The Chalk Garden 1964 123movies

Watch: The Chalk Garden 1964 123movies, Full Movie Online – A grandmother (Dame Edith Evans) seeks a governess for her sixteen-year-old granddaughter, Laurel (Hayley Mills), who manages to drive away everyone so far by exposing her past, with a record of three in one week. When an applicant with a mysterious past manages to get the job, Laurel vows to expose her. Meanwhile, Laurel’s mother Olivia (Elizabeth Sellars) tries to get her back..
Plot: A grandmother seeks a governess for her 16 year old granddaughter, Laurel, who manages to drive away each and every one so far by exposing their past, with a record of three in one week! When an applicant with a mysterious past manages to get the job, Laurel vows to expose her. Meanwhile, Laurel’s married-divorced-married mother tries to get her back.
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Ratings:

	7.2/10 Votes: 2,270
	71% | RottenTomatoes
	61/100 | MetaCritic
	N/A Votes: 35 Popularity: 4.737 | TMDB

Reviews:

Such delight to be able to view “The Chalk Garden” again on DVD, finally released by Universal Vault Series.
Hayley Mills has always been one of my favorite teen actors since “The Parent Trap” circa 1961 with a fantastic Disney ensemble cast of Brian Keith and Maureen O’Hara as Susan & Sharon’s parents, with unforgettable Una Merkel as Verbena, Joanna Barnes unmistakably as Vicky, and Leo G Carroll as the wistful Reverend Dr Mosby. “The Chalk Garden” 1964 is the rare occasion where Hayley got to truly deliver an in-depth performance involving complex emotions and character development. Playing opposite Deborah Kerr, Dame Edith Evans, and her father John Mills must had been a thrill for her.

It seems they don’t make simple straightforward drama delivered as stylish as the Ross Hunter Productions did. ‘Straightforward’ in the sense of no gimmick, no special effects – just simply excellent performances all round – a handful of characters weaving a meaningful, intriguing story. A believable set design and complementing art direction, skillful cinematography and right dose of music score applied. Directed by Ronald Naeme (who gave us “The Prime of Miss Jean Brodie” 1969 and blockbuster disaster hit “The Poseidon Adventure” circa 1972), you can say it’s a perfect film experience, in spite of the ‘damaged’ teenager fighting for love and self-esteem subject. It was wonderful to see this film all over again, twice, thrice – well, there’s no chapters option, the DVD simply plays and loops itself. (Hence the ‘Vault Series’ with no fanfare.) Guarantee deeper appreciation of this production and the performances with repeat viewing.

I’m sure I’m not the only one who very much misses the other gem of a movie with Hayley Mills acting with her father John Mills again in the 1965 “The Truth About Spring” (directed by Richard Thorpe), a fun romp and buoyantly merry (sea adventure) with James MacArthur as Spring’s (Hayley’s character) opposite attraction. Sure hope a DVD revival version will soon sprout up! It IS a Universal Pictures – both production and distribution!

Note: Notice Ronald Naeme was born in 1911. He’d be 100 next year in 2011. What an illustrious cinematic life in film-making achievements, and having been with the masters, Alfred Hitchcock and David Lean.

The Green and the White
Hayley Mills is perhaps today best known, at least in America, as the teenage heroine of the series of family-oriented comedies which she made for Disney in the 1960s. She did, however, also make a number of films in Britain, often on serious themes, and “The Chalk Garden” is one of these. (Other examples include “Tiger Bay” and “Whistle Down the Wind”).

The story is set in an old manor house in Sussex. (The house used is a real one, in the village of East Dean on the South Downs near Eastbourne). A mysterious woman calling herself Miss Madrigal arrives at the house to be interviewed for the position of governess to Laurel, the teenage granddaughter of the owner, Mrs. St Maugham. Although Miss Madrigal has no references and no previous experience as a governess, she gets the position, largely because Laurel is such a badly-behaved child that none of the other candidates can bear the thought of looking after her.

