Need for Speed 2014 123movies

Watch: Need for Speed 2014 123movies, Full Movie Online – Framed by an ex-partner for a murder he did not commit, Tobey Marshall, a financially struggling custom-car builder and street-racer, spends two years in jail thinking about one moment. Fresh out of prison he reacquires the fastest car his workshop ever built and sold, and seeks to enter a secretive and extremely high-stakes race known as The DeLeon. His purpose; redemption, recognition from the world of racing and to solve his problems. Yet all this fades in comparison to his driving reason. Revenge. Above all, revenge. This is a story about love, redemption, revenge and motor oil all swirled together.
Plot: The film revolves around a local street-racer who partners with a rich and arrogant business associate, only to find himself framed by his colleague and sent to prison. After he gets out, he joins a New York-to-Los Angeles race to get revenge. But when the ex-partner learns of the scheme, he puts a massive bounty on the racer’s head, forcing him to run a cross-country gauntlet of illegal racers in all manner of supercharged vehicles.
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Ratings:

	6.4/10 Votes: 171,961
	22% | RottenTomatoes
	39/100 | MetaCritic
	N/A Votes: 3760 Popularity: 40.316 | TMDB

Reviews:

Stay At The Racetracks
Need For Speed is probably one of the least videogames that deserve an actual film adaptation. There’s only two or so games of the franchise that have a storyline and they’re nowhere as remarkable as the actual gameplay. For sure, this film takes none of the source material other than the cars and the title. The story here is mostly a straightforward chase reveled with elemental cosmic hate grown by revenge. Just like the game, only the racing that brings real appeal while everything else is a filler for the sake of forming a movie. Need For Speed can be a fun blockbuster, but not all of the ideas work.

The story is something not worth remembering, the simplicity at least acknowledges that the racing is the main deal here, but it’s also not worth sitting through. The characters and their plight are neither remarkable nor compelling and it would be nice if they’re just easy plot devices, but the movie stretches these to attempt a buildup. Unfortunately it instead makes it a long and less interesting distraction from the attraction. It only works when the cars are telling the story, shutting up the generic arcs and forced revenge movie elements that halts the excitement.

Lesser the CGI, better the thrills. The stunts are magnificent in its own way, though most of the credit goes to the camera-work for completely showing the mayhem going on within those tracks. You will find plenty of inventive set pieces where the speed and ridiculous majestically outshine the typical blockbuster explosions. The direction has an excellent taste for suspense and the camera really follows the heartbeat beneath those scenes.

The cast kind of improved the bland characters. Aaron Paul has the charm despite of not uttering his fans’ favorite colorful language. He is more natural when he is with Imogen Poots which gives an interesting chemistry in their petty romantic subplot. Dominic Cooper boils a slight threat as the villain. And Michael Keaton preaches his enlightening racing speeches with ludicrous enthusiasm.

This Need For Speed is basically like an awesome video game but with nonsensically long cutscenes, if only we can press the skip button. It is better off sticking to the speed of the action, but the film is unable to make the audience ignore the generic plot, especially when it painfully extends them so it would get a two hour runtime. Stories are good only when they’re well told, well defined, and worth listening. The film should have tried a little harder. Again, the momentum and the camera-work are instantly worth the price admission and that is what the target viewers came in for. If they can take the bloat, then it is a solid entertainment.

Need to Breed for Speed and Not to Bleed Because of Greed and those Freed to Feed on Seed – A Pointless Title for a Pointless Movie
The only need for speed required is a good fast forward button. What kind of doo-doo is this? Guy meets hot girl, jumps in fast car, and goes fast. Let me see, was there anything else? Hmmm – no. I kid, this was not the worst movie I ever wasted money on. For one thing, there are so many worse flicks floating around out there – and for another, I did not pay for it. So – hahahahaha. Also, this review is not all negative. There are some huge plusses I must mention. These jewels are hidden under one huge pointless- blanket, and I will try to uncover them. Aaron Paul did a good job – he spoke his lines and drove a fast car. I was very impressed. Imogen Poots played the pretty blonde to a ‘T’. She superbly sat in the passenger seat, and did a fine job inhaling and exhaling – breathtaking. I almost forgot, she actually talked too…and, I think the words she spoke were extremely important to the plot. Hahahahaha – again. Just kidding – there was no plot. The rest of the cast were spectacular. They put gas in cars, got beat up or just plain raced against Aaron and Imogen. This is a must see movie.

Other Information:

Original Language en
Runtime 2 hr 12 min (132 min)
Budget 66000000
Revenue 203277636
Status Released
Rated PG-13
Genre Action, Thriller
Director Scott Waugh
Writer George Gatins, John Gatins
Actors Aaron Paul, Dominic Cooper, Imogen Poots
Country United States, India
Awards 1 win & 5 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix SDDS, Datasat, Dolby Digital
Aspect Ratio 2.35 : 1
Camera Arri Alexa M, Cooke S4 Lenses, Arri Alexa Plus, Cooke S4, Angenieux Optimo and Canon EF Cinema Lenses, Black Magic Cinema Camera, Canon EOS C500, Cooke S4, Angenieux Optimo and Canon EF Cinema Lenses, Canon EOS-1D C, Zeiss ZE and Canon EF Cinema Lenses, GoPro HD Hero 3, Leitz SUMMILUX-C lenses, Phantom Flex, Cooke S4 and Angenieux Optimo Lenses, View Factor Novo
Laboratory DeLuxe, Hollywood (CA), USA (prints), FotoKem Laboratory, Burbank (CA), USA (digital dailies), Technicolor, Hollywood (CA), USA (digital intermediate)
Film Length 3,581 m (7 reels)
Negative Format Codex
Cinematographic Process ARRIRAW (2.8K) (source format), Canon Cinema RAW (4K) (source format), Digital Intermediate (2K) (master format)
Printed Film Format 35 mm (anamorphic) (Fuji Eterna-CP 3514DI), D-Cinema (also 3-D version)