Watch: The Snows of Kilimanjaro 1952 123movies, Full Movie Online – As writer Harry Street lays gravely wounded from an African hunting accident he feverishly reflects on what he perceives as his failures at love and writing. Through his delirium he recalls his one true love Cynthia Green who he lost by his obsession for roaming the world in search of stories for his novels. Though she is dead Cynthia continues to haunt Street’s thoughts. In spite of one successful novel after another, Street feels he has compromised his talent to ensure the success of his books, making him a failure in his eyes. His neglected wife Helen tends to his wounds, listens to his ranting, endures his talk of lost loves, and tries to restore in him the will to fight his illness until help arrives. Her devotion to him makes him finally realize that he is not a failure. With his realization of a chance for love and happiness with Helen, he regains his will to live..
Plot: Writer Harry Street reflects on his life as he lies dying from an infection while on safari in the shadow of Mount Kilimanjaro.
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_**An agglomeration of Hemmingway stories with Peck, Hayward and Gardner**_In the shadow of Mt. Kilimanjaro, a wounded writer (Gregory Peck) deliriously reflects on his past loves & adventures in Paris, the French Riviera and Spain during the Spanish Civil War.
“The Snows of Kilimanjaro” (1952) is a melodramatic drama/romance/adventure, the quaint blueprint for future flicks like “Legends of The Fall” (1994). It’s an assemblage of several unrelated Hemmingway stories, including the title one (obviously), as well as his nonfiction book Death in the Afternoon (1932).
The Peck character, Harry Street, is basically a fictional version of Hemingway, who was an author/journalist attracted to traveling, adventure, war and women. He was a volunteer ambulance driver in Italy during WW1 where he was wounded by shrapnel in both legs, which is depicted in the well done “In Love and War” (1996). As a journalist, he was in Spain during much of the Spanish Civil War (1936-1939), hunted on safaris in Africa and was fascinated by bullfighting in Spain & Mexico.
Harry Street comes across as a self-absorbed drama queen who treats gorgeous women dubiously. But the African scenery helps assuage some of the monotony, like the hippos on the river, but the rhinoceros killing is painful to watch because I hate the unnecessary killing of animals, especially mighty ones who could easily kick the hunter’s axx if he didn’t have a rifle.
If you’re not in the right mode, this can be a ponderously episodic bore. But it’s rescued by featuring two of Hollywood’s most beautiful ladies, Susan Hayward and Ava Gardner, not to mention Hildegard Knef. Susan’s pal, Hedy Lamarr, was originally offered the role Ava eventually took.
The film runs 1 hour, 54 minutes and was shot in Nairobi, Kenya; Cairo, Egypt; and the French Riviera; as well as 20th Century Fox Studios, Century City, Los Angeles.
GRADE: B-/C+
Gregory Peck is “Harry Street”, a successful writer confined to bed on an African hunting trip after an accident. Drifting in and out of lucidity, and tended by wife “Helen” (Rita Hayward) he reflects on his life and loves. Much of his recollection focusses on “Cynthia” (Ava Gardner), the woman he loved but lost to his determination to be a successful author and to the Spanish Civil War. The author feels his life somewhat empty, worthless even, but can the efforts of his wife with all of her devotion bring him to his senses? The story is an amalgam of two Hemingway stories that knit together nicely, the photography does justice to the settings – grand Kenyan wilderness to Parisian scenes and it has a pleasing Bernard Herrmann score that adds much richness to the whole look. The retrospective, episodic, style of narrative doesn’t’ help the pace of the story though. At times it drags, and the acting seems oddly sterile for a story that is so essentially visceral. Even at his most impassioned, Peck struggled with parts that required him to demonstrate any sort of emotion; and even with two of cinema’s most noted experts in that field working with him here, it still struggles to catch fire. There is some action around the Civil War scenarios, but mostly this is a fairly faithful representation of the books delivering a modestly engaging introspection from a man who’s led an interesting life.
A downer
Gregory Peck leads an all-star cast in “The Snows of Kilimanjaro,” a big 1952 film directed by Henry King and produced by Darryl F. Zanuck. With a cast that includes Ava Gardner, Susan Hayward, Hildegarde Neff and Leo J. Carroll, and a story based on a story by Ernest Hemingway, one expects something more – much more – than what is delivered by this plodding film.Peck plays a writer with a severe leg infection. As he lays in Africa waiting for a transport while his wife (Hayward) cares for him, he believes he’s dying. He goes over his past life and loves – a girl he disappoints in his youth, then Cynthia (Gardner) the love of his life, followed by Neff, and Hayward, whom he mistakes for Cynthia when he first meets her.
Henry King mixes some beautiful scenery with stock footage of Africa. Since it’s Hemingway, the movie has a macho sensibility – a lot of hunting, drinking, implied sex, and a bullfight. It’s only in the last couple of scenes that the film’s energy picks up – but by then, it’s too late. The performances are okay – strangely, Gardner’s character seems the most fleshed out. That isn’t saying much – one gets the impression a lot was cut, leaving holes in characterizations and the viewer completely detached from them. Altogether, a disappointing experience.
Original Language en
Runtime 1 hr 54 min (114 min)
Budget 0
Revenue 0
Status Released
Rated Approved
Genre Adventure, Drama, Romance
Director Henry King, Roy Ward Baker
Writer Casey Robinson, Ernest Hemingway
Actors Gregory Peck, Susan Hayward, Ava Gardner
Country United States
Awards Nominated for 2 Oscars. 1 win & 3 nominations total
Production Company N/A
Website N/A
Sound Mix Mono (Western Electric Recording)
Aspect Ratio 1.37 : 1
Camera N/A
Laboratory Technicolor
Film Length 3,117 m (13 reels)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm