Texas Chainsaw 3D 2013 123movies

Watch: Texas Chainsaw 3D 2013 123movies, Full Movie Online – After the first massacre in 1974, the townspeople suspected that the Sawyer family were responsible. A vigilante mob of enraged locals surrounded the Sawyer house, burning it to the ground and killing every last member of the family. Decades later, a young woman named Heather learns that she has inherited a Texas estate from her grandmother. She decides to bring her friends along on the road trip to investigate her inheritance. On arrival, she discovers she has inherited a mansion, but is yet to uncover the terrors that lurk in the basement underneath it..
Plot: A young woman learns that she has inherited a Texas estate from her deceased grandmother. After embarking on a road trip with friends to uncover her roots, she finds she is the sole owner of a lavish, isolated Victorian mansion. But her newfound wealth comes at a price as she stumbles upon a horror that awaits her in the mansion’s dank cellars.
Smart Tags: #leatherface_character #masked_killer #human_skin_mask #chainsaw #bound_and_gagged #nudity #female_nudity #voyeur #voyeurism #tape_over_mouth #graphic_violence #mad_killer #deranged_brute #texas #leatherface #killed_in_a_chipper #duct_tape_gag #adopted_girl #breast_kissing #duct_tape_over_mouth #cleavage

Find Alternative – Texas Chainsaw 3D 2013, Streaming Links:

123movies | FMmovies | Putlocker | GoMovies | SolarMovie | Soap2day

Ratings:

	4.8/10 Votes: 52,066
	19% | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 1368 Popularity: 34.262 | TMDB

Reviews:

So Disappointed.
Being the extremely huge Leatherface fan that I am, I have been looking forward to seeing this movie since the first posters came out. Literally have been counting down the days. I rushed to the theater on opening night super excited because the Texas Chainsaw Massacre 3D facebook page shared a lot of information about the making of the movie and I expected it to be the best one yet. HOWEVER….

I was so unbelievably disappointed in this movie it sickens me.

If someone didn’t know anything about the previous TCM movies, they would think this was just your everyday horny teenager horror movie. I believed that the TCM movies were always better than that, but now my opinion has changed.

The movie started out good, and had some good background information to later understand the present scenes. However, once we met the main characters of the movie it was obvious that it wasn’t going to meet my expectations. And the fact that Trey Sonz was in this movie(even though his acting skills WERE better than I expected) totally ruined it for me. Also the makers of the movie made a huge error with the the main character’s age (should be at least 40.) The killings were not that severe, the only 3D parts were with the chainsaw (which didn’t even happen that much), and Leatherface was turned into this sweet character that you began to feel bad for. And don’t even get me started on how Heather was acting at the end of the movie.

The whole story line was completely changed. During the first half of the movie it is just like the other TCM movies, but the last half turns into some weird love/family reuniting story which I absolutely hated. Plus the other movies really portrayed the fact that the movie was based off a true story. This new TCM makes it seem more like a fantasy horror movie. It’s all just very confusing and makes me feel like a woman with a glass of wine wrote the story line.

See for yourself if you like but if you are a die hard TCM fan like I WAS, then I highly expect you to be disappointed and don’t spend money on it. Thank god I got movie theater gift cards for Christmas…

An Excess Devoid of Thought or Merit
Beyond all the pink-cheeked, bated-breath laudation that has come from critics and horror aficionados in the 38 years since the release of the original film, it’s not a stretch to say that the two things that worked together so effectively in the execution of the original was the stark, naturally-lit and flat documentarian style of cinematographer Daniel Pearl and the sparse writing of Hooper and Henkel, whose utter lack of exposition lend a terrifying, claustrophobic immediacy in counterpoint to sun-baked Southern Gothic vistas, which place the viewer squarely and unremittingly in role of Hitchcock’s man filming in the corner, with all of the legendary director’s flinch-inducing atmospherics and not of whit of his restraint, such as it was.

With so much latitude in which to effect a direct sequel (apparently given a seal of approval by Hooper, undoubtedly for monetary incentive and despite his directing a direct sequel in 1986), with so little to hamper questions of plot or motivation, Texas Chainsaw 3D fails so completely and morosely that one might wonder for whom the film was even made, for it definitely was not for a viewer with any sense of taste or even the ability to do basic arithmetic.

It is generally understood that the events of the first film take place in 1973 or ’74. Once this film left the confines of those few brief sequences which dovetail immediately from the end of original, in which a lynch mob and the most ineffectual sheriff ever are party, directly or indirectly, to picking off the entire Sawyer clan to which Leatherface is kin, and then burning the farmhouse to the ground, and a member of the mob inexplicably taking the lone babe of family home to raise as his own, we skip, by all accounts of vernacular, media, and what little of civilization we see before plunging back into the wilds of rural Texas, to be modern day; a tombstone later in the film confirms that the year is in fact 2012. From this, we must conclude one of two things: Heather Miller (the now grown-up Sawyer child from the intro, played by a disturbingly thin Alexandra Daddario) is either the youngest looking 40-year-old heroin chic store butcher (as heavy-handed a nod to the nature vs. nurture debate as I’ve seen in film since being lampooned in Trading Places) in the history of cinema, or people were picking up retarded hitchhikers in VW bugs while wearing bare-backed polyester fashions of the seventies sometime between the fall of the Berlin Wall and the Rodney King riots. So far is this discrepancy from being explained that all reference to the date of the original film’s events are limited to “August 19th” with the year consistently being deliberately obscured.

The rest of the cast is equally unremarkable in presence and abysmal in performance, from the Tonia Raymonde shedding her more tame bad-girl image from ABC’s absurd Switched at Birth series to become the requisite slutty slasher-bait, inexplicably involved in a love triangle, never exposed or explained beyond its smarmy, innuendo-laced exposition, with Heather’s boyfriend, played by Trey Songz, included no doubt in an attempt to add urban flair and coax minority viewers that are probably sick of seeing Caucasian kids lumber around stupidly and getting fileted in the dark woods.

The greatest disservice to the original material was the ridiculous attempt, by way of the Sawyer family slaughter at the beginning and the near single-minded thuggery of the lead vigilante, now serving as the town’s mayor, to make Leatherface and company sympathetic characters, even swinging for the anti-hero fences when the bloodthirsty mayor meets his boring and contrived ending. Were the mayor and his retinue of good old boys terrible people for mowing down a slew of people and burning the house to ash with Molotov cocktails? Undoubtedly. But we should not forget those people were part of an inbred family of murdering, cannibal sadists, something that no amount of rural oppression can allow any sane person to ignore.

The film exists for the same reason that the sequel to the Blair Witch Project was released: to produce a sexualized, tangential story with hot young actors in a shameless attempt to cash in on a franchise name. At least Book of Shadows attempted a story even if it was a terrible one. Avoid this one, unless you have enough morbid fascination to see both the death of a franchise’s self-respect, and one torn button-down shirt which maintained its wearer’s modesty purely by proving that one of the few forces in nature greater than gravity is a non-nudity clause.

Other Information:

Original Language en
Runtime 1 hr 32 min (92 min)
Budget 10000000
Revenue 47340586
Status Released
Rated R
Genre Horror, Thriller
Director John Luessenhop
Writer Adam Marcus, Debra Sullivan, Kirsten Elms
Actors Alexandra Daddario, Tania Raymonde, Scott Eastwood
Country United States
Awards 2 wins & 7 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital, Datasat
Aspect Ratio 2.35 : 1
Camera 3ality Technica TS-5 3D rig, 3ality Technica-SIP-(Stereo Image Processor), Red Epic, Zeiss Ultra Prime and Angenieux Optimo DP Lenses
Laboratory FotoKem Laboratory, Burbank (CA), USA (prints), LightIRON Digital, Los Angeles (CA), USA (digital intermediate)
Film Length 2,519 m (5 reels)
Negative Format Redcode RAW
Cinematographic Process Digital Intermediate (2K) (master format), Redcode RAW (5K) (dual-strip 3-D) (source format)
Printed Film Format 35 mm (anamorphic) (Fuji Eterna-CP 3514DI), D-Cinema (also 3-D version)