Watch: Starsky & Hutch 2004 123movies, Full Movie Online – Set in the 1970s in a metropolis called “Bay City,” this is the tale of two police detective partners, Ken “Hutch” Hutchinson, and Dave Starsky, who always seem to get the toughest cases from their boss, Captain Dobey, rely on omniscient street informer Huggy Bear and race to the scene of the crimes in their souped-up 1974 Ford Torino hot rod, telling the story of their first big case (as a prequel to the TV show), which involved a former college campus drug dealer who went on to become a white collar criminal..
Plot: Join uptight David Starsky and laid-back Ken “Hutch” Hutchinson as they’re paired for the first time as undercover cops. The new partners must overcome their differences to solve an important case with help from street informant Huggy Bear and persuasive criminal Reese Feldman.
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6.1/10 Votes: 148,378 | |
63% | RottenTomatoes | |
55/100 | MetaCritic | |
N/A Votes: 1959 Popularity: 19.512 | TMDB |
Great melding of traditional 1970s flicks and Stiller/Wilson
David Starsky (Ben Stiller) is a by-the-book cop who thinks nothing about destroying thousands of dollars of property to apprehend a mugger who has stolen only a few dollars. Ken Hutchinson (Owen Wilson) is the complete opposite–it seems the only reason he has become a cop is that it makes a life of crime much easier. Captain Doby (Fred Williamson) can’t stand either of them, but hits upon the brilliant idea of pairing them. When they begin investigating a murder that has ties to a prominent millionaire, the best qualities of each just might start influencing the other.Although I always wait to read others’ reviews and comments until I’ve seen a film and written my own review (I do not want to be swayed or influenced in any way by other opinions), I can imagine that quite a few people would not like Starsky and Hutch. To really enjoy it, one would have to alter their expectations to what director Todd Phillips has chosen to deliver instead–a clever film that is both an absurdist spoof and a respectful, faithful homage at the same time. Creating that combination is a difficult feat, but Phillips was largely successful.
The combination means that Starsky and Hutch is not aiming to be over-the-top hilarious, and it’s also not aiming to be overly consistent with the characters and tone of the original pilot film and series. Viewers expecting either are likely to be a bit disappointed. However, if you’re a fan of gritty 1970s films as well as a fan of Stiller and Wilson’s usual material, you should find much to love here.
Phillips has remarkably captured the look and feel of a typical 1970s film. The costumes, hairstyles, and overall production design are also perfect for a subtle spoof on the 1970s, and given the source material, even the plot has the slightly formulaic, slightly hokey, almost made-for-television feel that is appropriate for this genre. You know they’re on the right track when Fred Williamson–star of such blaxploitation masterpieces as Hammer (1972), Black Caesar (1973) and Mean Johnny Barrows (1976)–has a prominent supporting role. The 1970s spoof/homage aspect is far more understated and reverential than you’d normal expect from a Stiller film, but easy to like and understand.
Other outstanding supporting roles are played by Vince Vaughn, Snoop Dogg, Will Ferrell and Juliette Lewis, all except Dogg slightly out of character, but just as enjoyable and funny as always, as they’re all somewhat faithfully filling traditional 1970s roles. Dogg is the most in character, as he has long been deferential to that era, anyway.
The film hinges, of course, on Stiller and Wilson, and true to form, Stiller is still a somewhat oblivious buffoon with Wilson as a hipper, more streetwise buffoon. Grafting their comedy personae onto the Starsky and Hutch characters was more easily done and natural than anyone might have thought, and provides a highly amusing 100 minutes, even if it’s a bit of an acquired taste and not likely to be understood quite as well by future generations.
Sophomoronic and Insulting, Warning! Spoiler Ahead.
This is one time where the TV series was much more enjoyable then the movie. Ben Stiller is overacting in almost every scene, Owen Wilson is better but not by much. You’d think we were in church with all the references to Jesus. My intelligence was offended when ‘Starsky’ drives his car, like a maniac, out into the public street does a couple of ‘donuts’ in front of other police cars and then does a 180º to pick up his new, unwanted, partner. Williams takes his role out of so many other police dramas with a combative chief and a questionable officer, much like Josef Sommer’s role in ‘Dirty Harry’. The disco dance off was stupid, the biker bar episode was stupid, the scene in the prison trying to get answers from ‘Big Earl’ was stupid and insulting. I could go on and on. I wonder why I watched the whole thing? The originals, P.M. Glazer and David Soul, made a nice final scene appearance but nothing could help this pathetic drivel, (3; To talk stupidly or childishly). Pretty much anything that Ben Stiller does is of this caliber. But this is just my opinion.
Original Language en
Runtime 1 hr 41 min (101 min)
Budget 60000000
Revenue 170268750
Status Released
Rated PG-13
Genre Comedy, Crime
Director Todd Phillips
Writer William Blinn, Stevie Long, John O’Brien
Actors Ben Stiller, Owen Wilson, Snoop Dogg
Country United States
Awards 3 wins & 11 nominations
Production Company N/A
Website N/A
Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 2.35 : 1
Camera Panavision Panaflex Platinum, Panavision Primo and E-Series Lenses, Panavision Panaflex Millennium XL, Panavision C-Series Lenses
Laboratory Technicolor, Hollywood (CA), USA
Film Length 2,790 m (Italy)
Negative Format 35 mm (Kodak)
Cinematographic Process Digital Intermediate (2K) (master format) (some scenes), Panavision (anamorphic) (source format)
Printed Film Format 35 mm (Fuji)