Swamp Water 1941 123movies

Watch: Swamp Water 1941 123movies, Full Movie Online – A hunter happens upon a fugitive and his daughter living in a Georgia swamp. He falls in love with the girl and persuades the fugitive to return to town..
Plot: A hunter happens upon a fugitive and his daughter living in a Georgia swamp. He falls in love with the girl and persuades the fugitive to return to town.
Smart Tags: #swamp #checkers #fugitive #dog #hunter #false_accusation #rifle_shooting #guitar #fight #ballroom_dancing #dancing #dance_ball #kitten #alligator #boat #river #human_skull #skull #cross #truth #false_witness

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Ratings:

	7.0/10 Votes: 1,879
	N/A | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 29 Popularity: 3.388 | TMDB

Reviews:

“You’ll be back here by tomorrow night, or not at all”
If one had missed the opening credits, he would be forgiven for thinking that ‘Swamp Water (1941)’ was one of John Ford’s lesser-known efforts. If the cast of familiar Ford faces – including Walter Brennan, Ward Bond and John Carradine – didn’t lead you up the wrong path, then it’s the smaller touches that characterise the director’s Westerns: a close-knit community, an impassioned brawl, an innocent young lass, a significant father-son relationship. In this case, however, the credit doesn’t belong to one of America’s greatest filmmakers, but to the French equivalent N/A. ‘Swamp Water’ was Jean Renoir’s first picture following his migration to Hollywood in the early 1940s. Interestingly, considering the distinctive brand of auterist film-making evident in ‘The Rules of the Game (1939)’ just two years earlier, there’s little here to suggest that Renoir is seated behind the camera. Aside from a waterbound opening shot that calls to mind several scenes from ‘A Day in the Country (1936),’ this film bears little resemblance to the other seven Renoirs I’ve seen to date.

When hunter Ben Ragan (Dana Andrews, in an early role) ventures into the feared Okefenokee swamp to retrieve his lost dog, he happens upon the hiding-place of Tom Keefer (Walter Brennan), a convicted murderer who escaped custody and has been living in isolation for several years. Despite having become a rugged and slightly eccentric recluse, Keefer firmly professes his innocence and spares Ben’s life, in exchange for keeping silent about his whereabouts. Back in town, and to his sweetheart’s (Virginia Gilmore) chagrin, Ben befriends Keefer’s daughter Julie (Anne Baxter), a raggedy young beauty who shies away from social interaction like a frightened kitten N/A. Meanwhile, Ben’s father Thursday (Walter Huston) watches out for the cowardly ruffian who has been bothering his younger wife Hannah (Mary Howard) – the perpetrator is, of course, the suitably pathetic John Carradine.

Even if it doesn’t attain the dizzying heights of Renoir’s other offerings, ‘Swamp Water’ deserves to be seen for his marvellous and atmospheric cinematography (the stifling swamp photography was captured by Peverell Marley) and strong performances. Andrews perhaps wasn’t the most authentic actor of the 1940s, but here he plays the young hero with a tenacity that signalled a successful future in Hollywood. Huston is, of course, terrific, and I’ve found it interesting that he never seems to play the same character (to such an extent that in ‘And Then There Were None (1945)’ and ‘Dragonwyck (1946)’ it took me a while to even recognise him!). But the heart of the film belongs to Brennan, who comes across as sympathetic and likable without even trying, though he brings an added toughness to this role that I liked – by the way, how the heck did they film the snake-bite scene without risking their top-billed star? I don’t know if ‘Swamp Water’ could be confidently recommended to fans of its French director, but John Ford aficionados could certainly do much worse.

A Jean Renoir film with corn pone accents; still, it’s worth watching any Renoir movie
When the Germans invaded France at the beginning of WWII, Jean Renoir had just directed three masterpieces…Grand Illusion (1937), La Bete Humaine (1938) and The Rules of the Game (1939). He escaped to Hollywood with little but an immense reputation and a poor command of English. So what did Hollywood do? Darryl F. Zanuck assigned him to a piece of swamp noir called Swamp Water. Renoir emerged with his reputation more or less intact, but as Zanuck said later, “Renoir has plenty of talent, but he’s not one of us.”

