Watch: The Thing 1982 123movies, Full Movie Online – A US research station, Antarctica, early-winter 1982. The base is suddenly buzzed by a helicopter from the nearby Norwegian research station. They are trying to kill a dog that has escaped from their base. After the destruction of the Norwegian chopper the members of the US team fly to the Norwegian base, only to discover them all dead or missing. They do find the remains of a strange creature the Norwegians burned. The Americans take it to their base and deduce that it is an alien life form. After a while it is apparent that the alien can take over and assimilate into other life forms, including humans, and can spread like a virus. This means that anyone at the base could be inhabited by The Thing, and tensions escalate..
Plot: A team of American scientists investigate the empty, destroyed base of their Norwegian counterparts in Antarctica, only to discover a terrifying life force that can take the form of its prey.
Smart Tags: #isolation #antarctica #paranoia #alien_creature #shapeshifting #body_horror #research_station #alien_life_form #cult_film #ambiguous_ending #skidozer #bombardier #1980s #scientific_expedition #ancient_astronaut #campsite #remake #metamorphosis #blood_sample #all_male_cast #transformation
123movies | FMmovies | Putlocker | GoMovies | SolarMovie | Soap2day
8.2/10 Votes: 423,800 | |
84% | RottenTomatoes | |
57/100 | MetaCritic | |
N/A Votes: 5675 Popularity: 35.25 | TMDB |
**The Thing is a bloody disgusting groundbreaking masterpiece that reinvented cinema and reminded everyone that true fear lies in what can’t be seen.**The Thing might be the greatest horror creature film ever made. In an age where aliens were cute and friendly like E.T., John Carpenter’s The Thing depicted a disturbing, grotesque creature of nightmare responsible for some of film’s most terrifying body horror. The Thing was so far ahead of its time in horror and effects that it brought the terror into reality. Carpenter’s brilliant decision to set the film in the frozen wilderness of Antarctica deepens the isolation and paranoia of every second. The practical effects are unbelievable and so impressive, allowing the actors to interact with the horror and make their performances that much more genuine and frightening. The Thing personifies paranoia as Kurt Russell’s MacReady attempts to discover who is alien and who is not, with disgusting and disastrous consequences. Carpenter’s The Thing is a gut-wrenching horror masterpiece that deserved so much more acclaim and recognition than it received upon its release.
Told by way of a cycle of interconnected stories, this works well as a portmanteau of crimes and misdemeanours affecting a small town as it celebrates (or not!) Halloween. We start with a young couple returning from a party; the lady less enamoured with the occasion than her boyfriend. Suffice to say that there was no nookie for them that night (or ever again) as the series moves through a virgin, a group of glamorous vampires, a school principal with a penchant for the macabre and poor old Brian Cox’s “Kreeg” who certainly has the most entertaining encounter with our tiny, pumpkin-headed, menace. The stories play well to our own fears and apprehensions, but there is also a soupçon of humour and a bit of a moral to it – suggesting, very strongly, that nay-sayers and folks who don’t have treats are, quite literally, taking their lives in their own hands. There is no great reliance on visual effects. The presentation of the stories is characterful and genuinely scary a times without us looking for strings or CGI – and that makes this a more genuinely scary film that brings together many things evil and malevolent from the spiritual and fantasy worlds and couples them with some good old human vanity and nastiness. There is a sensible paucity of script – though some of Mr. Cox’s one liners are potent, and Michael Dougherty allows the dark and eerie scenarios to evolve and facilitate the story with as few gimmicks as possible. Great fun, this.
One of the best horror movies ever, finally getting recognition.
If you ‘re not reading this comment just to feel assured that there are other people in this world who share your good taste in films, do yourself a favor and watch this movie immediately. This would have probably been the best horror movie ever, if it wasn’t for Ridley Scott’s masterpiece (Alien). But I would say, “The Thing” really gives “Alien” a run for its money, we are talking about the cream of the crop of the horror/sci-fi category. It also easily qualifies as one of the best movies ever, regardless of genre. John Carpenter is a master of horror movie-making and here we find him at the pinnacle of his creative powers (although I consider “Starman” to be even better, but this isn’t a horror film and it’s another story). Top-notch performances from the all-male cast across the board, a-grade screen writing, stunning visuals and cinematography, and of course Carpenter’s impeccable direction combine into a spellbinding, nightmarish tale of a would-be apocalypse unlike any”thing” you have seen before.When I first checked to see how “The Thing” was doing on the IMDb scoreboard, back in 2001, I was disappointed to see it was hovering somewhere about 5.9 – 6.0. Most of the comments where not very good either, with a few exceptions. I was more than pleased to see this movie gaining more and more appreciation over the years. As I see now, it is among the top 250, with a score above 8.0 and with a good reason: It is certainly one of the greatest horror movies in history, which went under the radar for many years, until it finally achieved the cult status it deserved in the first place.
I was about 9 year old when I first watched this movie, late at night on TV – perfect conditions and age group to watch a film like that. Needless to say, I was scared to death! It took a long time until I watched it again, but the way I could remember all key scenes was a sign of the profound impact it had on me as a kid. Right from the haunting title sequence (which I think was later also copied in “Predator”) to the spectacular gore scenes, to the chilling sense of isolation and impending doom created by the gloomy score.
Since then I have re-watched it many many times and I have to admit, it is perfect material for repeated viewing. More than a quarter of a century after its first (failed) release, witnessing the quality of what was supposed to be a b-movie of the 80’s really puts most films shot today to shame. The detail and attention that went into the production design is truly amazing. The whole antarctic environment is replicated with tremendous accuracy. You can feel the cold and isolation of this barren white wasteland where the story is taking place and this is pivotal in creating the menacing, paranoia-inducing, claustrophobic atmosphere that permeates the film from start to finish.
The story itself is quite unconventional, based on an acclaimed novella from 1938. A team of scientists stationed in Antarctica face an alien life form, found buried in the ice, which upon thawed has the ability to consume other living organisms (including people) and imitate them perfectly. The film concentrates around the fear, mistrust and communication breakdown that ensues between the members of the team, once they realize they are isolated from the outside world, unable to get help and with one or more of them possibly not being human. The way the dynamics of the team is presented and the realistic depiction of their reactions makes the movie transcend its original premise as just a horror/sci-fi film and become something much deeper and profound. I am always amazed by the realistic behavior of each member, despite the unrealistic setup. You see people be afraid and some even break down, but you don’t get you regular unstable guy who freaks out and tries to kill everybody. Kurt Russel gives a career-making performance, while the rest of the cast also does an excellent job. All around, a terrific ensemble piece.
There is also a large amount of carefully timed quality gore, that is utterly mind-blowing. Rob Bottin, the man mainly responsible for the animatronic (although also Stan Winston was also involved in the animatronic work) and make-up redefined the state of the art of what was possible, producing some of the best gore sequences ever that remain unmatched even today. What’s more, these effects are really terrifying because they look and feel real and life-like. CGI is nemesis for a horror movie and “The Thing” is living proof that if you plan to shoot even a remotely scary scene, make sure you stick to good old latex and makeup.
Special mention should also go to Ennio Moriccone’s haunting score. I can’t believe it was actually nominated for a Razzie! Morricone produced some extremely effective underscore for the suspense-building scenes of the film, communicating all the paranoia of the isolated team and the otherworldly, alien presence that lurks in dark places, waiting to take hold.
Overall, I cannot recommend this movie more strongly. It is a rare combination of unparalleled atmosphere, unconventional story and inspired visuals which has stood the test of time admirably.
Original Language en
Runtime 1 hr 49 min (109 min), 2 hr 7 min (127 min) (VHS)
Budget 15000000
Revenue 19629760
Status Released
Rated R
Genre Horror, Mystery, Sci-Fi
Director John Carpenter
Writer Bill Lancaster, John W. Campbell Jr.
Actors Kurt Russell, Wilford Brimley, Keith David
Country United States, Canada
Awards 3 nominations
Production Company N/A
Website N/A
Sound Mix Dolby Stereo (35 mm prints), 70 mm 6-Track (70 mm prints), DTS (DTS: X)
Aspect Ratio 2.20 : 1 (70 mm prints), 2.39 : 1
Camera Panavision Panaflex Gold, Panavision C- and E-Series Lenses
Laboratory Technicolor, Hollywood (CA), USA
Film Length 2,970 m (Sweden)
Negative Format 35 mm (Eastman 100T 5247)
Cinematographic Process Digital Intermediate (4K) (2021 remaster), Panavision (anamorphic)
Printed Film Format 35 mm (Eastman 5384), 70 mm (blow-up) (Eastman 5384)