Watch: Nativity 3: Dude, Where’s My Donkey?! 2014 123movies, Full Movie Online – The pupils of St Bernadette’s and the madcap Mr Poppy (MARC WOOTTON) are back! When their new teacher Mr Shepherd (MARTIN CLUNES) loses his memory as well as Archie the Donkey, it’s up to them to save the day and reunite him with his fiancée Sophie (CATHERINE TATE) in New York. Prepare for a race against time, fantastic flashmobs and plenty of Christmas fun on their greatest adventure yet..
Plot: This Christmas the pupils of St Bernadette’s and their much-loved, madcap teacher Mr. Poppy are back for their biggest adventure yet involving fantastic flashmobs, excitable elves, Christmas carols and of course Archie the donkey! When their new teacher Mr. Shepherd loses his memory and forgets all about Christmas, as well as his fiancée Sophie and the whereabouts of the beloved Archie, it’s up to the pupils of St Bernadette’s to save the day. Led by the ever enthusiastic Mr Poppy, they embark on a Christmas journey like never before – but time is against them if they are to help Mr Shepherd get to New York in time for his magical yuletide wedding!
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3.6/10 Votes: 1,831 | |
16% | RottenTomatoes | |
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N/A Votes: 35 Popularity: 4.764 | TMDB |
A mess
As if the title doesn’t already give it away, but this is a terrible film.What a mess. ‘Nativity 3: Dude, Where’s My Donkey?!’ is like two different films in one, with the first half being overly comedic and the second portion being overly dramatic – it doesn’t mesh well at all.
The drama towards the end could work on its own, but in this setting it simply doesn’t fit – it actually comes across that they think they’re creating a masterpiece as it all unfolds. Very odd choice to go that way.
Marc Wootton is fairly toned-down in this second sequel, which leaves it feeling flat throughout. Martin Clunes is a new addition, they pretty much make his character a mute so Clunes doesn’t even get to show off his acting prowess. The roles, meanwhile, for Catherine Tate and Adam Garcia are kinda pointless.
The musical numbers are very lame, especially lyrically. I’m not suggesting they are great in any of the films, but these ones particularly stood out as being poor. The end performance is painful.
What a fall from the first film, and even the second. Yet, there is still a fourth installment to watch…
This is a seriously bad film!
I enjoyed the first Nativity film and the second was tolerable, but this film goes off the chart of dross! Absolutely the worst film I have ever seen. I am a fan of Martin Clunes, Catherine Tate and Celia Imrie but how they could attach themselves to this film is beyond me. How did it get green lit? How did it get a budget? Why didn’t someone say, ‘This is a truly dreadful movie, please don’t inflict it upon cinema goers?’ The script is excruciatingly bad and makes no sense whatsoever – even given that it is (supposedly) a comedy and the boundaries of normal suspension of disbelief can be pushed a little further.****SPOLIER**** Unlike the two previous Nativity films random and ever changing numbers of children keep breaking into poorly choreographed song and dance numbers. The prospect of an Ofsted inspection is introduced but does not form any part of the story, there are some truly awful and cringeworthy cardboard cut-out characterisations and what can I say about the donkey…? It’s called ‘Dude, where’s my donkey?’ But after using the donkey as a device to make Martin Clunes lose his memory, and bringing it back at the end to dance at the top of the Empire State building, no one is looking for the donkey. And as for the way Martin Clunes gets his memory back… seriously? Believe? I absolutely didn’t. ****SPOLIER ENDS****
Please save your money, save your sanity, save yourselves! Don’t bother…
Original Language en
Runtime 1 hr 49 min (109 min)
Budget 0
Revenue 0
Status Released
Rated N/A
Genre Comedy, Family
Director Debbie Isitt
Writer Debbie Isitt
Actors Martin Clunes, Marc Wootton, Catherine Tate
Country United Kingdom
Awards N/A
Production Company N/A
Website N/A
Sound Mix N/A
Aspect Ratio N/A
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A