This is, however, no comedy about an amusingly naughty girl. It soon becomes clear that Laurel’s behaviour is far more than childish mischief or teenage rebellion, and that she is in fact a deeply unhappy and disturbed young woman. She seems to be preoccupied with crime, especially murder and arson, and the roots of her unhappiness appear to lie in her upbringing. Her father is dead and her mother abandoned her when she married for a second time, leaving the girl to be brought up by her imperious and eccentric grandmother, who has neglected her. Laurel’s mother Olivia, however, has now reappeared and is intent on reclaiming custody of her daughter, a prospect Mrs. St Maugham views with abhorrence as she regards Olivia as an unfit mother.

The title “The Chalk Garden” refers on a literal level to the alkaline chalky soil in Mrs. St Maugham’s garden, an unsuitable medium for growing the sort of flowers which the old lady is trying to plant, especially rhododendrons which need acid soil. (In other parts of Sussex they grow like weeds). Metaphorically, it is used to suggest that Laurel, symbolically named after a plant, has also been raised in the wrong type of environment.

The film was directed by Ronald Neame who was also responsible for “The Prime of Miss Jean Brodie”. In both films he makes symbolic use of colour. Here the predominant colours are green (representing the “garden” element of the title) and white (representing “chalk”). The green of the vegetation predominates in the outdoor scenes, white in the indoor ones, and many scenes feature a prominent white object- a nightdress, a glass of milk, the cliffs of Beachy Head or the Seven Sisters. Symbolically, green can be seen as symbolising youth and growth, white with innocence but also with aridity and sterility. Other colours are associated with particular characters who are often seen dressed in them- yellow with Laurel, blue with Miss Madrigal, purple (the colour of both royalty and mourning) with Mrs. St Maugham, who is both imperious and unhappy. The bright reds, pinks and oranges which played an important part in “Jean Brodie” are not much used.

As in “Jean Brodie”, Neame elicits some fine performances from his stars, especially the women. (In both films the female roles are more prominent than the male ones). Apart from three silent movies in the 1910s, Edith Evans was an actress who came late to the cinema, not making her first “talkie” until she was in her sixties, but quickly carved out a niche playing haughty upper-class ladies, most famously Lady Bracknell in “The Importance of Being Earnest”. Here, as Mrs St Maugham, she shows that she could play this sort of role in serious drama as well as comedy. Deborah Kerr, as Madrigal, is suitably mysterious and inscrutable in the early scenes, more passionate in the later ones after the secret of her past (I won’t say what it is) has been revealed. There is also a good contribution from Hayley’s father John as the butler Maitland (who may also hide a secret of his own). John Mills also acted with his daughter in three other films, including “Tiger Bay”.

Hayley Mills is brilliant as the disturbed, unhappy Laurel, one of her best roles and a more challenging one even than Gillie in “Tiger Bay” or Cathy in “Whistle Down the Wind”. Seeing this film made me all the more surprised that she did not go on to become a bigger star as an adult. This is one of a number of films in which Hayley plays a child or teenager growing up in something other than the traditional two-parent family- in “Whistle Down the Wind” she is being raised by her widowed father, in “Tiger Bay” and “Pollyanna” she is an orphan and in “The Parent Trap” she plays twin sisters whose parents are divorced.

I would not rate this film quite as highly as “Tiger Bay”, “Whistle Down the Wind”, or “Jean Brodie”, three of the classics of the British cinema. The plot, based upon a play by Enid Bagnold, can seem a bit too neat and schematic when the secret of the mysterious Miss Madrigal’s own past is finally revealed, and there is some rather trite moralising. Nevertheless, it is a well-acted and well-photographed piece of film-making, and I am surprised that it is not better known. 7/10

Other Information:

Original Language en
Runtime 1 hr 46 min (106 min), 1 hr 45 min (105 min) (Spain)
Budget 0
Revenue 0
Status Released
Rated Approved
Genre Drama, Mystery
Director Ronald Neame
Writer John Michael Hayes, Enid Bagnold
Actors Deborah Kerr, Hayley Mills, John Mills
Country United Kingdom, United States
Awards Nominated for 1 Oscar. 3 wins & 6 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono (Westrex Recording System)
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory Technicolor (color)
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm