Watch: Le Dernier des Injustes 2013 123movies, Full Movie Online – A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the “model ghetto”, designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn’t even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann’s new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the “Final Solution” like never before..
Plot: A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the “model ghetto”, designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn’t even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann’s new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the “Final Solution” like never before.
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Harrowing Aspect of the Final Solution in Nazi Germany
I am not sure what to make of THE LAST OF THE UNJUST. It tells the story of Theresienstadt, now in the Czech Republic, which was designated by Adolf Eichmann as a “model ghetto,” an idealized place which was deliberately designed to mislead the world about the ways in which Jews – especially the elderly, as well as children – were being treated. A propaganda film, released in the early Forties, shows a happy community of people contributing to the nation through regular work and ample leisure-time in which people were free to do as they wish.In truth the “model ghetto” was just another death-camp in which Jews were herded together and either left to die or gunned down in cold blood. Benjamin Murmelstein, the last president of the Theresienstadt Jewish Council, was forced to negotiate day after day from 1938 until the end of the war with Eichmann. When the war ended he was ostracized by the Jewish population and forced into exile into Italy.
Three decades later director Claude Lanzmann tracked him down and interviewed him in Rome. Like many of those involved in the Final Solution, Murmelstein protests his innocence as well as trying to justify his behavior. But of course nothing can ever redeem him from the guilt of what happened.
Lanzmann’s footage remained dormant for nearly four more decades until Lanzmann, now an elderly man himself, decided to put it in a film. THE LAST OF THE UNJUST is a long piece of nearly four hours duration, wherein the Murmelstein interview is split up with historic footage, as well as Lanzmann talking direct to camera about the reminiscences of those unfortunate enough to be members of the community, both living and dead.
The message is a harrowing one, reminding us of the depths to which humanity can sink in its lust for power. What renders the film even more difficult to fathom, however, is our awareness that similar atrocities have taken place elsewhere in the world since 1945, and continue to dominate the headlines. It seems that no one really wants to learn from the lessons of history despite Lanzmann’s laudable attempts to make us do so.
Interesting insight into concentration camp life
“Le dernier des injustes” or “The Last of the Unjust” is a co-production between France and Austria that resulted in a 2013 movie that runs for a massive over 3.5 hours. But if you know writer and director Claude Lanzmann, then you already expected this perhaps (or expected an even longer film) as he is the man behind “Shoah”. But back to this one here. It is Lanzmann’s most recent work and given the director’s age, it may very well be his last. He is over 90 now and this film by him also received some awards recognition. A lot of the footage in here is however really old. This refers in particular to Lanzmann’s interviews with Benjamin Murmelstein, who was considered the last living Elder Jew at that point and this description implies that he was the one working together with the Nazis at concentration camps (namely the one in Theresienstadt) in order to be an interface between captors and captives. This is also why he is a bit of a controversial figure, even if most people today would agree as well that he was a victim of the entire situation and not an aggressor of any kind.Anyway, there are passages in French too, but a whole lot of the movie is in German language because of the interviewee’s nationality. Lanzmann is French of course, but he also speaks German during the interviews and this is also a bit of a sign of respect towards Murmelstein, who has a lot of interesting stuff to talk about, some of it involving high-profile Nazi politicians that he was in direct contact with. I myself found these interview parts also the most interesting sequences of the film. And while I enjoyed the film overall, I cannot deny that people with no great interest in European 20th century history will probably come to the conclusion that the film drags quite a bit. Maybe the best choice for these is to not watch it or watch it maybe in 7 parts of 30 minutes each or 5 episodes of roughly 45 minutes as watching the entire thing at once may just not be too rewarding. Anyway, I think that Murmelstein was really interesting enough of a character to not only justify the making of this film, but also to let me recommend it to everybody who is as interested in the days of Nazi Germany and the Holocaust as myself. Thumbs up and I believe it is on the same ölevel as “Shoah” quality-wise, even if it is not half as famous.
Original Language fr
Runtime 3 hr 40 min (220 min)
Budget 0
Revenue 0
Status Released
Rated PG-13
Genre Documentary, History
Director Claude Lanzmann
Writer Claude Lanzmann
Actors Benjamin Murmelstein, Claude Lanzmann
Country France, Austria
Awards 3 nominations
Production Company N/A
Website N/A
Sound Mix Dolby Digital
Aspect Ratio 1.37 : 1 (Interview with Benjamin Murmelstein 1975), 1.85 : 1
Camera Aaton Penelope, Angenieux Optimo Lenses, Aaton Xterà, Angenieux Optimo Lenses
Laboratory Arane-Gulliver, Paris, France, Mikros Image, Paris, France
Film Length N/A
Negative Format 16 mm (Kodak Vision3 200T 7213, Vision3 500T 7219), 35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (2K) (master format), Super 16 (source format), Super 35 (3-perf) (source format)
Printed Film Format 35 mm (spherical) (partial blow-up), D-Cinema