One Night in Miami… 2020 123movies

Watch: One Night in Miami… 2020 123movies, Full Movie Online – Set on the night of February 25, 1964, “One Night in Miami” follows a young, brash Cassius Clay as he emerges from the Miami Beach Convention Center the new Heavyweight Boxing Champion of the World. Against all odds, he defeated Sonny Liston and shocked the sports world. While crowds of people swarm Miami Beach to celebrate the match, Clay – unable to stay on the island because of Jim Crow-era segregation laws – spends the evening at the Hampton House Motel in Miami’s African American Overtown neighborhood celebrating with three of his closest friends: Malcolm X, Sam Cooke, and Jim Brown. During this historic evening, these icons, who each were the very representation of the Pre-Black Power Movement and felt the social pressure their cross-over celebrity brought, shared their thoughts with each other about their responsibilities as influencers, standing up, defending their rights and moving the country forward to equality and empowerment for all black people. The next morning, the four men emerge determined to define a new world for themselves and their community..
Plot: In the aftermath of Cassius Clay’s defeat of Sonny Liston in 1964, the boxer meets with Malcolm X, Sam Cooke and Jim Brown to change the course of history in the segregated South.
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Ratings:

	7.1/10 Votes: 32,246
	98% | RottenTomatoes
	83/100 | MetaCritic
	N/A Votes: 547 Popularity: 14.87 | TMDB

Reviews:

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As you know, I always try to know as little as possible about a film before watching it. From skipping trailers to sometimes not even reading the synopsis and going in blind, I firmly believe the best experience one can have is to be surprised by the movie. However, a few films – mainly those “based in real events or real people” – warrant a little pre-research. Before sitting to watch One Night in Miami, I read a little bit about each main character’s life to understand who they were, what sort of impact they had in the Black community, and if the night depicted in the movie truly happened. Well, the gathering of these four friends that night is indeed real, but what they really talked about is fictionalized by Kemp Powers’ screenplay and Regina King’s directorial debut.

Honestly, I’m surprised by how much I enjoyed this film. I didn’t have high expectations, but it would still surpass them if I had. It’s one of those films anyone will struggle to find major flaws. King blows everyone away with her outstanding directing work, showing incredible control of her craft and deep knowledge of the art of filmmaking. Most of the narrative is spent in a small, cheap motel room. One-location movies are a brutal, challenging task for any director to handle, let alone a debutant, especially when there’s no action to create excitement or a significant amount of comedy to entertain the audience. However, King’s masterful blocking, framing, and shot composition make every scene feel unique with the help of exquisite cinematography (Tami Reiker) despite the place rarely changing.

These technical attributes may seem insignificant for the general audience, but they’re a major reason why this film remains remarkably captivating and refreshing after each conversation. Nevertheless, Powers’ screenplay – adapted from his own play of the same name – is as innovative as thought-provoking. Every single dialogue is incredibly worth investing the time to listen carefully. Almost all of the debates and interactions that the main characters have in this movie can be applied to today. This is a great accomplishment script-wise, but it doesn’t stop being a bit depressing and sad that important arguments about civil rights make as much sense now as they did almost sixty years ago.

Malcolm X and Sam Cooke are the two characters who argue the most about this topic. On one hand, their discussions can be enlightening about what Black people can do to help their community and change the social-economic system. On the other hand, watching them fight over who has the best formula or who’s more successful in using it to help their people is not as pleasant as one might anticipate. Thing is… it’s not meant for the viewer to feel comfortable during these talks. The first act is a swift introduction to the ensemble of protagonists – maybe even too fast – but the other two acts are entirely dedicated to these debates precisely to stimulate the audience and make people think and reflect on our society’s current state.

