Watch: Tatarak 2009 123movies, Full Movie Online – Marta, a European woman semi-happily married to a local physician. She learns that he has contracted lung cancer, but deliberately resists informing her of his dire impending fate — because she’s already emotionally fragile for the death of their young sons during the war. Then, one day, when she is walking with a friend, she catches a glimpse of a handsome, strapping 20-year-old man named Boguslaw and feels instantly drawn to his youth and sexuality. She then beckons him into a mentor-protégé relationship, which inevitably leads to an affair. She expresses her desire to collect rushes for the upcoming Pentecost feast, an event designed to celebrate life, and the passage of spring into summer — but she doesn’t realize that the freshness of life that beckoned her when she first spotted Boguslaw will ultimately be her undoing..
Plot: As an aging woman married to a workaholic doctor by chance meets a young man who makes her feel young again. All of this is films by a director making a film about her which cuts in and out of the on camera and off camera drama.
Smart Tags: #dying #dead_child #riverbank #poland #touch_of_death #terminal_illness #small_town #river #monologue #lost_son #landscape #film_within_a_film #filmmaking #episodic_structure #drowning #doctor’s_wife #death #death_of_husband #confession #1950s
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6.3/10 Votes: 1,414 | |
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N/A Votes: 18 Popularity: 4.764 | TMDB |
An ode to the fragile beauty of youth
The bleak dark room where Krystyna Janda recalls the illness and death of her husband is the root of the sweet rush lurking in the dark, muddy bed of the river – the reality. The contrasting nectar of life given so well and poignantly through the beautiful imagery, the light, the lush nature, the music, and the wonderfully naive scenes of Bogus and Maria, you can’t help loving this film above its flaws. It feels like the Krystyna Janda real life scenes were made for the actress rather than for the audience. And though heart breaking it is, these monologues are a bit too long and too raw and end up like a dull paraphrasing of a poem. Probably this is intended, but still, I would rather see that time used for more on the characters, on the story and its questions.
A sweet but semi-rush
I am a great fan of Andrzej Wajda ever since I screened Knife in the Water for my film society members and have repeatedly viewed it. He is master in opening up his film in a slow pensive way so that when it ends, it hits you hard. Sweet Rush of course starts in room in solitude lighted by a window in a Edward Hopper fashion. The scenes swing between under lighted home and clinic of the doctor husband to the brightly, quietly, peacefully pastoral countryside where the tragedy ends the serenity of Riverside. Story swings from Death to Life and back again. Suddenly at the river, you see the sequence which once looked to be part of the story being filmed. I am not sure about the concept of film within film tried here. In real life Wajda’s cinematographer Edward Klosinski was Krystyna’s real husband as in the film. Krystyna Janda as Marta is superb.
Original Language pl
Runtime 1 hr 25 min (85 min), 1 hr 25 min (85 min) (Berlin International) (Germany)
Budget 0
Revenue 0
Status Released
Rated N/A
Genre Drama
Director Andrzej Wajda
Writer Jaroslaw Iwaszkiewicz, Krystyna Janda, Sándor Márai
Actors Krystyna Janda, Pawel Szajda, Jan Englert
Country Poland
Awards 2 wins & 2 nominations
Production Company N/A
Website N/A
Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format 35 mm