The Girlfriend Experience 2009 123movies

Watch: The Girlfriend Experience 2009 123movies, Full Movie Online – Chelsea (Sasha Grey) is a high-priced $2,000-an-hour call girl in Manhattan, offering a ‘girlfriend experience’: she’ll dress with the client in mind, go to dinner and a movie, listen attentively to talk about work and finances, and she’ll provide sex. It’s October, 2008: a presidential election nears and the economy is in free fall. She has a boyfriend, Chris (Chris Santos), who’s a personal trainer. We are shown five non-consecutive days in Chelsea’s life. She’s working on her Web page, talking to image consultants, and being interviewed by a reporter. She asks clients when their birthdays are and uses that for an astrological prediction. She’s drawn to a new client, a writer from L.A. Should she break her rules for him? What if it risks her relationship with Chris? Should she invest in gold?.
Plot: Chelsea is an in-demand call girl whose $2,000 an hour price tag allows her to live in New York’s lap of luxury. Besides her beauty and sexual skill, Chelsea offers her clients companionship and conversation, or, as she dubs it, “the girlfriend experience.” With her successful business and a devoted, live-in boyfriend, Chelsea thinks she has it made… until a new client rocks her world.
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Ratings:

	5.5/10 Votes: 16,767
	67% | RottenTomatoes
	66/100 | MetaCritic
	N/A Votes: 244 Popularity: 9.582 | TMDB

Reviews:

Manhattan Mis-o-drama
I saw this film last night on its UK premiere at the National Film Theatre (although it had previously been given a preview showing to a sell-out audience during the London Film Festival last month). Sasha Grey, the star of the film, appeared in person at the end and participated in one of the longer Q&A sessions in my, admittedly limited, experience of these events in which she batted away questions, mainly about her adult film career, with the same show of glacial insouciance that her character demonstrates in the film.

The film which is a series of episodic vignettes about the encounters, both professional and personal, of a high-priced Manhattan escort girl set in the run-up to last year’s US Presidential election is not really about prostitution either as a means of earning money or as a paradigm for the despair of the human soul.

What it is really about is speed-dating, not as an extra-curricular activity but as a well-rewarded existence. The film opens with Ms Grey leaving a hotel and getting into a car and giving a deadpan account of her previous encounter with a client. She prefaces her remarks by listing her complete outfit down to her underwear since this was obviously part of the client “package” which he has purchased, if only for a short time. This sets the tone of the film as being a triumph of, quite literally, style over substance.

This is a very sanitised world with no violence, no drug-taking and even no cooking although enormous importance is attached to meals, mainly taken in commercial premises, where many important conversations take place with Chelsea describing her situation either to clients, an alternately amused and bemused girlfriend (of the platonic variety), and to a journalist. In Chelsea’s profession making intelligent, if superficial, conversation is as, if not more, important than her bedroom gymnastic skills.

Whilst Ms Grey’s elegant Ice Maiden, a persona she has exploited with astonishing ability in her adult film roles, is eminently watchable the main weaknesses of the film are the character and the plot. Ms Grey and her personal trainer boyfriend are mismatched and seem to have nothing in common except vapid self-regard.

There is not so much a narrative thread as a series of threads that Soderbergh pulls out then almost immediately lets drop again. The scene with the boyfriend where Chelsea tells him she is thinking of going away for the weekend with a client put me briefly in mind of Paul Snider’s jealous murderous rage towards Dorothy Stratten (who emerged from the softcore world of Playboy to be on the brink of a carer as a serious actress before her untimely demise) at the end of Bob Fosse’s biopic of that tragic figure, “Star 80”, but it is never developed and it never becomes clear whether they patched up their differences or parted company.

The most interesting scene and the one where Chelsea almost has a “Goodbar” moment is an encounter with a blog reviewer of erotic “services”, the gelatinous self styled “Erotic Connoisseur” . This stands out in sharp contrast to the rest of the film as the dialogue is sharp and pointed and even witty, provoking laughter in the audience, as relief from the surrounding conversational banality. However part way through the scene fades and we do not learn the denouement until later when she describes it in a conversation with a client.

This is one example of how scenes crucial to the action are discussed rather than depicted. This may have some value in a documentary but it weakens a drama which should have both conflict and resolution and this has neither and instead is a few days in the life of a New York escort girl except Ms Grey isn’t an escort girl in reality but portraying one in fiction.

Lastly, we come to Ms Grey herself, who I think will be the major selling point of this film particularly for those who have come across at least some of her other 180-odd films she has appeared in since the age of 18 which will never receive a cinema release. Soderbergh himself makes an ironic reference to this in the final scene where a mountainous Jewish jewellry store owner achieves release by merely being embraced by Ms Grey, clad only in bra and pants, just as many others have achieved release by being electronically embraced by Ms Grey through watching her films.

Ms Grey is the most intriguing figure to come out of the adult film industry and attempt a mainstream crossover since Traci Lords in the mid-1980s. Her svelte, dark-haired willowy appearance stands in sharp contrast to the blowsy, blonde, silicon-assisted features of previous adult film stars who have entered the wider public consciousness in more recent times such as Jenna Jameson.

Could Ms Grey achieve what Dorothy Stratten was on the brink of doing before tragedy intervened and become widely accepted as a mainstream actress? On this evidence she has a long way to go yet but this reviewer will continue to follow her career with interest.

Tedious
Here in Australia there is an extraordinary statistic which tells us that the majority of students at the biggest university in the country work in the sex industry. You see, study is expensive. Who wants to slave away at McDonald’s for hours after class to buy books and pay off student loans when you can make ten times that much for a fraction of the time spent? There is obviously an interesting movie to be made here. This is not that movie. I knew a girl who paid her way through law school by working as an escort. Any one of her stories about “clients” would be more interesting than this.

As the title implies, Chelsea/Christine, the main character, is an escort who also goes out on dates with her clients. She also meets regularly with a journalist who is apparently writing an article about her. This is funny, because as either Christine or Chelsea, the prostitute alter ego, this woman doesn’t say a single interesting thing throughout the entire movie. The only interesting characters are the “clients”, and yet they’re paying Chelsea for her time, not just for sex.

It is tempting to critique Sasha Grey’s performance, but the script doesn’t give her much to do right, let alone wrong. It’s a one note character, and a one note performance.

“The Girlfriend Experience” also refrains from making any kind of statement about this strange, shocking situation that so many students are in now. It’s just Chelsea visiting different men.

It has occurred to me that the repetition of these scenes makes it deliberately confusing as to who the men are. At first, you assume they are all clients Chelsea is servicing. Then, you realise that Chelsea is Christine with some, one is a boyfriend, the other is a journalist interviewing her. Is the point that for someone in Christine’s situation, men are interchangeable, and it is hard to tell clients from spouses? This is not the way any of the real-life sex workers I have heard from describe their work and private lives, but hey, I’ll take meaning where I can get it.

Other Information:

Original Language en
Runtime 1 hr 17 min (77 min)
Budget 1700000
Revenue 1007962
Status Released
Rated R
Genre Drama
Director Steven Soderbergh
Writer David Levien, Brian Koppelman
Actors Sasha Grey, Chris Santos, Philip Eytan
Country United States
Awards 2 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital, DTS
Aspect Ratio 2.39 : 1
Camera Red One Camera, Panavision C-Series Lenses
Laboratory Technicolor, Hollywood (CA), USA (prints), Technicolor, New York (NY), USA (digital intermediate)
Film Length 2,128 m (Portugal, 35 mm)
Negative Format Redcode RAW
Cinematographic Process Digital Intermediate (4K) (master format), Panavision (anamorphic) (source format)
Printed Film Format 35 mm (Kodak Vision 2383), D-Cinema