Watch: Rear Window 1954 123movies, Full Movie Online – Professional photographer L.B. “Jeff” Jefferies breaks his leg while getting an action shot at an auto race. Confined to his New York apartment, he spends his time looking out of the rear window observing the neighbors. He begins to suspect that a man across the courtyard may have murdered his wife. Jeff enlists the help of his high society fashion-consultant girlfriend Lisa Fremont and his visiting nurse Stella to investigate..
Plot: A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.
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8.5/10 Votes: 490,940 | |
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N/A Votes: 5444 Popularity: 19.161 | TMDB |
Jimmy Stewart is cracking as the laid-up photographer who spends his chair-ridden days casually observing the day-to-day activities of his neighbours. Gradually, he becomes suspicious of one of them as the wife suddenly disappears and the husband (Raymond Burr) starts making odd trips out at night; calling long distance and generally acting oddly. Grace Kelly (his girlfriend) thinks this all a bit too prurient for her but is slowly drawn into his web of intrigue and ends up an active participant with his investigations as we now have a great conspiracy theory thriller. Thelma Ritter is great as “Stella” as is Wendell Corey as “Det. Doyle”. This is a tight, tense drama with a really cohesive cast under the skilful direction of the master of this genre.
It Had To Be Murder.L.B. Jefferies is a wheelchair bound photographer who by way of relieving his boredom, starts observing the lives of all his neighbours from his apartment window. As he gets deeper into the lives of all around him, he becomes convinced that one of hem has committed the act of murder, thus putting himself and those close to him in mortal danger.
Much like most of Alfred Hitchcock’s other lauded pictures, Rear Window has been dissected, examined, appraised and written about by far more versed people than myself, a mere film fanatic. So how do I even start to write a review of a film that I view as one of Hitchcock’s best? Well maybe I should just write what I like about it without delving into psycho babble and a deconstruction of the human psyche and all its little offshoots! So I will!.
Rear Window is adapted by Alfred Hitchcock and his writer John Michael Hayes, from the Cornell Woolrich story called It Had To Be Murder/Murder From A Fixed Viewpoint. The film of course forces us the viewers to become voyeurs, watching a newly hooked voyeur go about his business. Quite a neat trick from Hitchcock, and one can reasonably assume that the maestro director was chuckling with glee within his genius girth.
Working from the confines of a single set, Hitchcock has molded a suspenseful, intriguing, cheeky and sexy picture, with a top line cast giving the smart screenplay the performances it deserved. What is often forgot by those more concerned with the psychological aspects of Rear Window is the blatant irony of L.B. Jefferies situation, his obsession with the neighbours is not confined to a probable case of murder, his interest first and foremost is with the love lives of those he observes, thus forcing (excusing) him to acknowledge the love from the woman who so wants to be in his life!
It’s also important to note the merits of each character of the piece, those that visit Jefferies and the conversations that take place, even the suspected murderer has a bemused interest pouring from his very frame. Rarely has a film been produced that has every single character having a critical element to the story. Then there is the ending where Hitchcock and his team weave all strands together to leave us wryly smiling away whilst simultaneously feeling that we have been had by the big director, and be under no illusions here, we have been at the mercy of a genius and party to a film of unquestionable quality. 10/10
Reading from Top to Bottom…Hitchcock’s Sophisticated Masterpiece
Not only does REAR WINDOW (RW) have Alfred Hitchcock’s trademark wit, suspense, and romance (with a touch of friction) in spades, but it’s one of his most well-crafted, cleverly-staged movies; in fact, even though RW is based on a Cornell Woolrich story, I can’t imagine this story being told as effectively in any medium other than cinema. However, the technical accomplishments (explained most entertainingly in the DVD’s documentaries) would be nothing without the engaging characters. James Stewart’s neighbors are interesting enough to warrant their own movies, and in addition to providing a wry microcosm of New York City life (the only dated thing about it is the lack of air conditioning), they all reflect possible outcomes for the somewhat stormy romance between laid-up shutterbug Stewart and the luminous Grace Kelly as his upscale fashion maven inamorata. As Brent Spiner said while hosting a showing of RW on TNT, the real perversion of the film is Stewart’s reluctance to commit to the irresistible Kelly! In fact, one of the things I like about the movie is the way it shows these two very different people gradually learning to compromise and work together. The piquant final shot shows that a woman can have a happy relationship with a man without submerging her own personality — refreshing for the 1950s! Great supporting cast, too, including Wendell Corey, Raymond Burr in one of his last bad-guy roles before PERRY MASON, and the scene-stealing Thelma Ritter. Incidentally, the restored special edition RW DVD was put together just in time to include Georgine Darcy (“Miss Torso”), then one of the last surviving cast members. Darcy died earlier this year; she will be missed.
Well of course when you’ve got nothing better to do with a broken leg you will accuse your neighbor of murder!
Finally, I watched “Rear Window” by famous Alfred Hitchcock. First off, I saw this movie on the top 250, and it’s #14 on top of that! I mean, it’s gotta be great or a classic, right? Also, I’m a fan of the Simpsons, and I got the 6th season where Bart breaks his leg and has to watch the kids outside and accuses Flanders of murdering his wife, Maude. I watched it with commentary and the writers said this was taken from the movie “Rear Window”, I had to see this movie! I know it sounds silly that I was more inspired by a show, but it’s a good reference if it’s from The Simpsons.“Rear Window” is an excellent movie and a great classic that should never be forgotten! After 51 years, this is still a well talked about movie and I can see why. Jimmy Stewart, he’s just so great as L.B., I loved his madness and his dark comical role. He doesn’t even try, but you can’t help but laugh at a lot of his lines, the way he looks, and the way he presents every scene. He didn’t have a lot of movement, he is confined to a wheel chair, but he is so effective and perfect. No one could have replaced him as L.B., he’s a terrific actor! Grace Kelly, what a beauty! Beauty and talent, what a great combination and she had it. Playing Liza, I loved her character so much. She started out as this extremely feminine lovely woman who is struggling with L.B., because he is having doubts about marrying her, and you can tell she loves him so much and is willing to do anything for him and to make their lives work, despite his adventurous side as a photographer and her being an indoor kitten. When L.B. talks of the murder to Liza, she is doubtful but never dismisses that it could be a possibility, and stays with him into the end. She finally goes into danger and grabs it by the you know what and wins L.B.’s heart.
I loved the ending, to me it was just one more good laugh with L.B. and Liza. I won’t tell, you’ll just have to trust me, it was a brilliant way to breath and smile again after all the suspense and drama. “Rear Window” is a true classic and I’m extremely grateful to the reviewers of IMDb who saw this movie and gave it great reviews, and the writers of The Simpsons! If it were not for you guys, I nor other members of my generation would probably not view it! Let’s keep this classic alive!
10/10
Original Language en
Runtime 1 hr 52 min (112 min)
Budget 1000000
Revenue 37034514
Status Released
Rated PG
Genre Mystery, Thriller
Director Alfred Hitchcock
Writer John Michael Hayes, Cornell Woolrich
Actors James Stewart, Grace Kelly, Wendell Corey
Country United States
Awards Nominated for 4 Oscars. 6 wins & 13 nominations total
Production Company N/A
Website N/A
Sound Mix Mono (Western Electric Recording)
Aspect Ratio 1.37 : 1 (original ratio), 1.66 : 1 (intended & theatrical ratio)
Camera Mitchell BNC, Bausch & Lomb Baltar Lenses
Laboratory Technicolor, Hollywood (CA), USA (color)
Film Length (12 reels)
Negative Format 35 mm (Eastman 25T 5248)
Cinematographic Process Spherical
Printed Film Format 35 mm