Watch: The Front Page 1931 123movies, Full Movie Online – Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent stories as much as write them. All are waiting to cover the hanging of Earl Williams. When Williams escapes from the inept Sheriff, Hildy seizes the opportunity by using his $260 honeymoon money to payoff an insider and get the scoop on the escape. However, Walter Burns, the Post’s editor, is slow to repay Hildy back, hoping that he will stay on the story. Getting a major scoop looks possible when Hildy stumbles onto the bewildered escapee and hides him in a roll-top desk in the press room. Burns shows up to help. Can they keep Williams’ whereabouts secret long enough to get the scoop, especially with the Sheriff and other reporters hovering around?.
Plot: Hildy Johnson is an investigative reporter is looking for a bigger paycheck. When an accused murderer escapes from custody, Hildy sees an opportunity for the story of a lifetime. But when he finds the criminal, he learns that the man may not be guilty. With the help of his editor, Hildy attempts to hide the convict, uncover the conspiracy and write the scoop of his career.
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6.7/10 Votes: 3,031 | |
87% | RottenTomatoes | |
76/100 | MetaCritic | |
N/A Votes: 39 Popularity: 6.117 | TMDB |
The Granddaddy of all newspaper films
Although Howard Hawks gave The Front Page a different twist by making Hildy Johnson a woman and giving her a romantic involvement with editor Walter Burns, The Front Page still holds up well today for its biting wit.All the clichés about newspapers as portrayed on film originate with this work. Lewis Milestone assembled a great cast of character actors as the gang in the press room and the lines they toss back and forth at each other are priceless. Even better were some of the lines at the expense of the self important political and law enforcement figures they cover.
I suppose it’s the nature of the job that makes newsmen cynical. But this group takes it to an exponential level. Frank Capra did something very similar in Mr. Smith Goes to Washington. When newly appointed interim Senator James Stewart arrives in town and they make him out a buffoon, Stewart goes around punching out all of them he can find. When he does reach the Capitol Press Room, the whole group of them Thomas Mitchell, Jack Carson, Charles Lane, etc. bring him up quite short. That group of correspondents could easily have been in the press room in The Front Page. I have no doubt that Capra was inspired by Milestone’s work in The Front Page.
The casting of the leads is quite a story. Pat O’Brien had played Walter Burns on stage and someone in the Howard Hughes organization got their wires crossed and signed him for Hildy Johnson. O’Brien made the switch effortlessly though.
Lewis Milestone originally wanted Louis Wolheim with whom he’d worked the year before in All Quiet on the Western Front. But then Wolheim died suddenly right before filming was to start. Adolphe Menjou was hurriedly substituted and he proved to be an inspired choice.
When The Front Page was done on the Broadway stage the roles of Johnson and Burns were played by Lee Tracy and Osgood Perkins. I could see either of them in their respective parts. Both got to Hollywood, but too late to do either part for the screen.
The two female roles of note were Johnson’s fiancé Peggy and the streetwalker who had befriended convicted killer George E. Stone who’s execution the reporters are covering. Mae Clarke as the prostitute is just fine. A tough year for Mae, she jumps through a window here and gets slugged with a grapefruit later on in Public Enemy.
Mary Brian is the fiancé and in an underwritten part, she’s dull as dishwater. Not her fault because the film is about the guys. But seeing this, no wonder Howard Hawks got the inspired idea to eliminate her, create THE Ralph Bellamy part and make Hildy Johnson a woman for His Girl Friday.
Of course The Front Page has the look and feel of the era that birthed it. But the portrait of newspapermen is still fresh and the issues raised about crooked politicians running on “law and order” platforms is probably even more relevant today than back then.
Ignore Camera Obscura’s criticism!
The remarks by Camera Obscura do an injustice to this film and reveal a true absence of aesthetics governing the writer’s appreciation for camera technique, acting, directing and pace. While I am an enormous fan of the subsequent remake, “His Girl Friday,” by Howard Hawks, Lewis Milestone’s direction of the original is invigorating and sets a pace that Hawks had to match before he began to trump it with his own use of crackling overlapping dialog. Way ahead of its time, the camera explores the set, and Milestone and his editor know how to use editing to create pace. This is not merely a filmed play. It is faithful to the play and excellently exploits the camera’s ability to go to closeups, long shots, etc. The acting, particularly by Adolphe Menjou, is as good as in any version. I am also distressed by the comments of Eye 3 who agrees with Obscura that the dialog is shouted in order to be picked up by the microphones! The actors are shouting because their characters are excited – the rapid fire dialog coupled with shouting is an element of farce and is beautifully done, and in the televised version I just watched on TCM, entirely understandable! I do wish someone would restore this early gem to a print with a cleaned up picture and sound, but given its age, it is a remarkable treasure of early sound cinema.
Original Language en
Runtime 1 hr 41 min (101 min)
Budget 0
Revenue 0
Status Released
Rated Approved
Genre Comedy, Crime, Drama
Director Lewis Milestone
Writer Ben Hecht, Charles MacArthur, Bartlett Cormack
Actors Adolphe Menjou, Pat O’Brien, Mary Brian
Country United States
Awards Nominated for 3 Oscars. 2 wins & 4 nominations total
Production Company N/A
Website N/A
Sound Mix Mono (Western Electric Sound System)
Aspect Ratio 1.20 : 1 (sound on film version)
Camera N/A
Laboratory N/A
Film Length 2,810.25 m (10 reels) (UK), 2,740 m (10 reels) (USA)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm