Scream and Scream Again 1970 123movies

Watch: Scream and Scream Again 1970 123movies, Full Movie Online – In London, a serial-killer drains the blood of females and the Detective Superintendent Bellaver and his team are hunting down the so-called Vampire Killer. Meanwhile in an undefined country that lives a military dictatorship, the cruel Konratz is climbing positions killing The Power that Be. When the Vampire Killer flees from the police, he seeks refugee at the real estate of scientist Dr. Browning and jumps into a tank of acid. Dr. David Sorel is intrigued with the powerful acid and decides to get a sample. He finds the truth about the research of Dr. Browning..
Plot: A serial killer, who drains his victims for blood is on the loose in London, the Police follow him to a house owned by an eccentric scientist.
Smart Tags: #villain #grindhouse_film #blood #mutilation #violence #death #fear #suspense #characters_murdered_one_by_one #man_slaps_a_woman #punched_in_the_face #punched_in_the_stomach #sadism #supernatural_power #corpse #female_frontal_nudity #psychopathic_killer #serial_killer #stabbed_to_death #jaguar_police_car #jaguar_car

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Ratings:

	5.5/10 Votes: 4,025
	63% | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 80 Popularity: 6.686 | TMDB

Reviews:

The Curse of Ambition
Scream and Scream Again seems to want to be a very deep and complicated film. After all, it starts out by presenting three different, and apparently unrelated, plot lines, introduces new characters seemingly at the writers whim through the run time, and seems to pride itself on a grim and “realistic” portrayal of violence and death (while still allowing itself plenty of latitude for shock sequences and super-powered antagonists). Does it all work? Well, not entirely, but I have to give it some credit for trying.

Let’s start with the biggest problem I have with this film, the bait-and-switch billing. Price, Lee, and Cushing sit majestically at the top of the credits, yet get precious little screen time, virtually none of it shared. Price is a doctor/mad scientist introduced early on, and then forgotten until the film starts winding down, Cushing has one scene and then dies, and Lee isn’t even introduced until late in the film, where he serves as a plot device to tie everything together and wrap up.

Then there’s the whole three-plot lines thing. The bulk of the film follows a police inspector on the trail of a psychotic, blood drinking, super-strong serial killer. (Gee, could he be a vampire? Ummmm… well, no.) Alongside that we have the story of a spy for some unnamed, oppressive regime. The over-the-top tone of these scenes clashes with the more mannered presentation of the inspector’s story. The costumes and sets suggest a combination of Stalinist Russia, Nazi Germany, and rampant Satanism. (Sure, the symbol displayed on armbands, banners, windows, and any other available surface is probably supposed to evoke the bundled arrows of fascism, but it looks more like the head of a demonic pitchfork to me.) Then we have a series of scenes about a man who collapses while out jogging, and finds himself in a hospital room, where he is kept sedated most of the time while his limbs are gradually stolen in off-camera surgeries. None of this seems connected in any way until the end, when the true plot is revealed, and turns out to be something not particularly suggested by anything in the film up to that point.

Theoretically, this movie could still have worked, and if they had pulled it off, it might have been quite clever. But, even beyond the mismatched feel of the three plot lines, there are other problems which make SaSA feel like several different films forced to share one screen. The inspector becomes irrelevant to his own plot once things get rolling, his leading-man status usurped by the young assistant coroner, who was no more than a minor player for the whole first half of the film. The psycho leaves a nightclub with his latest victim, just in time to go out for “one last drink,” and is followed and eventually chased by the police… in broad daylight. Apparently, the bars in England close much earlier than I thought. Add in an unnecessary shock scene or two (like the evil spy’s interrogation of a pretty would-be defector, which doesn’t seem to have any connection to the rest of the film), and you’re starting to make a real mess of things.

Still, the resolution, while coming out of left field, does do a reasonable job of tying things together. But I still cannot recommend this film, mainly because I still feel cheated at the under-utilization of three of the greatest horror actors of all time.

Despite Top Billing, Not Much Price To Offer
A killer who has a literal thirst for blood is prowling the nightclubs for fresh young victims. The police decide to set a trap to catch this man. A young policewoman poses as his new victim while wearing a wire. The killer meets the young policewoman and takes her with him to a secluded spot where he proceeds to drink her blood…

Vincent Price in interviews a number of years after the film was made, said he never understood the script at all. Not surprising, as the novel featured aliens and the film changed them to Communists (or something like that). And that is probably the least of the problems…

I mean, the choking of women and the pointless blood sucking? A jogger who is getting his legs removed? Yellow acid for some sort of research? It does not really all add up. Really sweet cars, though.

Peter Cushing and Christopher Lee appear, though not much. Heck, even Vincent Price does not really show up until the second half. But if you like these guys, do not mind waiting, and are okay with not really understanding what you are watching, check this one out.

Other Information:

Original Language en
Runtime 1 hr 35 min (95 min), 1 hr 35 min (95 min) (USA)
Budget 0
Revenue 0
Status Released
Rated R
Genre Crime, Drama, Horror
Director Gordon Hessler
Writer Christopher Wicking, Peter Saxon
Actors Vincent Price, Christopher Lee, Peter Cushing
Country United Kingdom
Awards N/A
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory Humphries Laboratories, London, UK
Film Length 2,567 m (Italy)
Negative Format 35 mm (Kodak)
Cinematographic Process Spherical
Printed Film Format 35 mm (Kodak)