Swamp Water tells the story of young Ben Ragan (Dana Andrews), who lives in a small community on the edge of Georgia’s Okefenokee swamp. The swamp is a fearsome place filled with gators, quicksand, cottonmouth water moccasins, tangled undergrowth and mosquitoes. The menfolk all hunt, trap and fish around the edges of the swamp, and so does Ben with his dog, Trouble. One day Trouble goes missing and Ben, over the objections of his stern father, Thursday Ragan (Walter Huston), goes into the swamp to find his dog. Ben finds the hound, but an escaped convict, Tom Keefer (Walter Brennan), finds Ben. Keefer years ago had been judged guilty of hog stealing and killing a man, but he escaped before he could be hanged. He’s been living deep in the swamp ever since. When Keefer is bitten by a cottonmouth, Ben tries to save him. Keefer survives and instead of killing Ben or abandoning him in the swamp, decides he’ll trust Ben. He explains to Ben what really happened and that no one will believe him. The two of them agree to become partners. Keefer and Ben will hunt and trap to collect skins. Ben will keep Keefer’s secret and sell the skins back in town. Ben can become independent of his father; he’ll also save half the money for Keefer’s daughter, Julie (Anne Baxter). Julie thinks her father is dead and has been raised by others. She is ragged with dirty feet, and works hard.

Things are never simple, of course. Ben has a girlfriend to whom he by mistake shares his secret. She turns out to be a jealous flirt. There are two brothers who are tough, mean and who may be the real killers. There is Thursday Ragan’s younger wife, who loves Thursday but longs for more companionship than Thursday is providing. There’s Julie, who looks much better after a bath and wearing a pretty dress. And there’s Ben himself, well-meaning, honest and a little naive, whose attempts to do the right thing often lead to more trouble.

What did Renoir manage to make of all this, his first American movie? I wish I could say “a masterpiece,” but that would be gilding the corn pone. Renoir does a fine job of showing us the life of this small community; we get a real sense of a tiny place where everyone knows everyone else and, sooner or later, everyone else’s business. He insisted that he go to the Okefenokee and finally Zanuck gave him permission. He took Dana Andrews and a camera crew and came back with enough footage that we get a real feeling for what the swamp is like, especially if you’re by yourself in the place. He also created some first-rate set pieces…the opening gator hunt, Ben’s search for his dog, Keefer going to drink in the swamp at night and being struck in the face by a cottonmouth, the loneliness of Thursday’s wife, the community dance, and Keefer’s return with Ben that leads to an ambush in the swamp and an unsettling conclusion for the bad guys that involves quicksand and abandonment. On the other hand, we have to listen to Andrews try on a Georgia cracker accent. “My dog” becomes “mah doag.” Andrews is never just sure of something, he’s “plumb sure.” And I can’t count the number of times he refers to Baxter as a “young ‘un” or he is referred to as a “young ‘un” by others. The three canny old hands in the movie, Walter Brennan, Walter Huston and John Carradine (in a smaller role) never let themselves be trapped by corny accents; they speak their lines straight and it’s much more effective. Good performances are also given by such recognizable faces as Eugene Palette, Ward Bond and Guin Williams. To add insult to injury, Zanuck himself rewrote the ending and gave this sentimental scene to a hack contract director to finish.

All in all, Swamp Water is a movie Jean Renoir completists will eventually want to own, although I’m not sure how often you’ll watch it after the first time.

I suspect that when Zanuck said “Renoir has plenty of talent, but he’s not one of us,” Renoir was delighted and enthusiastically agreed.

Other Information:

Original Language en
Runtime 1 hr 28 min (88 min)
Budget 0
Revenue 0
Status Released
Rated Approved
Genre Crime, Drama, Mystery
Director Jean Renoir, Irving Pichel
Writer Vereen Bell, Dudley Nichols
Actors Walter Brennan, Walter Huston, Anne Baxter
Country United States
Awards N/A
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono (Western Electric Mirrophonic Recording)
Aspect Ratio 1.37 : 1
Camera N/A
Laboratory N/A
Film Length 2,400 m (Yugoslavia), 2,419 m (9 reels)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm