Watch: Navajo Joe 1966 123movies, Full Movie Online – Ravaging the land like a pitiless scourge, Vee Duncan’s savage gang of cutthroats massacre the entire tribe of a peaceful Navajo village, scalping them all for a dollar apiece. With his companion brutally murdered, the Navajo native and the slaughter’s sole survivor, Joe, stealthily pursues the blood-thirsty outlaws on their way to the small town of Esperanza, where a treacherous member of the community encourages Duncan to hijack a government train crammed with cash. Their well-thought strategy guarantees success; however, Navajo Joe still thirsts for retribution. Can a single man foil the plans of Duncan’s ferocious crowd of killers?.
Plot: The sole survivor of a bloody massacre vows revenge on his attackers and on the men who killed his wife.
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6.3/10 Votes: 4,174 | |
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OK spaghetti from Corbucci but far from his best. Reynolds looks like a primitive with that forehead and hair. Aldo Sambrell excellent as “Duncan”. Nicoletta beautiful and talentless as always. The ending had good and not so good moments, the final scene corny.
Navajo Nearly No!Navajo Joe is directed by Sergio Corbucci and collectively written by Fernando Di Leo, Ugo Pirro and Piero Regnoli. It stars Burt Reynolds, Aldo Sambrell, Nicoletta Machiavelli, Tanya Lopert and Fernando Rey. Music is by Ennico Morricone and cinematograpy by Silvano Ippolitti.
Though Reynolds would say it’s the worst film he ever made, anyone who has followed his career will know that simply isn’t the case! It’s an odd Spaghetti Western that sees Reynolds play the title character, who strides out for revenge against the ragamuffin varmints who slaughtered his woman and tribe. Cue blood letting galore as Joe enacts said revenge with bloodthirsty glee as the hints of anti-racism struggle to show their heads above the pasta strewn pulpit.
Narratively there’s nothing else to add, it’s simplicity 101 and at times it becomes laborious. Where the film doesn’t lack for interest is with the technical aspects. Corbucci hones his skills as a purveyor of brutal set pieces, each striking for entertainment purpose. Ippolitti adds his own brand of cinematography, gracing the story with a pizzaz it doesn’t deserve, whilst Morricone provides a wonderfully catchy musical score. As for Reynolds? He does OK. Veering close to being pantomime and showing a lack of interest, his all round brooding charisma shines bright and gives the picture a macho edge.
Not a great film by any stretch of the imagination, the script is just too lazy, but it is above average and Spaghetti Western fans can find enough here to gorge on for a satisfying meal. 6/10
A Fistful of Burt Reynolds
This movie was Burt Reynolds’s second lead role in a theatrical feature film. This movie is also one of Quentin Tarantino’s Top Twenty favourite spaghetti westerns.Plot In A Paragraph: An Indian warrior called Navajo Joe (Burt Reynolds) seeks revenge on a gang of sadistic outlaws who has massacred the people of his tribe.
Aside from Reynolds the acting in this film is pretty mediocre. There s also pacing problems Burt Reynolds only agreed to make this film because he was under the impression that Sergio Leone would be directing. When he found out it was Sergio Corbucci he tried to pull out, but the contracts had already been signed and it was too late.
As a side note this is the first time Burt wears a wig in a movie, but that’s more to do with him playing an Indian than the actual role.
“I want a dollar a head”
One of the better known spaghetti westerns, directed by Sergio Corbucci, probably the most prolific director of spaghettis. While it was Sergio Leone who made the masterpieces, Corbucci carved out his own little niche and made several important contributions to the genre. Navajo Joe is also known for featuring the up-and-coming Burt Reynolds in one of his earliest roles.Unlike Sergio Leone, Corbucci seems to have had a really passionate agenda for making what he saw as inflammatory anti-westerns. Here his mission is to restore the balance of treatment of Native Americans in the Hollywood western. He wasn’t being quite as radical as it at first appears though, seeing as Robert Aldrich had done the same thing ten years earlier with Apache, starring cinema’s other famous Burt (Lancaster). Joe is an interesting character compared to the usual spaghetti anti-hero though, as his extortion and cynicism are continually influenced by this higher purpose he has of seeking justice.
Italian westerns were really becoming big business by this point, and Navajo Joe has somewhat bigger production values than Corbucci’s earlier films. The dubbing is of a much higher quality than that in Django, although it’s still not great. Nothing can cover the weakness of the plot – aside from the Native American angle it’s a fairly basic train robbery story. There’s a half-hearted attempt at injecting some mystery and suspense into it with the Doctor Lynn character doing an inside job, but this never really gets off the ground. The actual dialogue is terrible too.
Corbucci showed promise as a director in Django, but in Navajo Joe the direction is nothing special. Whereas Django made great use of interiors and dark spaces, Navajo Joe is in ‘scope and mostly set outdoors, but Corbucci really has no feel for landscapes. He gives a great rough and ready feel to the action scenes, but overall there are just too many zooms and pointless camera moves.
Although he would later become a big star back home, Burt Reynolds isn’t particularly good here. He moves fairly well, and gives Joe just the right note of self-absorbed nonchalance, but when he opens his mouth terrible things happen. He puts in these little pauses, as if trying to deliver lines like John Wayne, except he falls well short. He actually manages to do the seemingly impossible and do an unconvincing job of dubbing himself. The only acting performance really worth noting is that of Aldo Sanbrell. Sanbrell was one of the most prolific spaghetti character actors, playing third-bad-guy-on-the-left in dozens of pictures. Here is a rare chance to seem him in a lead role, and he’s actually not bad. Not good, but not bad either.
Burt Reynolds once stated that this was the worst film he ever made. It’s probably not, (as anyone who’s seen the Smokey and the Bandit sequels will testify) but it is a fairly bad one, and if Reynolds wasn’t familiar with exploitation cinema he no doubt wondered what the hell he was doing. Corbucci had already made one of the best loved spaghettis (Django) and would go on to make some real classics (The Mercenary, The Great Silence), but Navajo Joe was a real step backwards in his career.
Original Language it
Runtime 1 hr 33 min (93 min) (Italy), 1 hr 28 min (88 min) (Spain), 1 hr 33 min (93 min) (USA)
Budget 0
Revenue 0
Status Released
Rated Not Rated
Genre Western
Director Sergio Corbucci
Writer Ugo Pirro, Piero Regnoli, Fernando Di Leo
Actors Burt Reynolds, Aldo Sambrell, Nicoletta Machiavelli
Country Italy, Spain
Awards N/A
Production Company N/A
Website N/A
Sound Mix Mono (Westrex Recording System)
Aspect Ratio 2.35 : 1
Camera N/A
Laboratory Technicolor
Film Length N/A
Negative Format 35 mm (2-perf)
Cinematographic Process Techniscope
Printed Film Format 35 mm