Moving on to yet another massive influence on this film’s overall success: the ensemble cast. Everyone is absolutely terrific, but my personal standout has to be Kingsley Ben-Adir (The Photograph, King Arthur: Legend of the Sword) as Malcolm X. Kingsley is the one who triggers everything and who keeps bringing the necessary conversations to the screen through an emotionally powerful display. Leslie Odom Jr. (Hamilton, Harriet) follows close behind with a phenomenal, charmful interpretation of Sam Cooke, offering his own beautiful voice to the movie’s music (Terence Blanchard). Aldis Hodge (The Invisible Man, Hidden Figures) delivers a grounded yet engaging performance as Jim Brown, while Eli Goree (Race) plays a cocky, overconfident Cassius Clay (later known as Muhammad Ali) who is a bit annoying at first but quickly proves to be much more than that.

I struggled to find explicit, significant flaws throughout the whole film and even after I finished it. Honestly, I believe it’s one of those few movies that come out every year where it’s tough to really feel disappointed about a specific component. I had my Top10 of the year well-defined, but it will have to open up space for this exceptional film. I hope everyone will come around to watch this one before the Oscars, so it gathers enough support to win a few categories. It would be a shame not to be able to call One Night in Miami an Oscar-winning flick.

Possessing one of the best ensemble casts of the year, One Night in Miami is a magnificent piece of filmmaking and storytelling. From Regina King’s masterful directorial debut to Kemp Powers’ thought-provoking, mesmerizing adapted screenplay, it’s hard to point out flaws in such a well-made movie. King’s brilliant blocking and framing maintain every conversation refreshing and unique despite the location rarely changing, while Powers’ narrative is packed with arguments about civil rights so impactful that most of them still exist today. Kingsley Ben-Adir and Leslie Odom Jr. have more dialogue to shine than Aldis Hodge and Eli Goree, but all deliver phenomenal performances, especially the first. The first act is a tad too fast yet very entertaining, but the rest of the film is surprisingly captivating until the very end. It might feel heavily depressing at specific moments, but the purpose is precisely to convince audiences to reflect on today’s society and its socio-economic system. Personally, I didn’t expect it to enter my Top10 of 2020, but here we are…

Rating: A-

Inspired by a true story, “One Night in Miami” imagines what happened the night real-life friends Malcolm X (Kingsley Ben-Adir), football star Jim Brown (Aldis Hodge), soul singer Sam Cooke (Leslie Odom Jr.), and heavyweight boxing champ Cassius Clay (Eli Goree) gathered at the Hampton House Motel to celebrate Clay’s victory over Sonny Liston. Over the course of the evening, the men at first are in a celebratory, playful mood, taking lighthearted jabs at each other and enjoying the company. But as the night progresses, the conversations grow more intense, and the four friends have a thoughtful (and confrontational) discussion on race, equality, and the black man’s experience in America.

Set during the Civil Rights movement in 1964, the timeless subject matter unfortunately has just as much relevance almost 60 years later. You could transport these men into modern times and their conversations about racial injustice would sound almost identical to those being discussed by people today. It’s an important story to tell, and Regina King has captured the essence of Kemp Powers‘s play in her feature directorial debut.

Since the film is based on a stage play, it feels very talky. Most of the action takes place within the confines of a motel room, yet it never feels claustrophobic. King gets the men out of the motel for a few scenes, including a show-stopping piece at a Sam Cooke concert that shows off her talented eye for directing.

The insightful script (adapted for the screen by Powers himself) is among the best of the year, and the charismatic young actors carry the dialogue-heavy film with confidence. They’re called on to do a lot of heavy lifting, and every single person in the cast fully becomes the cultural legends they portray. These men make the historical figures come alive with a seemingly effortless chemistry. Every scene plays like natural, realistic banter among friends.

I’m ashamed to admit that this is a story I’ve never heard before. The film assumes that viewers have a familiarity with this important moment in history, so it would be beneficial to read up on the event beforehand so you’ll find a deeper connection with the story. I spent an hour doing research after screening the movie. If you don’t have time, the film is still an excellent way to learn.

“One Night in Miami” may be a fictional account of what was discussed within those walls, but it’s an effective drama about four revolutionary leaders and activists. It’s entertaining, thought-provoking, intelligent, and is sure to spark further discussion, which is precisely why the film is so important.

One Night in Miami
Oscar winning actress Regina King makes her directorial debut in One Night in Miami.

Adapted from a stage play. It imagines a meeting in a hotel after Cassius Clay’s (Eli Goree) defeat of Sonny Liston in 1964 when he was crowned world heavyweight champion.

Clay and his friends Jim Brown (Aldis Hodge) Sam Cooke (Leslie Odom Jr) and Malcolm X (Kingsley Ben-Adir) get together to celebrate, joke, argue and debate about being black in 1960s America.

The pre credit sequence concentrates on each of these men. It shows the causal and non casual racism some of them encounter.

The crux of the movie is Clay deciding to become a Muslim and join the Nation of Islam which also entails changing his name.

Meanwhile Malcolm X is considering his future with the Nation of Islam which is causing tensions within the group.

Jim Brown wants to leave football and become an actor. It is better for his knees.

Cooke has realised that there is money to be made if white groups such as The Rolling Stones have big hits with the songs he has written.

Malcolm X though is angry with Cooke for not taking a strong political stance. He reminds Cooke that black people are being killed everyday. Others tell Malcolm that he is being too hard on Cooke.

Deep down this is a political movie, chiming with the Black Lives Matter debate.

The stagebound nature of this movie is hard to ignore. It also takes a while to get going but becomes compelling when Malcolm X and Sam Cooke clash.

The ensemble cast do bounce off well from each other. The best performance for me was by Leslie Odom Jr, especially his singing voice.

It has to be noted that within a year after this fictionalised meeting that both Malcolm X and Sam Cooke would be dead.

One Night Of Strong Dialogue, Great Acting, but Stagnant Movement. NonFiction, Play Lovers Should Enjoy
LIKES: Nice Recreation of Setting Dialogue feels realistic and layered Involves all four of the main cast quite well The music and the power of the music The Ebb and Flow The Acting

DISLIKES Not quite as exciting as I thought Did not get to see the power of each members impacts Several areas of backstory diluted Boring if not into political moments Feels Very much lie a Play Potentially some stereotypes or character moments that can be taken wrong

Review: If you have read my reviews in the past you know I’m a fan of recreating settings from back in the day. One night in Miami, while not the most detailed set, does a great job of using the few buildings/rooms and highlighting the nostalgia of decades gone by. It helps pull you into the movie and takes little time dragging you into the tension that the 60s provided. Once in the setting, the movie relies heavily on dialogue, working to find realism and replay a potential true event that occurred long ago. The words uttered by the main cast seem to be natural, a realistic meeting of the revolutionaries who are trying to have one night of fun, only for things to take a turn for the awkward. Each of the four have different opinions, adaptations, and ways of life and hearing their thoughts, their dreams, and their struggles on the matter makes for interesting dialogue the likes have not been seen for some time. King uses all four of the icons well, making sure each gets their own say and involvement in the movie, allowing you to pick your king pin for favorite character in this intense battle of aspirations. Through this one night, you can see how hot topics like this can cause ebb and flow of friendships, testing boundaries that can potentially rip it apart. It leads to engaging character interaction and in the short time span helps evolve these characters, much like a play does (which this movie is based on) that draws you in to wondering what will happen to the young gentlemen. And the thing that really brings it out is the acting. All four of these young men are talented and blow their roles out of the water. Kingley Ben-Adir shows power, calm, and man filled with pride whose goals of equality drive every action and make him the hard sword and shield of the movement. Eli Goree dances like the king of boxing both in and out of the ring, mimicking the fast talk, fast walk, and high confidence/self-impressed habits of Mohammed Ali as he crosses into his new name. Aldis Hodge plays roles I have seen before from him, but manages to play Jim Brown quite well as a rational man who is not afraid to call out others on their extremes, and yet realize the limitations that come with sports and fleeting timeline of athleticism. As for Leslie Odom Jr., this guy’s voice and showmanship for singing as Sam was one aspect I liked, while the combative nature of him against X’s extreme persona was wonderful to see. While each signed separately, together they mixed well to an even stronger chemistry that again felt natural as if they had always been friends. That believable performance was the pillar to this movie for me and perhaps the main reason to watch this film. Finally, when the musical moments do occur, they’ve got the soul of the singers in them, fitting well with the scene and bringing that little extra something to the scene.

