The Wayward Cloud 2005 123movies

Watch: 天邊一朵雲 2005 123movies, Full Movie Online – Metaphor, allegory. There’s a drought in Taiwan. Watermelon are abundant and become juice, food, something to share with a guest, and an aphrodisiac. In a large building of flats, Hsiao-Kang and Shiang-chyi’s paths cross; she knew him when he sold watches, now he acts in pornographic films. She scavenges for plastic water bottles. He bathes in the building’s cistern. Fantasy song and dance numbers punctuate the characters’ nearly aimless pursuits: she has lost her keys and he helps her find them; he naps in a park, she watches; he smokes on the floor beneath her kitchen table while she sits. His film-making continues. Can they connect?.
Plot: Hsiao-Kang, now working as an adult movie actor, meets Shiang-chyi once again. Meanwhile, the city of Taipei faces a water shortage that makes the sales of watermelons skyrocket.
Smart Tags: #explicit_sex #rape #porno_movie #oral_sex #male_nudity #female_nudity #ejaculation #taipei_taiwan #ejaculation_into_someone’s_mouth #pornographer #softcore #reference_to_papillon #falling_sleep_in_public #video_store #crabs #food #undressing #women_watches_porn #singing #real_sex #bathtub

Find Alternative – 天邊一朵雲 2005, Streaming Links:

123movies | FMmovies | Putlocker | GoMovies | SolarMovie | Soap2day

Ratings:

	6.5/10 Votes: 5,329
	78% | RottenTomatoes
	45/100 | MetaCritic
	N/A Votes: 76 Popularity: 7.489 | TMDB

Reviews:

Pretentious and weird enough to be interesting.
“The Wayward Cloud” opens with a scene of sex with a watermelon though neither the melon nor the sex look particularly appetizing. We are in Taiwan and there’s a heatwave which might explain the copious amounts of nudity as well as the watermelons if not the behavior of the characters. Ming-Liang Tsai’s film, (it appears it follows on from earlier work but this is the first of his films I’ve seen), doesn’t really have much of a plot and very little in the way of dialogue and what ‘plot’ there is doesn’t really make a lot of sense, (the bloke who metamorphoses into a sea-creature in a large tank and breaks into song is only the first of several very camp musical numbers). Unfortunately this picture, which lasts close to two hours, is aimed very much at an art-house audience who like their sex movies to be vague and abstract rather than simply down and dirty, (even the money-shot is basically abstract). Of course, you could be forgiven for thinking that the very explicit sex scenes have, within them, a sense of comedy or at least are meant to be ‘tongue-in-cheek’, (no pun intended), and that the musical interludes are aimed at a largely gay audience. Either way, “The Wayward Cloud” isn’t going to wow them in Middle America or down at the multiplexes but it’s sufficiently pretentious and sufficiently weird to be at least interesting. I may have been perplexed but I was certainly never bored.

Like all of Tsai’s films, challenging, but this time in perhaps a different way
The Wayward Cloud features everything one expects from a Tsai Ming-Liang film, but it is also much more sexually explicit. The shot compositions, the use of space, and the choreography of the musical numbers are excellent. However, not everyone is going to enjoy a musical number featuring a woman and men dressed as the fluid that she had just received a moment before in the main narrative.

I understand the perspective of those who argue that Tsai doesn’t have a clear point here, as he does in his other films. I would argue, though, that the film is more challenging because it does not offer the glimmer of hope found in Tsai’s previous films (the woman pulled up in The Hole, May’s dignity even as she cries at the end of Vive L’amour). The viewer has to piece together any hope from various parts of the film, as the shocking finale is not at all uplifting.

Tsai has some real insights into the human condition here. Xiao Kang’s autoerotic sexuality has a lot to say about loneliness and insecurity. Also, the flirtation between Xiao Kang and Shiang-chyi is very charming, even sexy (I’m thinking especially of the way Xiao Kang leans against the elevator after their date.) I think this film’s vision brings to light the way sexuality has become a commodity, and I find it tragic that Xiao Kang and Shiang-chyi find that there is great difficulty in overcoming that commodification.

Other Information:

Original Language zh
Runtime 1 hr 54 min (114 min) (Hong Kong), 1 hr 52 min (112 min) (USA), 1 hr 54 min (114 min) (Argentina)
Budget 0
Revenue 0
Status Released
Rated Not Rated
Genre Comedy, Drama, Musical
Director Ming-liang Tsai
Writer Ming-liang Tsai
Actors Kang-sheng Lee, Shiang-chyi Chen, Yi-Ching Lu
Country France, Taiwan
Awards 9 wins & 9 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format 35 mm
Cinematographic Process N/A
Printed Film Format 35 mm