Nomadland 2020 123movies

Watch: Nomadland 2020 123movies, Full Movie Online – Following the economic collapse of a company town in rural Nevada, Fern (Frances McDormand) packs her van and sets off on the road exploring a life outside of conventional society as a modern-day nomad. The third feature film from director Chloé Zhao, NOMADLAND features real nomads Linda May, Swankie and Bob Wells as Fern’s mentors and comrades in her exploration through the vast landscape of the American West..
Plot: A woman in her sixties embarks on a journey through the western United States after losing everything in the Great Recession, living as a van-dwelling modern-day nomad.
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Ratings:

	7.3/10 Votes: 161,113
	93% | RottenTomatoes
	92/100 | MetaCritic
	N/A Votes: 2462 Popularity: 19.459 | TMDB

Reviews:

I watched this because of Frances McDormand and David Strathairn, and I was surprised to find they are the only actors really. There are a lot of rolls filled by actual ca,pers and travelers.

This movie is definitely a slow burner. If you aren’t used to quiet, slice of life movies , you may find it to be slow going.it is a character study, but with many characters s. A lot of people with real stories pass through the main character’s life. She helps them or they help her, and everyone moves on.

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As of this article’s date, Nomadland has already received countless nominations for basically every ceremony that honors movies in some shape or form. This includes Chloé Zao (The Rider, Songs My Brothers Taught Me), who has also been nominated for the director and screenplay categories, gaining tremendous support from the film community since female directors are rarely recognized for their magnificent work – Emerald Fennell (Promising Young Woman) and Regina King (One Night in Miami) are also in the game this year. Despite never watching the two previous movies of Zao’s career, I did know about her filmmaking style being very connected to reality and authenticity, not letting the typical Hollywood-isms impact her vision.

If there’s something that definitely proves her remarkable commitment to achieve that realism is the hiring of non-actors to participate in her films. Throughout Nomadland, several *real people* tell their story, explaining why they became real-life nomads and offering an enriching, inspirational perspective of life. This is, by far, the most captivating, emotionally compelling aspect of the movie. Learning who these people are and what drives them is incredibly enlightening, shattering wrong, terrible stereotypes that should have no place in our world. With so many outstanding deliveries from the non-actors, I’m absolutely sure some of the interactions between Frances McDormand’s character and the real-life nomads are unscripted.

In fact, there’s a clear documentary style associated with this film. From Joshua James Richards’ on-the-ground, gorgeous cinematography to the well-structured editing work (also done by Zao), the narrative holds a superficially uneventful, observant storytelling that many viewers will find tiresome and boring, which is completely understandable. It’s hard to deny that the screenplay is pretty much based on following McDormand in an RV through the American West, watching her meet new people, working in a couple of different jobs, and that’s really it. If people go into this movie expecting mind-blowing developments and Earth-shaking revelations, all will leave extremely disappointed.

It’s a slow-paced, somewhat repetitive film told through Zao’s unique vision, which is the key aspect that makes this movie work so well. Her astonishing dedication to delivering such a grounded depiction of a particular lifestyle elevates the overall piece. Technically, I already addressed that the film is beautifully shot, but Ludovico Einaudi’s score is tear-inducing on its own. With heartfelt piano tracks, Einaudi’s music plays during the most stunning landscapes, helping those moments to induce the viewers to enter an introspection-like state of mind. Zao’s screenplay is packed with underlying themes, but the diverse, impactful views on what it means to live and how to deal with grief and personal traumas grabbed my attention the most.

Despite all that I wrote above, Nomadland is highly performance-driven. Frances McDormand carries this movie with yet another powerful display to add to her already impressive career. Her reactions in every single conversation that she has with the non-actors seem to come from McDormand herself and not from her character, Fern. Speaking of her, Fern is an amazingly likable character, the absolute definition of what it means to be a good person. Following such a protagonist makes the extremely long journey a bit lighter. Every non-actor is absolutely perfect. I have nothing but overwhelming respect for them and the life they chose to live.

