Watch: האופה מברלין 2017 123movies, Full Movie Online – Thomas, a young and talented German baker, is having an affair with Oren, an Israeli married man who dies in a car crash. Thomas travels to Jerusalem seeking answers. Keeping his secret for himself, he starts working for Anat, his lover’s widow, who owns a small café. Although not fully kosher and despised by the religious, his delicious cakes turn the place into a city attraction. Finding himself involved in Anat’s life in a way far beyond his anticipation, Thomas will stretch his lie to a point of no return..
Plot: Thomas, a young German baker, is having an affair with Oren, an Israeli married man who has frequent business visits in Berlin. When Oren dies in a car crash in Israel, Thomas travels to Jerusalem seeking for answers regarding his death. Under a fabricated identity, Thomas infiltrates the life of Anat, his lover’s newly widowed wife, who owns a small Café in downtown Jerusalem. Thomas starts to work for her, creating German cakes and cookies that bring her Café to life. Thomas finds himself involved in Anat’s life in a way far beyond his anticipation. To protect the truth he will stretch his lie to a point of no return.
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7.3/10 Votes: 4,799 | |
97% | RottenTomatoes | |
74/100 | MetaCritic | |
N/A Votes: 102 Popularity: 5.566 | TMDB |
Strong 4 // Quietly powerful
The Cakemaker is melodrama fodder. A married man, a young son, a gay affair, death, deceit, revelation – the setup has all the trappings of a trite lifetime movie. It’s not though, far from it. Instead, it’s one of the quietest and most delicate films I’ve seen this year. It trades dramatic fireworks for quiet rumination, diving deep into the psychology of grief rather than indulging in scandal. The performances are beautifully restrained, the dramatic weight carried on the slightest of expressions. Character motivations are left largely unarticulated, challenging the viewer to empathize and draw their own conclusions as to their thoughts and feelings. The languid pacing may be patience-testing for some, but I found myself comforted and calmed by the stillness of the film. The drama is quite layered as well with cultural, social, and religious themes impressing upon the core triangular relationship. Perhaps what I admire most about the film though is the broad, non-judgmental way in which it depicts love and loss, unbound by social and cultural divides. A beautiful, honest, and melancholic piece.Strong 4/5
Beautiful but illogical
There are beautiful shots of Jerusalem, including the call to Shabbat, and Berlin. Indoor scenes are dressed simply but effectively. But … Oren, who travels frequently to Berlin on business, tells his wife Anat he is having an affair and is leaving her. But as he moves out to a hotel, he is killed in a car accident. Soon after, a mysterious German (Thomas) shows up at Anat’s Jerusalem café, becoming a regular customer while asking for a job. As Anat also juggles with 7-year-old son Itai, Thomas is hired as a dishwasher, but he manages to start baking, and the café soon becomes famous for it, even if it loses its kosher designation and some of its customers. As Anat seduces a willing Thomas in the kitchen, Hanna (who seems to be Oren’s mother) invites Thomas to see “his room”. Is there a degree of willful blindness going on? The most glaring illogical point is the “damming evidence” in unheard, unanswered calls on Oren’s phone. Another is Thomas insisting on getting Anat to knead dough, when she could have been delegated easier tasks like cutting and chopping (she earlier teaches Thomas to core peppers for stuffing). And while scenes with Oren shows Thomas being straight-curious, does that really end in his willing participation in intimacy with Anat?
Original Language he
Runtime 1 hr 53 min (113 min)
Budget 0
Revenue 0
Status Released
Rated Not Rated
Genre Drama, Romance
Director Ofir Raul Graizer
Writer Ofir Raul Graizer
Actors Tim Kalkhof, Sarah Adler, Roy Miller
Country Israel, Germany
Awards 18 wins & 15 nominations
Production Company N/A
Website N/A
Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A