The Entertainer 1960 123movies

Watch: The Entertainer 1960 123movies, Full Movie Online – On the far side of middle age, Archie Rice (Sir Laurence Olivier) lives in a British seaside resort with his father, retired successful vaudevillian Billy Rice (Roger Livesey), second wife Phoebe Rice (Brenda de Banzie), and doting son Frank Rice (Sir Alan Bates). Following in retired Billy’s footsteps, Archie is a song-and-dance music hall headliner, with Frank supporting his dad as his shows’ stage manager. The waning popularity of Archie’s type of shows, a dying form of entertainment, is not helped by Archie’s stale second rate material, which brings in small unappreciative crowds. Archie clings to his long-held lifestyle, including heavy drinking and chronic infidelity, of which Phoebe is aware. What Archie has not told his offspring is that Phoebe was his mistress while he was still married to their now deceased mother. His want to be a music hall headliner is despite his financial problems, he an undischarged bankrupt who now signs Phoebe’s name to everything. Phoebe wants them to escape this life to something more stable, such as the offer from her relations to manage a hotel in Ottawa, Ontario, Canada, while Archie, always one step ahead of his creditors for his current show, wants to mount another for the winter season. Long-suffering Phoebe often drowns her sorrows with booze. One person in their immediate family who has somewhat escaped their life is Archie’s daughter, Jean Rice (Dame Joan Plowright), an art school teacher in London, she who is still trying to find her place in the world. Her pre-engagement boyfriend Graham (Daniel Massey) wants her to move to Africa with him for a job, which she is reluctant to do if only because of not yet being ready to leave her dysfunctional family behind, they who she still feels to need to watch over. Unlike Archie, Jean is more concerned about the fact that her brother Mick Rice (Albert Finney) has just been shipped overseas to fight in the Suez Crisis. Archie’s steps in his determination to mount that new show, seemingly at any cost, may break the family apart once and for all..
Plot: Archie Rice, an old-time British vaudeville performer sinking into final defeat, schemes to stay in show business.
Smart Tags: #self_destructiveness #british_new_wave #dysfunctional_family #washed_up_star #morecambe_england #suez_crisis #beauty_contest #music_hall #end_of_empire #reference_to_mrs._patrick_campbell #screenplay_adapted_by_author #generation #failure #behind_the_scenes #anger #alcoholism #vaudeville #holiday_camp #grandfather #father_son_relationship #father_daughter_relationship

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Ratings:

	7.1/10 Votes: 3,492
	77% | RottenTomatoes
	70/100 | MetaCritic
	N/A Votes: 37 Popularity: 4.052 | TMDB

Reviews:

“What Do I Care”
That little song that Laurence Olivier sings through out The Entertainer as part of his musical hall act really does sum up his philosophy of life.

Outside of the classics this is Olivier’s greatest role and some would not even put that qualifier on his performance. Olivier retained great affection for his role as Archie Rice. He said it contained more of the real him than any other role.

That’s hard to believe because what Archie Rice is is a third rate song and dance man. His father played by Roger Livesey was a great performer back in the day. But Archie never has and never will make it to the top. Think Frank Sinatra and Frank Sinatra, Jr. and you get some idea.

He’s more like Willy Loman in that he’s facing his midlife crisis, knowing full well he’s not really accomplished all that much. Still he plods on. Unlike Willy the luckless middle-aged salesman, Archie’s full of tricks. His credit is all gone, and he’s planning to woo and win a young beauty who’s an airhead like her mom with the object of getting their backing for a new show. He’s ready to throw over wife Brenda DaBanzie without a by your leave.

The only one who Olivier has any kind of human feelings for is his daughter played by Joan Plowright. It was in the original cast of The Entertainer that Olivier first met the woman who became the third and last Mrs. Olivier. When he was made a peer in fact Joan became Lady Olivier.

In fact from the Broadway production, Olivier, Plowright and DaBanzie were the only ones from that cast who were in the film. But some rising young talent like Alan Bates, Albert Finney, and Daniel Massey all got some good first notice in The Entertainer playing Olivier’s two sons and Plowright’s fiancé.

The Entertainer is a downer of a film. There ain’t a middle aged man who doesn’t know what Archie is going through. But our sympathies are never with him. Usually that would mean one big box office flop if the audience can’t sympathize or empathize. But it’s Olivier’s skill as a player that makes us want to see what does become of Archie.

It’s an ending, but in a very minor key. Well deserved I thought.

An extraordinary film
It is amazing to me how many critics and reviewers of this film seem to have missed the subtleties in this story, and in Archie’s character. Far from living in a world of futile fantasies, I think, Archie’s character is much more accurately expressed by the line “The only thing I know how to do is to keep on keeping on.” All available options (Canada, failure, escape, or perhaps, suicide) being unthinkable, what choice has he but to chase another hopeless dream of somehow, finally, nailing a successful show? Perhaps I identify with Archie more strongly than many viewers, having myself been at the helm of a sinking ship (a business.)

One unreasonably scathing critic (did he actually watch this film??) commented on Archie’s daughter, Joan’s, “blind love” for her father. I think it was not “blind love” at all, but a recognition of the (probably useless) courage Archie has to muster to continue to face each day — a day likely to hold for him only more demoralizing failure and unceasing accusation and blame. And far from being totally selfish, as some commentators have written, Archie really seems to be the only person in the family able to look beyond the extremely small focus on their own interests: he is, in fact, the only person in the Rice tribe making a real effort, despite the pain, to find a path out of the mess to a place of security for them all.

Perhaps we have forgotten how dependent families were in that era on the earnings of “the breadwinner,” and yet, reviewers seem to have been just as blind as many wives and families of that time to what a man often had to give up in order to be that breadwinner, including, as in Archie’s case, any fantasies of greatness or even, finally, his last shreds of self-esteem. Was Archie aware of his utter failure? Oh, I think absolutely so. This is why his admission to his daughter that he was “dead” behind his eyes. All the brightness of hope or illusions of personal excellence have been hammered out of him on the iron-cold anvil of real-world failure. Even so, he found it in him to dredge up the understanding and compassion to alleviate his wife, Phoebe’s drunken crash into despair and hostility; and shore up his father’s nostalgic dreams. Though, alas, the latter, too, led to yet another “unforgiveable” tragedy (– or was it?.

The most exquisite and poignant tragedy of it all is that maybe, just maybe, Archie might have pulled it off, but for the failure of his clueless family to understand him or the grim realities of his doomed profession. Forget metaphors of Imperial England, this tale has surely played itself out millions of times, whenever a new technology has made an old craft obsolete — as when the printing press replaced scribes, or when electric lights eliminated the town’s lamp lighter, or when automated projectors replaced skilled projectionists. Many of the movie’s reviewers, in my opinion, are as blind to what is really going on here as is Archie’s family. They assume that Archie’s failures are the result of his negligence and selfishness, and that his dalliance with the beauty queen is a real romance (and threat to their security), when, in his eyes, it is just another, necessary, desperate and ultimately demeaning business deal. Joan alone, it seems, finally understands — far too late to avert the inevitable end. Ultimately, every family member’s myopic conception of Archie’s reality leads them to take the reflexive steps that seal his doom.

Shakespeare would have been completely a home with this tragic tale, and I think it was not such a great leap away from Hamlet for Olivier.

The story is richly-detailed, unexpected and though-provoking. And Olivier is superb. A stunning performance from beginning to tragically inevitable end.

Other Information:

Original Language en
Runtime 1 hr 36 min (96 min), 1 hr 45 min (105 min) (TCM print) (USA)
Budget 0
Revenue 0
Status Released
Rated Not Rated
Genre Drama
Director Tony Richardson
Writer John Osborne, Nigel Kneale
Actors Laurence Olivier, Brenda de Banzie, Roger Livesey
Country United Kingdom
Awards Nominated for 1 Oscar. 1 win & 5 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono (Westrex Recording System)
Aspect Ratio 1.66 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm