Rabbit Hole 2010 123movies

Watch: Rabbit Hole 2010 123movies, Full Movie Online – Becca and Howie Corbett are a happily married couple whose perfect world is forever changed when their young son, Danny, is killed by a car. Becca, an executive-turned-stay-at-home mother, tries to redefine her existence in a surreal landscape of well-meaning family and friends. Painful, poignant, and often funny, Becca’s experiences lead her to find solace in a mysterious relationship with a troubled young comic-book artist, Jason – the teenage driver of the car that killed Danny. Becca’s fixation with Jason pulls her away from memories of Danny, while Howie immerses himself in the past, seeking refuge in outsiders who offer him something Becca is unable to give. The Corbetts, both adrift, make surprising and dangerous choices as they choose a path that will determine their fate..
Plot: Life for a happy couple is turned upside down after their young son dies in an accident.
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Ratings:

	7.0/10 Votes: 49,779
	87% | RottenTomatoes
	76/100 | MetaCritic
	N/A Votes: 496 Popularity: 9.01 | TMDB

Reviews:

One of Kidman’s best performances.
Following on from his first two audacious features in the niche of queer cinema, John Cameron Mitchell now enters relatively mainstream waters to bring us Rabbit Hole, adapted by David Lindsay-Abaire from his own Pulitzer Prize-winning play. It’s a quiet, contemplative film, brimming with sadness and humor, and lead by a wonderful central performance.

Nicole Kidman returns to the theme that first brought her to international attention – that of a mother grieving the loss of a child, and the emotional aftermath that such a trauma entails. Of course in the two decades since Dead Calm was released, Kidman has explored of multitude roles and worked with some of the finest directors in the industry. She has gained such an authority on screen – yet somehow, here, she manages to strip away all of our preconceptions so that we are left with something as raw and natural as she was opposite Sam Neil at the age of 21. This is her most fully-rounded character and detailed performance in years – nimble, layered and completely magnetic.

Becca’s journey with her husband Howie (Aaron Eckhart), eight months after the tragic accident that killed their son, is beautifully captured by Cameron Mitchell’s lens. Despite the film’s stage origins, the story never feels too talky or confined, shots are simple yet beautifully composed, the editing and pace have a fluid rhythm. The couple’s facade of normalcy – making dinners, attending pious bereavement groups and keeping up appearances with friends and neighbors, begins to crack as the mementos of their son’s life disappear. Becca gives his clothes to goodwill and takes his paintings off the fridge, she accidentally deletes a video of him playing on a swing – causing a distraught reaction in Howie. The difference in the way this couple deals with the loss is compelling, and the friction between them palpable outside of the few explosive scenes.

Their disconnect becomes more and more apparent, and Eckhart plays it with a wounded humanity that’s really effective. Howie wishes they could “get back on track” and perhaps try for another baby, something which Becca is not prepared to do. Instead he starts hanging out with Gabby, a woman from their bereavement group, played by the always reliable Sandra Oh. Meanwhile prickly moments between Becca and her irresponsible sister Izzy (Tammy Blanchard) are very well played and Dianne Wiest provides a lot of warmth and wisdom as Becca’s mother, but doesn’t really get a defining moment. Becca both yearns to escape the reminders of her grief and seeks closure and solace in her pursuit of Jason, the young man who accidentally ran over her son. This strand of the story, exploring the idea of parallel universes and fate, gives the story a unique edge and Miles Teller is easily the stand out of the supporting cast.

Ultimately what gives this film its power is that Mitchell’s focus is always fiercely rooted in the reality of the situation, side-stepping the potential sentimentality of the subject – biting humor undercuts the sorrow and there certain moments of confrontation between Becca, Howie and Jason that strike quite a visceral chord. The scenes on the bench between Kidman and Teller contain moments of such purity and depth as to be heartbreaking – and to me, the final montage is one of the most sublime and emotionally resonant endings of the past decade. I can’t recommend the film enough, and if there’s any justice in the world Kidman will finally be recognized again by the Academy.

Stunning display from Kidman
I have no doubt that the worst thing that can happen to someone is the loss of their child. It’s also not a subject that will get people flooding to the cinema simply because of how grim that world can be but if you don’t see this film you will be making a big mistake. Nicole Kidman is fantastic as a grieving mother as are the rest of the cast , Aaron eckhart , Dianne Wiest and Miles Teller. This is a very emotional movie and you cant helped but be moved by what happens in Becca & Howie’s world and the way their relationship unfolds after the death of their son. Its both fascinating and strangely therapeutic. Why this was not up for an Oscar is beyond me , perhaps the subject was just too much for some people. Highly recommended.

Other Information:

Original Language en
Runtime 1 hr 31 min (91 min)
Budget 5000000
Revenue 5144717
Status Released
Rated PG-13
Genre Drama
Director John Cameron Mitchell
Writer David Lindsay-Abaire
Actors Nicole Kidman, Aaron Eckhart, Dianne Wiest
Country United States
Awards Nominated for 1 Oscar. 7 wins & 42 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital, SDDS, DTS
Aspect Ratio 1.85 : 1
Camera Red One Camera, Zeiss Standard Speed Lenses
Laboratory Offhollywood, New York (NY), USA (digital intermediate)
Film Length N/A
Negative Format Redcode RAW
Cinematographic Process Digital Intermediate (2K) (master format), Redcode RAW (4K) (source format)
Printed Film Format 35 mm (spherical), D-Cinema