I don’t expect the general public to love this film, but I’d love to see the viewers trying to figure out what makes it so special. Many spectators will finish their viewing and think this is just another “technical feature” that only gets praises from critics. I sincerely wish that viewers would ask themselves why they didn’t enjoy a movie as much as other people and research about it. Learn about what makes the film so inspiring and such great storytelling. Yes, it’s heavily philosophical, its pacing could have been better controlled, and it doesn’t really have massive surprises or significant events. But if it possesses a lot more than what it’s at the surface, then investigate, read a little bit about what went into creating this movie, and maybe – just maybe – it will become a more enjoyable watch.

Nomadland offers a contemplative, enlightening, touching story about a nomad’s life, starring real-life people that make this film much more special. Chloé Zao’s unique, passionate vision and her outstanding dedication to authenticity are more than enough characteristics deserving of dozens of nominations. Gorgeous cinematography and a lovely score tremendously elevate the movie, creating the perfect atmosphere for thoughtful storytelling. Some pacing issues and an uneventful narrative based heavily on merely accompanying the protagonist through her journey negatively affect the film’s overall enjoyment, which will definitely leave some viewers disappointed. Frances McDormand carries the movie on her shoulders with another commanding performance to add to her remarkable career. However, the spotlight goes to the real-life nomads who participated in this beautiful project, sharing personal stories filled with valuable perspectives on so many themes related to life and ways of living it. A worthy contender for the awards season.

Rating: B+

I rather enjoyed it
My thoughts on this film: I can see how this movie is not for everyone, but I enjoyed it. I think, if you have even a remote interest in a nomad lifestyle, life on the road, extended road trips in campervans, then you would like this movie. It certainly shines a spotlight on a very small and unexplored part of society. There are actually people out there, in this day and age, who live in vans and travel around, working in different places. Who knew? And how exiting! And how lonely and intriguing. Why would someone do this? I get it, I’m adventurous, but how desolate and maybe even a little depressing. That lifestyle is certainly not for the faint of heart. You have to wonder about the mental health of some of these people, but that’s in all walks of life, I suppose. And I think, in a way, that a lot of nomads are scarred in some way, and that’s why they keep moving, keep trying to find themselves or something.

And then there’s the protagonist. Who is she and why doesn’t she let people get too close to her? My only really complaint about her character is that they could have given her a little more personality.

Ah, the cinematography. Simply stunning.

The ending was less than satisfying.

Overall, I think it was a lovely movie. I certainly thought about it for a long time afterwards. I don’t feel it was best picture award-worthy, but I’m not an Academy member, so I’ve no say in the matter. A very solid 7 out of 10 IMDB stars from me.

A pretty lifeless story that just comes across flat
‘Nomadland’ is based on a work of non-fiction – and it shows. It’s a well made movie, but not a lot happens. It’s the kind of movie where if someone asked you what the plot was it would be hard to answer. You’d basically just say we follow a woman around for 108 minutes while she travels around and changes job a lot. Some people seem to be falling in love with this movie, but I’m not quite sure what they’re seeing in it that I didn’t.

Frances McDormand is critical to this movie being as watchable as it is. She is becoming one of the most likeable and consistent actresses working today. I do prefer her in roles like ‘Three Billboards Outside Ebbing, Missouri’ where she has a little more sass and edge to her character. Here she is a little flat, but that’s more to do with her character not actually having a whole lot to do throughout the film.

I guess I just wanted more out of this film. I wanted it to be inspirational or moving or even just thought-provoking. I was hoping for a film more akin to ‘Into the Wild’. I did get that sadly, and what I did get was pretty forgettable.

Other Information:

Original Language en
Runtime 1 hr 47 min (107 min)
Budget 5000000
Revenue 14784114
Status Released
Rated R
Genre Drama
Director Chloé Zhao
Writer Chloé Zhao, Jessica Bruder
Actors Frances McDormand, David Strathairn, Linda May
Country United States
Awards Won 3 Oscars. 256 wins & 156 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital, IMAX 6-Track, DTS, Dolby Atmos
Aspect Ratio 1.90 : 1 (IMAX version), 2.39 : 1
Camera Arri Alexa Mini, Zeiss Ultra Prime Lenses, Arri Amira, Zeiss Ultra Prime Lenses
Laboratory Harbor Picture Company (as Harbor)
Film Length N/A
Negative Format CFast 2.0
Cinematographic Process Digital Intermediate (2K) (master format), ProRes 4444 (3.2K) (source format)
Printed Film Format D-Cinema