Watch: Orphans 1998 123movies, Full Movie Online – I quattro figli della signora Flynn si riuniscono a Glasgow, nella casa materna, in occasione dei funerali della madre, morta di recente. L’indomani mattina ci sarà la cerimonia funebre e, mentre un violento temporale si abbatte sulla città, i congiunti si preparano a trascorrere una notte molto difficile. I rapporti fra di loro si fanno più violenti man mano che le ore passano : bisogna accettare il lutto e cercare di ritrovare rapporti familiari ed affettivi ormai scomparsi da tempo..
Plot: A group of four siblings reunite in Glasgow on the eve of their mother’s funeral, and the children mourn their mother’s passing in a variety of ways—sometimes heartfelt, sometimes bizarre. As a potential thunderstorm threatens to damage the city, the situation compounds itself.
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7.0/10 Votes: 1,740 | |
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N/A Votes: 25 Popularity: 2.275 | TMDB |
Orphans: Ingeniously Funny
With his third film as director Neds seeing release just recently, the previous two films of Peter Mullan were given a back-to-back television showing. I managed to catch his first, Orphans, having never before heard anything of it.Meeting to mourn the loss of their mother, four Glaswegian siblings gather in a pub. When an inconsiderate group laugh at the lugubrious singing of the eldest, one of his brothers retorts physically and is stabbed. The remaining brother vows to avenge this whilst the handicapped sister finds herself stuck in a darkened alley, her wheelchair broken.
Orphans begins with a solemn scene, the four siblings gathered around their mother’s coffin. Some gentle humour is created through the siblings’ confusion at their elder’s request that they place some hair in the coffin. This introduces us to the film’s primary structure: scenes of genuine heartfelt drama lined with a subtle comedy to balance the mood. As things progress, we begin to see in increase in this comic factor, the film’s clever blending of its contrasting elements creating a wonderful dichotomy. The true beauty of the film, however, is in its juxtaposition of its constituent elements. Many are the scenes which Mullan allows to play out, drawing us in with a barrage of riotous laughter, before effortlessly turning this on its head with a disarming simplicity and forcing us to comprehend the dramatic implications of the events unfolding before us. In a simple moment, we go from laughing at something to considering its grim seriousness. It is a stunning effect, one often attempted but rarely realised so fantastically as here. Mullan ends his scenes by inviting us to reconsider what we have just seen; we find ourselves looking at events with a melancholy when just moments ago they had us reduced to breathless laughter. He allows us to indulge ourselves in the fantastic comedy his writing engenders before showing us that these scenarios are in fact tremendously dark and dramatic. We may chuckle at Michael’s determination to pass off his stab wound as an industrial accident, but we quickly reevaluate the true humour of this when we realise that he is slowly dying, his lightening pallor eventually quite frightening. This is just one example of the many such twists Mullan throws at us, showing himself to be as dramatically dark as he is ingeniously funny.
A truly fantastic combination of drama and comedy, done in a subversive way which forces us to reevaluate what we thought of a scene just seconds before, Orphans is a fantastic exploration of the closeness of drama and comedy. Splendidly supported by fantastic, hilarious, and realistically authentic Glaswegian performances, this film has certainly proclaimed Peter Mullan as a masterful director.
A magnificent film that deals with grief in a very black yet warm manner.
A magnificent film that deals with grief in a very black yet warm manner.Three brothers and a sister are torn apart upon the death of their mother. In the lead up to her funeral they all express their loss in different ways, from the recklessly violent to the automated responses of dealing with the ritual of the funeral itself.
Peppered with wonderful moments of Glaswegian humour – the graveside scene, though obviously contrived, is a moment of pure comic genius – this film is both deeply touching and funny.
If you like your humour dark, see it now.
Original Language en
Runtime 1 hr 41 min (101 min)
Budget 0
Revenue 49501
Status Released
Rated N/A
Genre Comedy, Drama
Director Peter Mullan
Writer Peter Mullan
Actors Douglas Henshall, Gary Lewis, Rosemarie Stevenson
Country United Kingdom
Awards 10 wins & 2 nominations
Production Company N/A
Website N/A
Sound Mix Dolby Digital
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory Rank Film Laboratories, Denham, UK
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm