Winchester ’73 1950 123movies

Watch: Winchester ’73 1950 123movies, Full Movie Online – In a marksmanship contest, Lin McAdam wins a prized Winchester rifle, which is immediately stolen by the runner-up, Dutch Henry Brown. This “story of a rifle” then follows McAdams’ pursuit, and the rifle as it changes hands, until a final showdown and shoot-out on a rocky mountain precipice..
Plot: Lin McAdam rides into town on the trail of Dutch Henry Brown, only to find himself in a shooting competition against him. McAdam wins the prize, a one-in-a-thousand Winchester rifle, but Dutch steals it and leaves town. McAdam follows, intent on settling his old quarrel, while the rifle keeps changing hands and touching a number of lives.
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Ratings:

	7.6/10 Votes: 20,193
	100% | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 279 Popularity: 11.492 | TMDB

Reviews:

_**Dynamic James Stewart Western with a noir tinge**_

The prize rifle of a drifter (James Stewart) is stolen by his nemesis (Stephen McNally), apprehended by a gun-trader (John McIntire), involved in a cavalry vs. Indian clash, winds up in the hands of a man who struggles with cowardice (Charles Drake) before being swiped by a charismatic outlaw (Dan Duryea). Meanwhile Lin McAdam (Stewart) pursues it with his faithful pardner (Millard Mitchell).

While “Winchester ‘73” (1950) was shot in flat B&W, it’s a compelling action-packed Western with noir touches highlighted by the notable cast, which also includes Will Geer and Shelly Winters (when she was young, fit and voluptuous, not to mention spunky). Also look for Rock Hudson as the lead brave Young Bull and Tony Curtis as a besieged cavalry trooper.

The movie throws in Dodge City, Kansas, and a surprisingly congenial, almost bumbling (and too-old) Wyatt Earp (Geer) even though it’s clear that the film was shot in southern Arizona. For instance, the saguaro cactus is native to the Sonoran Desert and not within 800 miles of Dodge City. But Tascosa, Texas, works okay within the framework of the Southwest, I guess. Basically, you have to ignore some misleading geography and a dubious Wyatt Earp to enjoy the picture.

The film runs 1 hour, 32 minutes, and was shot mainly in southern Arizona with studio stuff done at Universal Studios, California, with some exterior shots of Zion National Park, Utah.

GRADE: B

Some things a man has to do, so he does ’em.

This is a story of the Winchester Rifle Model 1873 “The Gun That Won The West” – To cowman, outlaw, peace officer or soldier, the Winchester 73 was a treasured possession. An Indian would sell his soul to own one…

Winchester ’73 is the first collaboration between director Anthony Mann and actor James Stewart, a duo that would go on to create a run of superior Westerns that added a new psychological depth to the genre. The story sees Stewart as Lin McAdam, who is pursuing the man who killed his father. Riding into Dodge City with his trusty friend, Johnny Williams (Millard Mitchell), Lin runs into Dutch Henry Brown (Stephen McNally), the man he wants. But with Wyatt Earp (Will Geer) having taken all the guns from those entering the town, both men are unable to have the shoot-out that they are ready for. The men instead square up in a competition to win a Winchester 73 rifle, a competition that Lin eventually wins. But before he can leave town with the magnificent prize, Dutch ambushes him, steals the rifle and skips town fast. As Lin sets off in hate filled pursuit of both man and rifle, the rifle will changed hands a number of times, with each time adding another dimension as the day of reckoning for all approaches.

Very much a benchmark for what became known as the so-called “psychological Western”, Winchester ’73 is basically a story of a decent man driven to borderline insanity by an event in his past. Though shot in black and white (the only one of the duos Westerns that was) the landscapes are still breath taking feasts for the eyes. The tone is set with the opening scene as Lin and Johnny on horseback, and in silhouette, amble over a hillside as they make their way to Dodge City. It’s just the starting point that would see Mann use his vistas as a way of running concurrent with his characters emotional states.

Stewart gives one of his finest and most intense performances as McAdam, proving once and for all that he was one of America’s finest and most versatile actors. The support cast isn’t too bad either. Shelley Winters is excellent as the sole female in amongst the machismo, while Mitchell, McNally, Geer and the always great Dan Duryea add further class to proceedings. There’s even bit parts for Tony Curtis and Rock Hudson in here, though the latter playing an Indian brave is a stretch too far.

Originally the film was a project for Fritz Lang, who even had the script ready to run. But Lang walked away from it, something that proved to be a blessing for Western fans. For as great as a director that Lang was, with Mann directing (and with a new script from Borden Chase & Robert Richards in hands) it set the wheels in motion to alter the course of the genre. Not only with the further efforts that Mann & Stewart produced, but also in who they influenced. The likes of Budd Boetticher, Nicholas Ray and Sam Fuller were all taking notes, and gleefully for the Western purists, they followed suit and carried the psychological torch still further.

A big hit at the box office back on release, Winchester ’73 is a magnificent film that still packs a punch in the modern age. 9/10

The Travels of a Magnificent Rifle
In 1942 a film TALES OF MANHATTAN told a set of stories that were basically unrelated, but tied together with a suit of men’s evening wear. Each story began when the “tails” were passed from one owner (Charles Boyer, for instance) to another (Ceasar Romero). WINCHESTER ’73, a superior film, and a great western, has a similar plot twist. Initially it is about how Jimmy Stewart is seeking Stephen (Horace) MacMahon for some deadly grudge. But in the course of the film the two men get into a shooting contest, the prize (given by Marshall Wyatt Earp – Will Geer) being one of the new Winchester rifles. Stewart barely beats out MacMahon, but the gun is stolen from Stewart, and the chase is on.

The gun passes from hand to hand, including John McIntyre (as an arrogant trader who fatally does not know when to stop being arrogant), to Rock Hudson (in a surprising role – and a brief one at that), to Charles Drake, to Dan Duryea (as the delightfully deadly and psychotic Waco Johnny Dean), to MacMahon. Eventually it does return to Stewart.

The film is expertly directed by Anthony Mann. Every character has a wide variety of experiences. Duryea gets the rifle literally over Drake’s dead body (Duryea forces the issue). But he loses it to MacMahon, who is faster on the draw – not that Duryea is stupid enough to fight for the rifle. As he and Shelley Winter look at MacMahon in the distance, Winter (who watched Duryea kill her former boy friend Drake) drops her distaste for the gunman momentarily to ask why he put up with MacMahon’s bullying for the gun. Philosophically, Duryea explains he can wait. Some opportunity will come up later on (i.e., when he can safely kill MacMahon and get back the rifle).

The characters are remarkably human. Winters first appears as the future bride of Drake, but she sees a really big negative side to him – an unforgivable side. Drake is aware of this lapse, and it helps lead to his destruction. Other characters have realistic touches, such as J.C. Flippen as an army sergeant who fights an Indian attack with Steward and Steward’s friend Millard Mitchell. Oh yes, and with Flippen’s fellow soldier – Tony Curtis. Flippen makes one believe this soldier has been on a hundred battlefields before, since 1861 probably. Steward had showed emotions in other films. In IT’S A WONDERFUL LIFE he showed a degree of anger at times, and also a near nervous breakdown when he thinks everything is wrong with his life. But here he showed a demonic anger – at the expense of a surprised Duryea (who normally would show such anger himself).

The parts of this film fit very neatly together, under Mann’s competent hands. This is one western that never wears out, as the audience watches the travels of a Winchester rifle.

Other Information:

Original Language en
Runtime 1 hr 32 min (92 min)
Budget 0
Revenue 2250000
Status Released
Rated Passed
Genre Action, Drama, Western
Director Anthony Mann
Writer Robert L. Richards, Borden Chase, Stuart N. Lake
Actors James Stewart, Shelley Winters, Dan Duryea
Country United States
Awards 1 win & 1 nomination
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono (Western Electric Recording)
Aspect Ratio 1.37 : 1
Camera N/A
Laboratory N/A
Film Length 2,520 m (Yugoslavia), 2,532 m (USA)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm