Watch: The Centerfold Girls 1974 123movies, Full Movie Online – A depraved religious fanatic sets out to punish all the “immoral” women who have posed for the center-fold of a men’s magazine..
Plot: Police try to halt a psychotic killer’s (Andrew Prine) rampage against women who posed nude in men’s magazines.
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5.5/10 Votes: 835 | |
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excellent exploitation flick.
Superb exploitation nasty. I loved this one. Real dirty and gritty and fast moving. Well-directed with some nice performances.Andrew Prine is perfectly cast as a saddle-shoe-wearing nerd who is out to “save” all the calender/pin-up girls he can (“save” as in split their head open with a razor). And he really goes about his business. With his ultra-skinny physique and creepy/quirky demeanor he projects kind of a low-rent Norman Bates quality.
Film has three (or is it four?) different stories, each following a girl that Prine is tracking down. The killing is ruthless and quick and somewhat unsettling. Also unsettling is that the girls bounce from one horrific situation to the other like pinballs (ALL the men in this movie are creeps – and most of the women, too!!!).
If you get a chance, and if exploitation with a sharp-edge is your bag check this one out, you might like it.
A splendidly sleazy slice of 70’s drive-in slasher trash
If anyone was to ask me who’s my all-time favorite delightfully dweebish 70’s B-horror flick actor, my answer would have to be the ineffably gauche, yet still bizarrely riveting Andrew Prine. With his tall, lanky, ungainly build, gaunt hangdog face, quivering voice, and often antsy, uneasy disposition, Andy was basically a poor man’s Anthony Perkins for the Me Decade. Prine established himself as the early 70’s twitchy psycho pic performer par excellence with his spot-on spaced-out portrayals of an evil, world-weary warlock in the trippy “Simon, King of the Witches” and a disgusting, desert-dwelling, mother-hating bargain basement misogynist Norman Bates-like oedipal wreck lunatic in the sublimely skanky “Barn of the Naked Dead.”“The Centerfold Girls” finds our boy Andy in first-rate fidgety, fumbling, *beep*ed-in-the-head freakazoid form as Clement Dunne, an awkward, bespectacled, sexually repressed and thoroughly nerdy nutjob sporting a ghastly Beatles shag haircut, equally ugly rumpled leisure suits and unsightly two-tone Buster Brown shoes. The only thing worse than Dunne’s hideous coiffure and horrendous wardrobe is his nasty murderous propensity for brutally carving up the assorted sinful scarlet harlots who’ve posed in the buff for the sleazy skin mag “Bachelor.” Dunne’s luscious lady victims are a veritable distaff who’s who of 70’s grindhouse cinema: the gorgeous Tiffany Bolling of “The Candy Snatchers” fame, “Bummer” ‘s Connie Strickland, Jennifer Ashley (who was previously terrorized by Prine in “Barn of the Naked Dead”), future “The Young and the Restless” daytime TV soap opera series regular Jaime Lyn Bauer, busty brunette Janet (“The G.I. Executioner,” “Angels Hard As They Come”) Wood, Talie (“The Love-Thrill Murders,” “I Spit on Your Corpse”) Cochrane, onetime “Penthouse” Pet Anneka di Lorenzo, and no-name lovelies Kitty Carl and Ruth Ross, most of whom do gratuitous nude scenes before Andy bags ’em. The male supporting cast coughs up a similar roll call of down and out exploitation hack perennials: the ubiquitous Aldo Ray as a repulsive would-be rapist, Jeremy Slate as a crusty homicide detective, Ray Danton as a droll adult magazine publisher, huge, hulking, granite-faced veteran tough guy Mike Mazurki as a grouchy mansion grounds keeper, and fat guy character actor Dan Seymour as a motel manager.
John Peyser’s tight direction, the almost constant avalanche of bared female flesh, and the harsh, bloody violence add immensely to the deliciously deviant junky fun, while the minimal music, crude cinematography and grainy film stock give this trashy treat the irresistibly seedy aura of a scuzzy no-budget porno feature. Perhaps the film’s oddest , most startling and notable aspect is its shockingly blunt, in-your-face vile, sneering and hostile misanthropy and mean-spiritedness: Practically every last character, especially the largely creepy and unpleasant guys, comes across as really hateful, antisocial and unsympathetic a**holes; even Bolling’s much-abused stewardess heroine is a snippy, stuck-up bitch. As a result, Prine’s wonderfully warped wacko inadvertently seems like more of a semi-justified anti-hero instead of a full-fledged villain. It’s this latter alarmingly off-kilter element which truly makes this depraved drive-in dreck one to relish.
Original Language en
Runtime 1 hr 31 min (91 min)
Budget 0
Revenue 0
Status Released
Rated R
Genre Horror, Thriller
Director John Peyser
Writer Bob Peete, Arthur Marks
Actors Jaime Lyn Bauer, Aldo Ray, Dennis Olivieri
Country United States
Awards N/A
Production Company N/A
Website N/A
Sound Mix Mono
Aspect Ratio 1.66 : 1
Camera Arriflex 35 IIC
Laboratory Consolidated Film Industries (CFI), Hollywood (CA), USA
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm