Watch: The Invisible Man 1933 123movies, Full Movie Online – A mysterious man, whose head is completely covered in bandages, wants a room. The proprietors of the pub aren’t used to making their house an inn during the winter months, but the man insists. They soon come to regret their decision. The man quickly runs out of money, and he has a violent temper besides. Worse still, he seems to be some kind of chemist and has filled his room with messy chemicals, test tubes, beakers and the like. When they try to throw him out, they make a ghastly discovery. Meanwhile, Flora Cranley appeals to her father to do something about the mysterious disappearance of Dr. Griffin, his assistant and her sweetheart. Her father’s other assistant, the cowardly Dr. Kemp, is no help. He wants her for himself. Little does Flora guess that the wild tales, from newspapers and radio broadcasts, of an invisible homicidal maniac are stories of Dr. Griffin himself, who has discovered the secret of invisibility and gone mad in the process..
Plot: Working in Dr. Cranley’s laboratory, scientist Jack Griffin was always given the latitude to conduct some of his own experiments. His sudden departure, however, has Cranley’s daughter Flora worried about him. Griffin has taken a room at the nearby Lion’s Head Inn, hoping to reverse an experiment he conducted on himself that made him invisible. But the experimental drug has also warped his mind, making him aggressive and dangerous. He’s prepared to do whatever it takes to restore his appearance.
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It alters you, changes you.There’s a snow storm blowing ferociously, a man trundles towards a signpost that reads Iping. He enters a hostelry called The Lions Head, the patrons of the bar fall silent for the man is bound in bandages. He tells, not asks, the landlady; “I want a room with a fire”. This man is Dr. Jack Griffin, soon to wreak havoc and be known as The Invisible Man.
One of the leading lights of the Universal Monster collection of films that terrified and enthralled audiences back in the day. Directed by genre master James Whale, The Invisible Man is a slick fusion of dark humour, berserker science and genuine evil. Quite a feat for a film released in 1933, even more so when one samples the effects used in the piece. Effects that are still today holding up so well they put to shame some of the toy like expensive tricks used by the modern wave of film makers. John P. Fulton take a bow sir.
After Boris Karloff had turned down the chance to play the good doctor gone crazy, on account of the role calling for voice work throughout the film only, except a snippet at the finale, so Whale turned to Claude Rains. Small in stature but silky in voice, Rains clearly sensed an opportunity to launch himself into Hollywood. It may well be, with Whale’s expert guidance of course, that he owes his whole career to that 30 second appearance of his face at the end of the film? As was his want, Whale filled out the support cast with odd ball eccentrics that are acted adroitly by the British & Irish thespians. Una O’Connor, Forrester Harvey, Edward E. Clive and Henry Travers are memorable. While American Gloria Stuart as the power insane Griffin’s love interest is radiant with what little she has to do.
Based on the now famous story written by H.G. Wells, Whale and R. C. Sheriff’s (writer) version remains the definitive Invisible Man adaptation. There’s some changes such as the time it is set, and Griffin is not the lunatic he is in the film, which is something that Wells was not too pleased about in spite of liking the film as a whole, but it’s still very tight to the source. Sequels, TV series and other modern day adaptations would follow it, but none are as shrewd or as chilling as Whale’s daddy is. 9/10
We all know that necessity is the mother of invention, but there is another saying in Spanish that roughly translates to ‘sloth/laziness is the mother of all vices’ (the closest English equivalent I can think of is ‘idle hands are the devil’s playground’). I would say that the link between invention and laziness is largely computer-generated; that’s why a near-100 year-old movie such as The Invisible Man looks better than any modern CGI extravaganza, and it does so because it’s all there – even when it isn’t.Jorge Luis Borges once wrote about all the trouble that H.G. Wells’s Invisible Man has to go to (wigs, dark glasses, fake noses and beards, etc.) so that people can’t see that they can’t see him. Director James Whale went to similar great lengths to make sure we can see that there is someone we can’t see, and the sheer mechanical ingenuity devoted to making the titular character a tangible physical presence reminds me of the biblical admonition that “ye shall know them by their fruits”; Dr. Jack Griffin (Claude Rains) certainly puts the phrase ‘conspicuous by his absence’ in an entirely different perspective.