However, there were some surprises I was not expecting in this film that would have been better had they not been surprises. One, the movie was not as exciting as I thought the advertisements were going to make this out. One Night In Miami is a movie much more geared toward it’s playwright origins, in that not much movement occurs once the night starts. A few flashbacks here and there break out of the hotel room, but I had thought the movie was going to be more about them moving through Miami, remembering/portraying their shining moments, and seeing the impact it had to the fans and community of the city. A story like that was something I had hoped to see, mind blown as I drank in the full impact of each of them and seeing how their approaches struggled. Instead, the singularity in the room, the prolonged conversations about right and wrong and calling each other out feeling more like Death of a Salesman play than a movie itself. While much of this has to do with sitting around and talking, something else that was a limitation for me was diluting qualities movies thrive in so well. One of these is the ability to dive more into the backstory of our guys and involvement with other members who really helped their careers and lives. Clay’s trainers, Malcom’s wife and kids, and more have their moments, but despite how “important” they were, the movie sort of dropped back for the playwright aspect and given the build ups and foreshadowing, I would have liked to see more involvement in the movie. Because my expectations were what they were, this punch hit a little more than others, but really I would have liked more interaction and impact from these lives. As such, without the adventure aspect, this movie might be very boring to those who are not fans of the nonfiction pace. Those who like very detailed dialogue, dry humor, and more interested in a character’s thoughts vs seeing a tale unfold will be in good shape, but for me it was boring at parts. Nearly two hours of just lots of talking and jibber jabber, are not the most exciting moments for watching these famous icons for me, and I would have liked a little more motion to help me full enjoy the movie. Finally, there are some stereotypes for characters that the modern day audience may not enjoy or find disrespectful. Malcolm X in particular was a bit more extreme for my tastes, and uncertain how accurate this performance was despite the history I do know about him. As such, those who demand accuracy or are sensitive to the way a character is portrayed have been warned.

The VERDICT

When it comes to this movie, one should be ready for a play like presentation of a movie that has some power behind its well-written words. The acting, the portrayal, the passion of these men is there in the conversations of this realistic drama, as they share their impacts on their place in the mixed up world. With supportive movie magic, a little drama to show ebb and flow of friendship during charged up times, and the recreation of the world, this nonfiction piece surely holds quality. Yet, there was more to unlock for me, with the presentation I had in mind being them out on the town and seeing their work and impact as they enjoyed their one night. I would have liked more movement and involvement with others, and some highlights into seeing their career then what we got. King, however, chose another route and while it is still powerful, the entertainment side is limited given the two hour run time. With all this in mind, my scores are:

Drama: 7.0 Movie Overall: 6.0

Other Information:

Original Language en
Runtime 1 hr 54 min (114 min)
Budget 0
Revenue 0
Status Released
Rated R
Genre Drama
Director Regina King
Writer Kemp Powers
Actors Kingsley Ben-Adir, Eli Goree, Aldis Hodge
Country United States
Awards Nominated for 3 Oscars. 69 wins & 182 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 2.39 : 1
Camera Arri Alexa 65, Arri Prime DNA Lenses, Arri Alexa Mini LF, Arri Prime DNA Lenses
Laboratory FotoKem, Atlanta (GA), USA (dailies), Light Iron, Los Angeles (CA), USA (digital intermediate)
Film Length N/A
Negative Format Codex
Cinematographic Process ARRIRAW (4.5K) (6.5K) (source format), Digital Intermediate (4K) (master format)
Printed Film Format D-Cinema, Video (UHD)