Watch: The Dig 2021 123movies, Full Movie Online – An archaeologist embarks on the historically important excavation of Sutton Hoo in 1938..
Plot: As WWII looms, a wealthy widow hires an amateur archaeologist to excavate the burial mounds on her estate. When they make a historic discovery, the echoes of Britain’s past resonate in the face of its uncertain future.
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7.1/10 Votes: 75,163 | |
88% | RottenTomatoes | |
73/100 | MetaCritic | |
N/A Votes: 959 Popularity: 18.001 | TMDB |
The Dig reminded me of another movie about archaeology and which was not only also based on a true story but also involved a woman’s contribution to that scientific field. That other movie was Ammonite, about a woman archaeologist in a time when women were more than rare in that field of endeavor.Unlike that character, however, Edith Pretty in The Dig does not do the work herself. Instead, her interest in archaeology and curiosity about the mounds on her property leads her to hire Basil Brown, a self-trained archaeologist, or “excavator,” as he refers to himself in the film.
I enjoyed the movie despite —or perhaps even because of its relaxed pace and subdued action. If you are sleepy but decide to watch a movie instead, you may want to save this foils for a more alert viewing.
As with most biopics and other films based on true events, changes have been made to spice up the telling. Apparently some of them occurred first in the novel it is based on. For example, because some sort of “bad guy” is required for most movies, the British Museum seems to be depicted in a slightly more adversarial role than what was the case. Also, because a romance didn’t occur between the main characters, a romance was invented between two of the supporting characters. And of course actress Carrie Mulligan was 20 years younger than Edith Pretty was at that time, but they do use makeup to age her somewhat.
Changes like this are to be expected. The result is a movie that is both entertaining and, dare I say it, a little educational all at once.
Before watching this film, I had absolutely no idea who Basil Brown (Ralph Fiennes), Edith Pretty (Carey Mulligan), or even Peggy Piggott (Lily James) were and what they did. As an engineer and a science enthusiast myself, I rarely struggle to find some sort of enjoyment in movies based on true stories about scientific discoveries, technological advancements, or impactful historical events. Therefore, despite a premise that doesn’t immediately catch my attention, Simon Stone does a wonderful job in making this film quite interesting.Mike Eley’s cinematography produces some of the most gorgeous shots of the year, transforming The Dig into a visually satisfying movie to look at. The main narrative focuses on the excavation itself and the findings of a shockingly old (Anglo-Saxon) ship, which turns out to be more captivating than I ever anticipated. However, the romantic subplot involving Peggy Piggott feels out-of-place and rather dull considering the objective of this film. It really hurts the overall pacing, dragging an otherwise well-balanced flick.
Moira Buffini’s already excellent screenplay is still elevated by the remarkable cast. Fiennes (Harry Potter) and Mulligan (Promising Young Woman) share a heartwarming chemistry that really suits their characters. Lily James (Rebecca) also demonstrates her impressive emotional range once again. Overall, I recommend it to any viewer who’s interested in knowing more about the real-life story or who’s simply a fan of this specific genre.
Rating: B
Watch it for the wonderful performances from Carey Mulligan and Ralph Fiennes
“The Dig” (2021 release from the UK; 112 min.) reminds us at the very beginning that this is “Based On a True Story”. We then go to “Suffolk, England, 1939” as Basil Brown arrives at the house of Edith Pretty. Turns out Mrs. Pretty has hired Mr. Brown to do some archeological work on her estate. Her young son excitedly asks Mr. Brown “Are you going to dig upo the mountain?”. Mr. Brown, taking room and pension at Mrs. Ptretty’s house, starts to dig and soon is working his way towards some intriguing finds… At this point we are 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you’ll just have to see for yourself how it all plays out.Couple of comments: this is directed by little known Australian director Simon Stone (“The Daughter)”. Here he brings us a historical drama about what later became known as the Sutton Hoo treasure, one of the biggest archeological finds in British history. The setting of 1939 is pivotal in several ways: of course the threat of WWII is in the air, but even more important, the way of life in those days was just entirely different, and being in a remote English area (near Ipswich) only reinfornces that. So be prepated for a slow moving film, I didn’t mind it one bit. Even more critical for the movie is Carey Mulligan’s exquisite lead performance. Playing a person who is more than 20 years her senior in real life (Carey is 35, Mrs, Pretty was in her mid-50s in 1939), she does so with grace and style and presence. The role couldn’t be more different from what Carey did in the recently released “Promising Young Woman”, which was in my top 3 of the bests films of 2020. Ralph Fiennes is equally great as the excavator Mr. Brown. Last but not least there is a wonderful orchestral score by Stefan Gregory, who I must admit was previously unknown to me.
“The Dig” opened last weekend in select theaters for a short run before then moving on to Netflix. (Seems like every other new theatrical release these days follows that pattern….) Thankfully the film opened at my art-house theater here in Cincinnati. The early Satruday evening screening where I saw this at was attended so-so (exactly 5 people including myself). Never mind. If you are in the mood for a good ol’ fashioned hisstorical drama featuring outstanding performances from Carey Mulligan and Ralph Fiennes, I’d readily suggest you check this out, be it in the theater (if you still can), on VOD< or eventually on DVD/Blu-ray, and draw your own conclusion.
They couldn’t just trust the real story.
The Dig (2021) was directed by Simon Stone. It stars Carey Mulligan as Edith Pretty. Mrs. Pretty is a widow who lives on a large estate. She is convinced that there’s something of archeological significance on her property. She employ Basil Brown (Ralph Fiennes) to excavate one of the burial mounds. Brown is a skilled and experienced excavator, but he has no formal academic training. The result of his efforts can now be seen in the British Museum.This could have been a great movie, if director Stone had just worked with what actually happened. Naturally, staff of the local museum wanted to direct the excavation, as did staff of the British museum. There was an inquest to decide the ownership of the find. World War II was (literally) about to begin. A perfect 90-minute movie. However, it ended up being a less-than-perfect 105 minute movie.
That’s because director Stone brings in a (fictitious) cousin of Mrs. Pretty and a beautiful young female archeologist married to a stodgy , unromantic male archeologist. (Guess where that goes?) The inquest–an absolutely essential scene about who owns the find–is botched. You have to work backwards to figure out what happened. Worst of all, you never see the dramatic results of the excavation. You can see them in the British Museum, or online, or on a postcard. However, you don’t see them in the movie. (Maybe the British Museum didn’t like the movie, and refused to give permission.)
All in all, what could have been an excellent movie turned out to be pretty good movie. It’s worth seeing as long as you don’t expect great things. It works well on the small screen. The Dig has a pretty good rating of 7.3. I agreed, and rated it 7.
Original Language en
Runtime 1 hr 52 min (112 min)
Budget 0
Revenue 0
Status Released
Rated PG-13
Genre Biography, Drama, History
Director Simon Stone
Writer Moira Buffini, John Preston
Actors Carey Mulligan, Ralph Fiennes, Lily James
Country United Kingdom
Awards Nominated for 5 BAFTA 3 wins & 10 nominations total
Production Company N/A
Website N/A
Sound Mix Dolby Atmos, Dolby Digital
Aspect Ratio 2.00 : 1
Camera Arri Alexa LF, Arri DNA LF Lenses
Laboratory Goldcrest Post, London, UK (digital intermediate by) (as Goldcrest Post Production), Harbor Picture Company, London, UK (dailies by) (as HARBOR)
Film Length N/A
Negative Format Codex
Cinematographic Process ARRIRAW (4.5K) (source format), Digital Intermediate (4K) (master format), Dolby Vision, Spherical (source format)
Printed Film Format Video (UHD)