Watch: 太阳照常升起 2007 123movies, Full Movie Online – Jiang Wen stars in his third directorial work that boasts a stellar cast including Joan Chen, Anthony Wong and Jaycee Chan. A polyptych of interconnected stories in different time-zones, shifting between a Yunnan village, a campus, and the Gobi Desert..
Plot: A polyptych of interconnected stories in different time-zones, shifting between a Yunnan village, a campus, and the Gobi Desert:
It first recounts the plight of a mad young widow (Zhou Yun) and her only son (Jaycee Chan). As if possessed by a magic pair of brightly coloured shoes embroidered in the shape of fish, the woman disappears into the deep waters of the local river.
the second episode takes place on a university campus at the dawn of the Cultural Revolution, where the relationship between teachers Liang (Anthony Wong) and Tang (Jiang Wen) and the voluptuous doctor Lin (Joan Chen) will turn tragic. When it does, Tang is driven into exile in the same village where the mad widow lives. His arrival brings the film to its third tale, which hinges on the magical texture of velvet.
The last story journeys backward in time, travelling to the Gobi Desert in western China. Here the ties connecting the film’s protagonists finally become clear.
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Don’t expect to figure everything out
The movie basically revolves around two interconnecting stories. In the first story, the mother of an 18 year old boy in the countryside of revolutionary China 1976 begins acting strangely once she falls out of a tree trying to retrieve a pair of her shoes that a mysteriously appearing bird, which was repeating “I know, I know, I know,” had stolen. In the second story a teacher at a university in Shanghai (same time, 1976) is falsely accused of groping a female doctor at a film (where he is chased down and beaten by a crowd). The final segment of the movie connects the two tales.I left the theater with several plot questions unanswered and was glad to find out the Chinese audience I watched it with (in Chengdu, China) were equally as puzzled but just as enraptured with the film. You will definitely leave asking questions that I would assert are not possible to answer from the information provided in the film. But you also soon discover that it is really o.k. and the unanswered questions leave you thinking and talking about the film long after you have seen the movie. The film has a magical quality to it, even though it takes place during that most unmagical of times, the Cultural Revolution, with everything except for one scene at the end being set in 1976. The director, Jiang Wen, has only made three films in 15 years, and this is the only one of his that I have seen. But it definitely makes me want to see his other films.
interesting, surreal and kind of pointless
Jiang Wen is pretty much the most popular mainland Chinese director/actor at present. But whenever I watch any of his movies I can’t help feeling that it might be useful being Chinese myself so I could better catch more of the social commentary and humor, which are apparently plentiful in all of his movies. But I am not Chinese, and so Jiang Wen is one of the few directors, whose movies leave me behind feeling stupid and somehow a little guilty for not “getting them”, because there is supposedly so much to “get”…But I also can’t help feeling that his movies are pretending to be more than they really are. This is especially true for this movie, which I enjoyed the least of the three Jiang Wen movies I have seen so far (the other two being “Devils on the Doorstep” and “Let the Bullets Fly”). The set-up is really nice, there are interesting characters and stories introduced. First we see one story in one part of the country, then another story in another part of the country, then one character from the second story going to the first setting and encountering characters from there, and then we get to see a flash-back which ties it all together and wraps the whole thing up. And it all works out pretty nicely with very, very beautiful music and sometimes hilarious scenes going on.
BUT there is constantly some surreal sh!t happening that doesn’t make any sense at all! We have a goat falling from a tree, a piece of grass and dirt floating on a stream leading to a house built with round rocks, a man committing suicide right after all his problems have been solved and a girl giving birth to a baby on a moving train while she is peeing through a hole on the track, thus dropping the baby on the flower covered train track – just to name a few of those moments. I’ve read that these events are for the most part supposed to symbolize the crazy futility of the cultural revolution, which is the time-setting of the majority of the film. What?! Really?! Come on! I’m sure there are better ways to depict the futility of the cultural revolution than having something completely (!) random happening in the movie all the time…
Another thing that i found pretty annoying is that Jiang Wen seems to like using unresolved plot lines as a cheap means to have people discuss and think about the movie afterwards. He simply has plot lines ending abruptly or not showing them any more. That doesn’t make it deeper, it just makes it a bigger mess.
If you want to watch a movie by Jiang Wen, don’t start with this one!
Original Language zh
Runtime 1 hr 56 min (116 min) (Toronto International) (Canada)
Budget 0
Revenue 0
Status Released
Rated N/A
Genre Drama, Fantasy
Director Wen Jiang
Writer Shixing Guo, Wen Jiang, Ping Shu
Actors Wen Jiang, Joan Chen, Anthony Chau-Sang Wong
Country China
Awards 11 wins & 13 nominations
Production Company N/A
Website N/A
Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format 35 mm
Cinematographic Process Super 35
Printed Film Format 35 mm (anamorphic)