The flawlessness of the whole enterprise is made even more impressive when we consider that it was achieved with wires that had to be kept out of the shot because the technology to digitally delete them obviously didn’t exist yet. Other optical effects, involving the Invisible Man himself as opposed to his interactions with other people and objects, are less convincing, and at the same time aren’t – that is to say, any less convincing than today’s green screens, motion capture, and other assorted VFX.
The other major factor that sells the film is Rains’s performance. He evidently can’t emote (we only see his face until the very last shot, and even then in the stillness of death), but he more than makes up for that, first with body language – a category wherein I feel compelled to include the sight of Griffin’s (as Borges might say) autonomous pants skipping down a country road –, and later with his disembodied voice, which he contorts to fully convey the extent of the character’s madness.
Classic horror
I actually saw The Invisible Man (1933) shortly after I saw the James Whale bio-pic Gods and Monsters (1998), starring Ian MacKellan and Brendan Fraser. So it was with that image of the director in my head that I watched this film. Claude Rains (Casablanca) is perfectly cast as the mad scientist/invisible man. The remainder of the cast, though not really challenged much, are more than serviceable in what they are required to do. As has been mentioned by most of the other posters, the special effects hold up rather well even today. An amazing feat considering the film is over 70 years old! The DVD has several interesting documentaries / commentaries that made me appreciate not only this film’s entertainment value but its historical significance as well.
A True Classic!
“The Invisible Man” was another of those classic horror movies turned out by Universal in the early 1930s. It also marks the debut of the respected character actor Claude Rains in the lead role.The film opens with a mysterious figure coming to a country inn during a winter storm seeking food and shelter. The mysterious figure is Dr. John Griffin (Rains) who is wrapped up in bandages and explains this as having been involved in a terrible accident. Actually through experiments, he had made himself invisible and is searching for the antidote. Griffin asks the innkeeper’s wife Jenny Hall (Una O’Connor in another of those delightful screaming British hag roles) that he wishes not to be disturbed. Of course poor Jenny opens the door at the wrong moment and discovers Griffin’s secret. Mayhem ensues.
Unknown to Griffin, there is a serious side effect to his condition…gradual madness. His mentor Dr. Cranley (Henry Travers) and his daughter Flora (Gloria Stuart) are very concerned for him. Griffen flees the inn killing a policeman in the process and goes to the house of his colleague Dr. Kemp (William Harrigan).
Griffen by now driven mad forces Kemp to assist him in his evil deeds. Several more murders take place until the invisible man is eventually brought to justice.
Claude Rains launched a distinguished and lengthy career with this film. Oddly enough we don’t see his face until the end of the picture as his character is invisible throughout. Harrigan is good as the beleaguered colleague and O’Connor as previously mentioned is a hoot. Travers and Stuart have little to do except look concerned over the fate of the tragic Griffin.
Watch for Walter Brennan as the owner of a bicycle, John Carradine as a caller offering a tip to police and the talented but under utilized Dwight Frye as a reporter.
A true classic of this or any genre.
Original Language en
Runtime 1 hr 11 min (71 min)
Budget 328000
Revenue 0
Status Released
Rated Approved
Genre Horror, Sci-Fi
Director James Whale
Writer H.G. Wells, R.C. Sherriff, Preston Sturges
Actors Claude Rains, Gloria Stuart, William Harrigan
Country United States
Awards 4 wins & 2 nominations
Production Company N/A
Website N/A
Sound Mix Mono (Western Electric Noiseless Recording Sound System)
Aspect Ratio 1.37 : 1
Camera N/A
Laboratory Universal Studios Laboratory, USA
Film Length (8 reels), 1,979.35 m (7 reels) (UK)
Negative Format 35 mm
Cinematographic Process Digital Intermediate (4K) (2021 remaster), Spherical
Printed Film Format 35 mm