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Take My Eyes 2003 123movies

Take My Eyes 2003 123movies

Where it reads 'home' read 'hell'. Where it reads 'love' there is painOct. 08, 2003109 Min.
Your rating: 0
6 1 vote

Synopsis

Watch: Te doy mis ojos 2003 123movies, Full Movie Online – Pilar runs away in the middle of the night from her house, located in a peripheral and residential neighborhood of Toledo; She carries her eight-year-old son with her. She seeks refuge at her sister’s house, an art restorer who leads an independent life with her Scottish partner, both of whom reside in the old and historical part of Toledo. Pilar is one more victim of gender violence, who tries to rebuild her life and begins to work as a cashier for tourist. Through her new job she begins to relate to other women. Antonio, her husband, undertakes his search and recovery, promises to change and seeks help from a psychologist. Pilar gives her husband another chance, with the opposition of her sister, who is unable to understand her attitude. Despite Antonio’s efforts to follow the advice of therapy, his violent personality and insecurities end up publicly undressing and humiliating his wife on a balcony..
Plot: One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what’s more, “She gave him her eyes”…
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Ratings:

7.4/10 Votes: 7,128
91% | RottenTomatoes
74/100 | MetaCritic
N/A Votes: 182 Popularity: 8.397 | TMDB

Reviews:

Frank, Classy Woman in Jeopardy Trajectory of an Abusive Relationship
“Take My Eyes (Te doy mis ojos)” is a frank, classy woman in jeopardy/Lifetime TV for Women film.

A couple of elements raise it above Hollywood’s unfortunately already tired treatment of abused wives in such films as “Sleeping with the Enemy” or “Enough”, among many others.

First is the superb acting by Laia Marull as “Pilar”. Her transformation from frightened mouse to tentative independent to an expressive person with a back bone is riveting. She does look distractingly like Annabella Sciorra, but that means she is beautiful and very womanly.

Second is the emphasis less on the physical violence by an abuser that American films revel in (this film opens right after such an incident) than on the psychological impact, both on abuser and victim. Even amidst strife, this is a passionate couple who were very much in love, though we get hints from the beginning that he was controlling, as in the conversations that include the titular phrase. Unlike Hollywood, her final revenge is not violent but in how she uses those words back at him.

Uniquely, we see the husband (Luis Tosar as “Antonio” looking distractingly like the Irish actor James Nesbitt) as a 360 degree person, with his own family stresses, and not just as the usual evil incarnate. Though we don’t see how he got into anger-management therapy sessions for abusers that in the U.S. are usually only a result of a court-order and I couldn’t tell from the untranslated credits what experts were consulted for these recreations, they are a fascinating look at an attempt to change abusive behaviors. The shrink finds he has to teach these guys even how to have a conversation with their wives to prevent triggers, let alone what to do when rage starts filling their heads.

Another difference is that while the husband jealously fixates on the possibility of her finding a new lover, a sensitive new age guy character invariably appears in the Hollywood versions (and it was entertainingly non-stereotypical that the Scottish brother-in-law is held up as a prized alternative), the threat to his marriage actually comes from her relationships with the women in her life, from family to friends. Through them she becomes more attuned to humiliation as violence than even her hospital records filled with lied about fractures. It was a bit much symbolically to have her suddenly get into artistic presentations of ancient sexy myths, though it was nice that the credits identified each of the paintings discussed.

While sadly this is a familiar story in filmed outline, the film is continually suspenseful and involving as to what they will do, together and apart.

Review By: noralee
Finally a spousal abuse tale where we see & can understand both sides.
There have been many movies about spousal abuse, most time the woman is completely virtuous & the hubby a complete vicious louse.

We all know that is not the usual case. In this Multi award winning film, we have a couple, middle class,who have a troubled marriage, They do love each other, BUT he also hits wife.

Now what makes this tale different, we are involved with many group therapy sessions,where we can understand some of the causes.

We see scenes with the families of both Husband & wife,both spouses are put down by the families (NOT nastily of mean), then when our couple are home or even on the way home,this tension erupts further.

In most films we see only one side of the coin here we see both & that is what makes this movie exceptional./

It only had a very short run in 2 theatres in the USA & to me that is a crime.

The film is not all grim there is a fair amount of humour. Acting & production values superb.

The DVD has an excellent 2 reel short as well.

Ratings **** (out of 4) 98 points (out of 100) IMDb 10 (out of 10)

Review By: jaybob

Other Information:

Original Title Te doy mis ojos
Release Date 2003-10-08
Release Year 2003

Original Language es
Runtime 1 hr 49 min (109 min)
Budget 0
Revenue 0
Status Released
Rated Not Rated
Genre Drama, Romance
Director Icíar Bollaín
Writer Icíar Bollaín, Alicia Luna
Actors Laia Marull, Luis Tosar, Candela Peña
Country Spain
Awards 42 wins & 17 nominations
Production Company N/A
Website N/A


Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory N/A
Film Length 2,700 m (Italy), 2,997 m, 2,931 m (Switzerland)
Negative Format 35 mm
Cinematographic Process N/A
Printed Film Format 35 mm

Original title Te doy mis ojos
TMDb Rating 7.19 182 votes

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