Watch: Quantum of Solace 2008 123movies, Full Movie Online – Is there solace in revenge? James Bond (Daniel Craig) and M (Dame Judi Dench) sniff a shadowy international network of power and corruption reaping billions. As Bond pursues the agents of an assassination attempt on M, all roads lead to Dominic Greene (Mathieu Amalric), a world-renowned developer of green technology. Greene, a nasty piece of work, is intent on securing a barren area of Bolivia in exchange for helping a strongman stage a coup there. The C.I.A. looks the other way, and only Bond, with help from a retired spy and a mysterious beauty, stands in Greene’s way. M wonders if she can trust Bond, or if vengeance possesses him. Can anyone drawn to Bond live to tell the tale?.
Plot: Quantum of Solace continues the adventures of James Bond after Casino Royale. Betrayed by Vesper, the woman he loved, 007 fights the urge to make his latest mission personal. Pursuing his determination to uncover the truth, Bond and M interrogate Mr. White, who reveals that the organization that blackmailed Vesper is far more complex and dangerous than anyone had imagined.
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Quantum of Solace had to follow Casino Royale which rebooted the Bond franchise with critics as well as with some of the public with a youthful, angry Bond.Quantum of Solace starts 20 minutes after the events of Casino Royale with a fast edited but choppy car chase sequence. This is the first hint that Bond is following the Bourne films as co-editor Richard Pearson previously edited one of the Bourne films. This also highlights director’s Marc Forster inexperience in making action films as many of the action sequences are hard to follow because of the way it has been edited.
The film was also hampered by the 2008 writer’s strike. This meant that film went into production without a full working script which also meant that the director and even Daniel Craig allegedly wrote scenes for the film. It might explain the short running time.
The film unveils Quantum as a shady organisation with tentacles everywhere even in the heart of the British security services. The setting in Bolivia with disputes about water gives the film a political edge with a cynical look at corporations making dicey alliances with dictatorships to mutually exploit the people and plunder resources.
Forster gives the film some intriguing set pieces such the opera scene which is the meeting point for Quantum operatives which Bond infiltrates.
The short running time means the film is not overblown but with Craig at the helm it is kept lean and mean.
Probably liked this a bit more than the last time I saw this (’08 or ’09) but still a sizable step down from Casino Royale, although I do appreciate that this is a direct sequel (whereas it seems most Bond movies are standalone). The plot isn’t the best nor is the villain, albeit Mathieu Amalric does have the creep-factor going for him. The action sequences are good but not enough quieter moments.Plus, the (kind of) twist at the end regarding Vesper really cheapened that character, having her being duped like that, seems out of character given how perceptive she was with Bond.
In any case, still a solid enough movie as a whole and I absolutely love Olga Kuryenko, shame she never really took off. **3.25/5**
Shoddily directed and horrifically edited, but not a total misfire.
Quantum was my least favorite Bond movie for quite some time. After the over-ambitious Spectre, I look back at Quantum with fondness due to its simplicity. Not necessarily in its plot, but in its treatment of Bond as a character and his coming to terms with Vesper’s death. It’s an epilogue to Casino Royale; Bond is hellbent on revenge. It effectively functions as a discount Bourne film. Daniel Craig is great as always, as is Judi Dench and the rest of the supporting cast. The problems with Quantum lie mainly in the directing and editing.The film opens with a car chase – Bond is being pursued by thugs. Why? We find out later, but the fact that we have no information at the start makes it really hard to care about the action. On top of that, the camera is moving and cutting every half-second so it’s nearly impossible to tell what’s even happening. This shaky-cam technique is used throughout the film and it’s as disorienting as it is annoying.
We’re eventually led to our Bond Girl, Camille, who is a unique Bond Girl for having her own character arc (and her own villain), then she leads Bond to our main villain, Dominic Greene – a businessman who wants to buy a pipeline to control Bolivia’s water supply. Not exactly a James Bond-level threat, is it? Greene is no match for Bond physically in any sense, but their final confrontation is gratifying if only to see a villain genuinely, and rightly, terrified of Bond. It’s great fun to watch Greene yelp as he’s swinging an axe around for dear life while his fuel cell-ridden desert hotel explodes around him.
The rest plays out like a standard revenge story. Camille wants revenge against General Medrano for killing her family, and Bond wants revenge for Vesper by going after the organization that was blackmailing her. The writing is stilted and unpolished, but where the movie mainly fails is in its directing. It’s pretentious and tonally clashes with the dark character study of Bond that the script is going for. It also doesn’t help when the action scenes keep cutting away to a nearby horse race or an opera.
What we have here is a Bond-Bourne hybrid that had the impossible burden of having to follow Casino Royale. However, it’s nice to see a gritty Bond adventure for a change. It’s not a great Bond movie, but it’s engaging enough to be a good time if you’re able to look past its flaws.
Original Language en
Runtime 1 hr 46 min (106 min)
Budget 200000000
Revenue 589580482
Status Released
Rated PG-13
Genre Action, Adventure, Thriller
Director Marc Forster
Writer Paul Haggis, Neal Purvis, Robert Wade
Actors Daniel Craig, Olga Kurylenko, Mathieu Amalric
Country United Kingdom, United States
Awards Nominated for 2 BAFTA 4 wins & 32 nominations total
Production Company N/A
Website N/A
Sound Mix SDDS, Dolby Digital, DTS
Aspect Ratio 2.39 : 1
Camera Arricam LT, Zeiss Master Prime and Angenieux Optimo Lenses, Arricam ST, Zeiss Master Prime and Angenieux Optimo Lenses, Arriflex 235, Zeiss Master Prime Lenses, Arriflex 435 Advanced, Zeiss Master Prime Lenses, Arriflex D-21, Bell & Howell Eyemo, Dalsa Origin, Sony CineAlta HDW-F900R
Laboratory Ascent 142 Features, London, UK (digital intermediate), Company 3, Los Angeles (CA), USA (digital intermediate), DeLuxe, Hollywood (CA), USA
Film Length 2,827 m (Portugal, 35 mm), 2,897 m (Sweden)
Negative Format 35 mm (Kodak Vision2 200T 5217, Vision3 500T 5219), Video (HD)
Cinematographic Process Digital (4K) (source format) (one scene), Digital Intermediate (2K) (master format), HDCAM SR (1080p/24) (source format) (one scene), Super 35 (also 3-perf) (source format)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383, Vision Premier 2393), D-Cinema