Seven Samurai 1954 123movies

Watch: 七人の侍 1954 123movies, Full Movie Online – A veteran samurai, who has fallen on hard times, answers a village’s request for protection from bandits. He gathers 6 other samurai to help him, and they teach the townspeople how to defend themselves, and they supply the samurai with three small meals a day. The film culminates in a giant battle when 40 bandits attack the village..
Plot: A samurai answers a village’s request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
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Ratings:

	8.6/10 Votes: 344,921
	100% | RottenTomatoes
	98/100 | MetaCritic
	N/A Votes: 2857 Popularity: 25.495 | TMDB

Reviews:

**Maybe a little overrated, but there’s no doubt that it’s good.**

Well, I have to start this text with a note that I believe is relevant to understand what I’m going to write: this was the first Japanese film that I remember seeing. I might even be forgetting something I’ve seen before, but I don’t think so. Therefore, I’m not a good connoisseur of Japanese cinema, so I don’t want my opinion to be taken with any authority that I don’t crave. I know there are people who want that. I do not. I speak, as in any of my reviews, only through my mouth, from the height of my meager wisdom, without pretensions. I may be right about some things, wrong about others, but that’s the most normal thing in the world.

I decided to see this film because it was highly recommended and well regarded… everyone said it was a very good film, so I decided to see it for myself. I just finished it, and read a little about the film and its director, the famous Akira Kurosawa. The film is really a work that is above average, but it is not the kind of film that pleases everyone, and it seems to me to be a little overvalued, which results in damage. I say this because I felt, at various times, that the film failed to meet my expectations, as I am quite neutral, that is, I neither love this type of film nor feel repugnance in watching it.

The script takes place, roughly, in the mid-16th century, when Japan was divided into feuds and kingdoms, and there were frequent internecine wars in which the samurai took part. Of course, in such an environment, it is the common people who sacrifice themselves, and the humblest have always been the most susceptible to abuse by the powerful. That’s what we have here, with a rural village that is regularly looted and devastated by an armed band until it decides to hire a small group of wandering samurai to help defend it. They achieve this objective, and we are invited to see all the labors that occur in the preparation of the defense, and in the martial training of those peasants.

I’m going to do it differently, and start by saying the aspects that seemed most positive to me. First, it seems to me that Kurosawa is really meticulous in the work he has done and has great affection and respect for his country’s traditions and history. Otherwise, one would not understand the effort and money that were tied up in a film with such a historical and cultural load. To what extent did his taste for realism influence European cinema, or vice versa? I’m sure there are film students who have discussed this. What I can guarantee is the commitment to realism, visible, for example, in the extraordinary design of the sets and costumes, and in the static cinematography, very elegant and sharp. The script is quite solid, and gives us an extraordinarily credible story and very well-built and striking characters. I don’t know the actors well, but I think Toshiro Mifune deserves applause for the commitment and work he has done here. He is an actor who naturally captures our attention and has a charisma that comes through effortlessly.

On the negative side, however, we also have several aspects to point out, starting with the length of the film, with more than three and a half hours. I’m sorry to say, but I feel that the script didn’t justify that much time, and that Kurosawa didn’t work the pace well. With a more restricted edition, he would have managed to reduce the film, without much loss, to two hours, and make it less heavy and exhausting. We don’t need to see every village debate or every military training shenanigans. I also didn’t like the attempts at humor introduced in the film. They just weren’t funny at all. The excessive predictability of the story told also turns out to be a defect. I also didn’t like the virtual absence of a soundtrack. I’ve seen that in other films, and I’ve never been particularly fond of that stylistic device.

At the top of my favorite films ever. Every time I watch it is see something new. Bandits steal peasants rice. Peasants hire ronin samurai to defend them. Great plot, pace and acting. Akira Kurasawa’s best…perhaps.

Solid Gold
I discovered 16 of Kurosawa’s best known films before returning to the one which is commonly thought of as his masterpiece. Seven Samurai is unlike any other grand classic ever produced. It’s basic plot can be summed up in a single easy sentence, yet its refinement and execution rival any movie you’ve ever seen.

The premise: in chaotic 16th century Japan, as marauders threaten raid villages, one village hires samurai to defend it from a group of bandits. Yet Kurosawa (also co-writer) developed these characters in a way unheard of for what might pass as an epic action film. To its astonishing credit, through all of its 207 minutes running time, Seven Samurai never falters or bores. And if the script is a marvel in itself, the acting and production design than derive from it are nothing short of superlative. It is said that Kurosawa forced the villagers (from supporting role to mere extra) to live together as a community during production and be their characters, each and every one of which he had drawn out specifically. This unusual technique gave Seven Samurai a feel of authenticity unparalleled in film history.

The samurai themselves are so richly given life to in the screenplay that little more would have been needed to make them memorable characters, yet the main cast pay off at every turn, and though every one of the seven main actors give in perfect performances (never as I had feared before watching it do you confuse them, even in the chaotic battle scenes), two immortal roles have a particularly resounding effect: Takashi Shimura (Kambei Shimada), who plays the leader of the ragged band of samurai, gives his sage and venerable warrior a god-like intensity that makes the magnetic charisma of his character unquestionable. One of the easiest leaders to root for in all the history of film-making. Stealing the show however, albeit by a very thin margin, is longtime Kurosawa favorite coworker Toshiro Mifune (Kikuchiyo) as the rogue seventh, the black sheep of the herd, giving the bravura ultimate performance of a lifetime paved throughout with great roles.

The story follows them and the villagers, equally nuanced and developed, through their encounter, training, eventual bonding and the big inevitable fight for survival. Unlike subsequent very successful remakes (i.e. Magnificent Seven), seven Samurai transcended excellency by having many layers (nothing or no one is white or black: everything exists in shades of gray) and thus being very real and human. Even without the menace, its interpersonal dynamics would have made it perfect human drama, subtle, balancing comedy, intensity, realism, drama and a deep philosophy with astonishing ease, yet the menace does materialize and thus Seven Samurai unleashes its violence in a series of action scenes crafted with such vision and ingenuity as has ever reached an action film (the frenetic battle scenes at the end rather evoke Saving Private Ryan in their relentlessness).

In the end, what made this into solid gold was, at the core, Akira Kurosawa, who would, despite directing many further masterpieces (Throne of Blood, Yojimbo, Red Beard, Dersu Uzala, Kagemusha, Ran), would never top this one. Throughout his life, Kurosawa kept confirming his status as perhaps the greatest director ever. If so, Seven Samurai is the ultimate proof of that truth. One of the very best films ever made and personal all-time favorite.

Kurosawa’s triumphant epic- totally & successfully driven by character and story
Akira Kurosawa was and is considered the master of east-western film-making (in that he made his Japanese films accessible for fans of American westerns while still making the movies his country found popular), and out of the few Kurosawa movies I’ve had the pleasure of viewing (Hidden Fortress, Rashomon, and this) I’d have to say that while Rashomon is still my favorite, I nevertheless had a blast during this one. The story has become quite influential to filmmakers from the likes of John Sturges (The Magnificent Seven) to John Lasseter (A Bug’s Life): a small village has been terrorized by bandits for far too long, amid times of civil war in the nation, and so on the advice of Grand-Dad, they decide to hire four – which soon becomes seven – samurai for the job. There’s no money, just food and honor, even though the village isn’t exactly pleased to have samurai back in their village. Each character is drawn and executed compellingly, though for my money Toshiro Mifune proves why he became one of Japan’s most notorious film actors. His work as the brave, bold outcast of the seven is awe-inspiring practically all the way through, like the hero of a western that anyone can root for since he’s a true rebel at heart within a group of men with a task at hand.

Kurosawa directs his tale and main and supporting players like a grand composer, orchestrating a vivid story and extracting from great actors like Takashi Shimura (the old, wise Samurai), Ko Kimura (the disciple Samurai), Daisuke Kato (Schichiroji), and Mifune (Kikuchiyo, which isn’t his real name) just the right touches of humanity, humor, tragedy, romance, and intensity. The overall intensity, by the way, isn’t over-estimated; its long length (almost 3 1/2 hours) isn’t distracting in the slightest since Kurosawa’s editing and photography (the later helmed by Asakazu Nakai) are extraordinary. Not to compare the two films, but one thing I saw in common with Seven Samurai and a Lord of the Rings film is that, if anything else, it definitely isn’t a boring experience. Along with a score by Fumio Hayasaka that gives the film just a bit more of a pulse, and a showdown that is relentless with excitement, this is one of the must-see action films for film buffs, or anyone with an serious interest in having fun with an epic.

Other Information:

Original Language ja
Runtime 3 hr 27 min (207 min), 2 hr 43 min (163 min) (Argentina), 2 hr 40 min (160 min) (international), 3 hr 22 min (202 min) (2002 re-release) (Sweden), 2 hr 30 min (150 min) (original) (UK), 3 hr 10 min (190 min) (1991 re-release) (UK), 2 hr 38 min (158 min) (original) (cut) (USA), 3 hr 23 min (203 min) (re-release) (USA), 3 hr 27 min (207 min) (restored) (USA), 3 hr 22 min (202 min) (DVD) (Spain)
Budget 2000000
Revenue 346300
Status Released
Rated Not Rated
Genre Action, Drama
Director Akira Kurosawa
Writer Akira Kurosawa, Shinobu Hashimoto, Hideo Oguni
Actors Toshirô Mifune, Takashi Shimura, Keiko Tsushima
Country Japan
Awards Nominated for 2 Oscars. 5 wins & 8 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono, Stereo (re-release prints)
Aspect Ratio 1.33 : 1
Camera N/A
Laboratory Kinuta Laboratories, Tokyo, Japan
Film Length 4,295 m (1963) (Finland), 4,390 m (1965) (Sweden), 4,401 m (160 minute version), 5,480 m (orignal version), 5,518 m (2002) (Sweden), 5,669 m (20 reels), 5,685 m (1981) (Finland), 5,705 m
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format D-Cinema (4K DCP) (restored version), 35 mm