Watch: Portrait de la jeune fille en feu 2019 123movies, Full Movie Online – In 18th-century France young painter Marianne, is commissioned to do the wedding portrait of Héloïse without her knowing. Therefore, Marianne must observe her model by day to paint her portrait at night. Day by day, the two women become closer as they share Héloïse’s last moments of freedom before the impending wedding..
Plot: On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.
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8.1/10 Votes: 91,159 | |
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Céline Sciamma, writer and director of “Portrait of a Lady on Fire,” calls her period film a “manifesto on the male gaze.” This is the most accurate, elegant description of her story of a romance between two French women in the late 1700s. This is an impeccably detailed, beautifully acted, refined drama with a strong feminist angle that’s as stirring as it is thought-provoking.Marianne (Noémie Merlant) is commissioned to paint the wedding portrait of Héloïse (Adèle Haenel), a young woman who has just left the convent. Because Héloïse is a very reluctant bride-to-be, Marianne arrives under the guise of companionship, observing the smallest of details about the woman by day and secretly painting her by firelight at night. As the two women spend their days with one another, intimacy and attraction grow, and the portrait becomes a symbol of the intensity of their love.
The lead performances are mannered and structured in the most effective way. The strong desire between the two women is manifested in a gaze or careful examination of a wisp of hair or the way Héloïse crosses her hands. There’s a quiet intensity to the emotional and physical intimacy between these two women, making this love story’s end feel all the more heartbreaking.
This is mostly an all-female film, and the men briefly seen on screen play little importance. Rounding out the characters are Héloïse’s mother (Valeria Golino) and housekeeper Sophie (Luàna Bajrami), who both fill critical roles in the story as the film explores issues affecting women at the time, including arranged marriages, career expectations, and health concerns.
The film itself is absolutely stunning, with gorgeously romantic and lush cinematography by Claire Mathon setting a sensual tone that complements the story. The artistry is outstanding, making “Portrait of a Lady on Fire” one of the most powerful, intellectual dramas of the year.
As the credits began to roll on ‘Portrait of a Lady on Fire’, I was practically incapable of moving or speaking. Every time I didn’t think the film could possibly get any better, Céline Sciamma elevated it to even greater, more incomprehensible heights, culminating in one of the most extraordinary moments in 21st-century cinema. This is a rare and precious film, breathtaking in its craft and intensely honest in its passions. This is a film that aches, that longs, that dances in ecstasy and raises its hands to the sky, angelic and ferocious and perfect. Simply put, ’Portrait of a Lady on Fire’ is a masterpiece, and one of the best films of this or any year.
– Daniel LamminRead Daniel’s full article…
https://www.maketheswitch.com.au/article/review-portrait-of-a-lady-on-fire-a-perfect-film-on-the-language-of-desire
One of the great films of the 21st century
I haven’t written a review in a while because frankly there haven’t been too many great movies in recent years to warrant any. But then I watched Portrait de la jeune fille en feu, and found it so revelatory and refreshing that I thought I would add my dollop of daisy to the ocean of praise this film has rightfully been getting.The film is about a love affair between a painter and her subject, both women, and in a sense it is as simple as that. There is a backdrop of male dominance overhanging the period in which the story is set – the film contains few men, and when they are seen, they appear as benevolent figures. But repression pervades each scene – the subject of the painting is an aristocratic woman who is on her way to be married, and yet she isn’t thrilled at the prospect and she might not have a choice in the matter. The painter, a young woman, at the end of the film displays her work under the name of her father, unable to present her work under her own name. So the specter of control is injected throughout, although this theme is only hinted at. This subtle touch gives the film an essential underpinning to what is otherwise a beautiful love story.
Some thoughts about the film-making. First: what a beautiful thing to behold. Such refined artistry is a rarity in the days of quick-consumption digital, and it goes to show how the technicians that work behind the camera are as important as what is happening on screen. Each frame is a thing of aesthetic delight, of color coordination, of subtle lighting and design elements all married into a whole. The fact that it was shot in digital rather than a traditional film look for a period piece somehow heightens and modernizes the proceedings in a way that made its most visual moments feel fresh and completely new.
Second, the respect for the audience, to not settle for petty narrative cliches when there were so many opportunities in this story to resort to them. It is one of these very pure and true stories, told with love and respect for the characters as well as those watching them breathe, yet we keep waiting for a moment of emotional violence between the main players, which doesn’t occur. When I became aware of how delicate this story was as it unfolded to its end, I was moved to my core.
This is a revolutionary and passionate film on many levels, and I believe those who have seen it can only attest to that. It kind of defies criticism beyond that fact.
Already a classic
I watched it 5 days ago and I still think about it.
Original Language fr
Runtime 2 hr 2 min (122 min)
Budget 5740000
Revenue 9923127
Status Released
Rated R
Genre Drama, Romance
Director Céline Sciamma
Writer Céline Sciamma
Actors Noémie Merlant, Adèle Haenel, Luàna Bajrami
Country France
Awards Nominated for 1 BAFTA Award59 wins & 157 nominations total
Production Company N/A
Website N/A
Sound Mix Dolby Digital (as Dolby 5.1)
Aspect Ratio 1.85 : 1
Camera Red Monstro, Leitz Thalia Lenses
Laboratory Hiventy (color and finish)
Film Length N/A
Negative Format Redcode RAW
Cinematographic Process Digital Intermediate (4K) (master format), Redcode RAW (7K) (source format)
Printed Film Format DCP