Somewhere 2010 123movies

Watch: Somewhere 2010 123movies, Full Movie Online – Hollywood actor Johnny Marco, nested in his luxury hotel of choice, is a stimulated man. Drinking, parties and women keep a creeping boredom under wraps in between jobs. He is the occasional father of a bright girl, Cleo, who may be spoiled but doesn’t act it. When Cleo’s mother drops her off and leaves town, Johnny brings her along for the ride, but can he fit an 11-year-old girl into his privileged lifestyle?.
Plot: After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.
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Ratings:

	6.3/10 Votes: 45,132
	70% | RottenTomatoes
	67/100 | MetaCritic
	N/A Votes: 622 Popularity: 9.394 | TMDB

Reviews:

Technically a well-made character study, but difficult to care for
In a nearby safari park the wardens have taken steps to alleviate depression amongst the gorillas, they hide their food from them or leave it in hard to get places; this saves the gorillas having to sit around, eat, copulate and vegetate. Hollywood A-lister Johnny has this gorilla depression, everything he could possibly want comes at the end of a telephone call. Even the most difficult banana of all, sex, is available by scratching the back of his neck and signalling his assent, or at the end of another phone call if he’s feeling especially lazy (which is often).

I once heard it said that rich people live years in the span of a single day, and Johnny certainly does have that flow of experiences coming at him, but the problem for him is that there’s no feeling (let’s all take a moment to have a boohoo for Johnny). He can barely stifle yawns when his eleven-year-old daughter Cleo, on a custody visit, shows him how she has become a brilliant ice skater and cooks him perfect eggs Benedict for breakfast. Life’s too easy and it’s suffocating him. There is a suspicion that he’s a fluke, that his surfer-boy looks and beatific smile have carried him to the top, but I think there must have been some drive once, as evidenced by a faltering but very pretty rendition of Bach’s Goldberg Variation #1.

Ultimately, Johnny Marco has the kind of problems that everyone else wants, and so it’s very difficult to feel for him. The movie doesn’t have any contrast either, none of the harsh realities of normal Californian workaday lives makes it to the screen. After the decadence of Marie Antoinette I kind of wondered whether Sofia was aware of normality, or whether she just grew up in Arcadia with the other film kids who turn up in the special thanks section at the end of the credits. Johnny Marco is probably the most complacent human alive, but the film doesn’t exactly scream that, perhaps because Sofia Coppola doesn’t know it. Another flaw is that Coppola’s alter-ego Cleo has a decidedly airbrushed personality.

The detail was a big highlight of this film, time seems to have been spent getting the authenticity of the trappings of wealth. Johnny has a bottle of Château Pétrus on the bedside table (retails from $1,000 to $30,000 depending on vintage), chambréed to vinegar, and propped up on a wall is a lithograph by that master of Californian alienation, Ed Ruscha (“Cold beer, beautiful women”, $10,000 to a cool million depending on whether it’s a limited edition lithograph or the original painting). Other nice details give you insight into character, including a pill bottle of Propecia in his bathroom (prevents male pattern balding), which says he’s worried about the onset of middle age, and the player name he has on his games console, 20thCenturyBoy, a sign that he’s become his persona.

The cinematography is the second plus, though it’s not exactly adventurous the filmmakers were prepared to let the action drift out of shot when they felt like it.

I think Somewhere is a difficult film to watch twice because there’s very little connection for a non-wealthy person, the film’s torpor has a complacent lull to it which is a little hard to bear. Thematically, I’m not convinced that I’ve seen mature filmmaking from Sofia Coppola yet.

An insightful story about human desensitization
I watched the film yesterday and I was surprised by the many negative reviews this film has received. I think most of them didn’t really catch what the film is about so I felt it would have been useful to share my thoughts in the hope that they’ll help the ones that didn’t get it to better understand this movie.

This is a movie about boredom and existential discomfort, about the subtle effects of a way of living that forces you to slowly disconnect from yourself making you every day less receptive to the richness of experiences. This is probably something most of the people feel at some point in their life and to which I surely can relate. When does it start evolving? It does as soon as you are alone with your pain and you are forced to fully embrace it. The moment in which this happens is getting every day harder to achieve because there are an increasing number of things to keep you distracted from your condition. Johnny Marco have virtually limitless resources to avoid this confrontation, and this is his biggest misfortune. The ability to get whatever he think he needs prevents him from realizing he is slowly becoming numb to life. His final breakdown is not the usual unrealistic breakdown we are used to see in most movies today, but it’s a believable manifestation of the feeling of a man that just realized something is wrong but that lacks of the self understanding needed to get what it really is. The father-daughter relationship here is just the match that ignites the small fire needed to unwittingly regain enough sensitivity to finally perceive the top of the emotional iceberg that’s hiding underneath. The relationship with his daughter doesn’t change him drastically, they don’t unrealistically find the perfect way of communicating but they do menage to find a very basic one to the best of their abilities, and it is enough for Johnny to feel the difference when his daughter is gone and he is back to his previous life. When in the end, in the middle of his breakdown, he says on the phone “I’m not even a person” he is right, because what defines a person is his/her ability to experience, to be fully receptive to the whole spectrum of emotions.

I’ve read a lot of reviews saying this film is slow and boring but I think they are missing that it is supposed to be. It is not only boring, it is uncomfortably boring, you need to beg the director to cut to the next scene to understand the level of Johnny’s self disconnection, you can’t stand watching 60 seconds of him waiting for his mask to dry, how does he menage to bear that for 45 minutes with his face completely covered in some sticky substance breathing only through two small holes?

In the end I agree this is really not a film for everyone, but I do think that it is about something that everyone can relate to someway or another, and if you are able to make the connection you are surely going to find it food for thought.

Other Information:

Original Language en
Runtime 1 hr 37 min (97 min)
Budget 8000000
Revenue 14788642
Status Released
Rated R
Genre Comedy, Drama, Romance
Director Sofia Coppola
Writer Sofia Coppola
Actors Stephen Dorff, Elle Fanning, Chris Pontius
Country United States, United Kingdom, Italy, Japan, France
Awards 4 wins & 8 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix DTS, Dolby Digital
Aspect Ratio 1.85 : 1
Camera Arricam LT, Zeiss Super Speed Lenses
Laboratory Company 3 (dailies color)
Film Length 2.66 m (Portugal, 35 mm), 2,530 m (Italy)
Negative Format 35 mm (Kodak Vision2 Expression 500T 5229)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (3-perf) (source format)
Printed Film Format 35 mm (spherical), D-Cinema