brooks is aided and abetted by Gene Wilder who not only starred in the lead role, but co-wrote the screenplay. Wilder is great as Dr Frankenstein. Good support from Marty Feldman, Teri Garr and Madeline Kahn.
Original Language en
Runtime 1 hr 46 min (106 min)
Budget 2800000
Revenue 86273333
Status Released
Rated PG
Genre Comedy
Director Mel Brooks
Writer Gene Wilder, Mel Brooks, Mary Shelley
Actors Gene Wilder, Madeline Kahn, Marty Feldman
Country United States
Awards Nominated for 2 Oscars. 11 wins & 8 nominations total
Production Company N/A
Website N/A
Sound Mix Mono (Westrex Recording System)
Aspect Ratio 1.37 : 1 (original & negative ratio/matted to 1.85: 1), 1.85 : 1 (theatrical ratio)
Camera Panavision PSR R-200, Panavision Standard Prime Lenses
Laboratory DeLuxe, Hollywood (CA), USA
Film Length 2,905 m (Finland)
Negative Format 35 mm (Eastman Double X 5222)
Cinematographic Process Spherical
Printed Film Format 35 mm