Watch: More American Graffiti 1979 123movies, Full Movie Online – Told in four different New Year’s Eves in the mid 1960s, John, Terry, Debbie, Steve and Laurie deal with adulthood, the Vietnam war, peace rallies, and relationships..
Plot: College graduates deal with Vietnam and other issues of the late ’60s.
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5.3/10 Votes: 4,635 | |
20% | RottenTomatoes | |
44/100 | MetaCritic | |
N/A Votes: 75 Popularity: 10.546 | TMDB |
Is too light on too serious subjects.
This movie is completely different from its 1973, George Lucas directed, predecessor “American Graffiti”. “American Graffiti” was about the celebration of an age and the innocence of youth and it above all was a fun movie to watch. Even though “More American Graffiti” is more comedy like than its predecessor, it’s not halve as fun. This is because the movie handles too many serious subjects that were going on in the late ’60’s in a too light- and simple way.It’s good to see that the movie manages to bring back almost every actor from the first “American Graffiti” movie. Some in big, others in small cameo appearances such as Harrison Ford and Mackenzie Phillips. Just like “American Graffiti” the movie also features some then still unknown actors who are now big stars, such as Scott Glenn and Delroy Lindo. So really nothing wrong with the casting again. I wish I could say the same about the rest of the movie.
Basically “American Graffiti” wasn’t a movie that needed a sequel, so in that regard, this movie already is a redundant and pointless one. But also the movie on its own adds very little. It’s unclear if they movie wanted to make a statement or just wanted to entertain.
The movie handles some very serious and heavy subjects that were going on in the late ’60’s. Such as the Vietnam war, its anti-Vietnam war college protests, hippies, etcetera. It uses a comical approach of all these subject, that feels totally out of place and almost works offensive, especially the Vietnam and anti-war protest sequences.
The movie isn’t told in chronological order, some story lines even occur years apart from the other. It makes the movie often more confusing and weak, than strong and gripping. The movie once more follows many different characters, this time in many different settings. It makes the movie feel disjointed, also since every plot line features its own cinematic style and differs from the other.
This movie really raises the question; why? Why is it so different from the first movie, why did most of the actors ever agreed to be in this? Why didn’t Lucas directed this one? Why is it more comedy like- but are the subjects so heavy and serious? Why was this movie even made?
Neverhtheless as a stand-alone movie, it’s still one that amuses enough. I mean I wasn’t bored while watching it and some of its comedy still worked out fine. Also the great actors are a reason why this movie still remains a watchable enough one.
So it’s watchable but still a redundant and pointless movie and therefor really not a recommendable one.
5/10
http://bobafett1138.blogspot.com/
Is too light on too serious subjects.
This movie is completely different from its 1973, George Lucas directed, predecessor “American Graffiti”. “American Graffiti” was about the celebration of an age and the innocence of youth and it above all was a fun movie to watch. Even though “More American Graffiti” is more comedy like than its predecessor, it’s not halve as fun. This is because the movie handles too many serious subjects that were going on in the late ’60’s in a too light- and simple way.It’s good to see that the movie manages to bring back almost every actor from the first “American Graffiti” movie. Some in big, others in small cameo appearances such as Harrison Ford and Mackenzie Phillips. Just like “American Graffiti” the movie also features some then still unknown actors who are now big stars, such as Scott Glenn and Delroy Lindo. So really nothing wrong with the casting again. I wish I could say the same about the rest of the movie.
Basically “American Graffiti” wasn’t a movie that needed a sequel, so in that regard, this movie already is a redundant and pointless one. But also the movie on its own adds very little. It’s unclear if they movie wanted to make a statement or just wanted to entertain.
The movie handles some very serious and heavy subjects that were going on in the late ’60’s. Such as the Vietnam war, its anti-Vietnam war college protests, hippies, etcetera. It uses a comical approach of all these subject, that feels totally out of place and almost works offensive, especially the Vietnam and anti-war protest sequences.
The movie isn’t told in chronological order, some story lines even occur years apart from the other. It makes the movie often more confusing and weak, than strong and gripping. The movie once more follows many different characters, this time in many different settings. It makes the movie feel disjointed, also since every plot line features its own cinematic style and differs from the other.
This movie really raises the question; why? Why is it so different from the first movie, why did most of the actors ever agreed to be in this? Why didn’t Lucas directed this one? Why is it more comedy like- but are the subjects so heavy and serious? Why was this movie even made?
Neverhtheless as a stand-alone movie, it’s still one that amuses enough. I mean I wasn’t bored while watching it and some of its comedy still worked out fine. Also the great actors are a reason why this movie still remains a watchable enough one.
So it’s watchable but still a redundant and pointless movie and therefor really not a recommendable one.
5/10
http://bobafett1138.blogspot.com/
Original Language en
Runtime 1 hr 50 min (110 min)
Budget 2500000
Revenue 15014674
Status Released
Rated PG
Genre Comedy, Drama, War
Director Bill Norton
Writer Bill Norton, George Lucas, Gloria Katz
Actors Candy Clark, Bo Hopkins, Ron Howard
Country United States
Awards N/A
Production Company N/A
Website N/A
Sound Mix Dolby Stereo
Aspect Ratio 1.37 : 1 (partly), 1.85 : 1 (partly), 2.39 : 1
Camera Panavision Panaflex, Panavision C-Series Lenses, Arriflex 16
Laboratory Technicolor, Hollywood (CA), USA (color)
Film Length N/A
Negative Format 16 mm, 35 mm
Cinematographic Process Super 16 (partly), Panavision (anamorphic), Spherical (partly)
Printed Film Format 35 mm (partial blow-up)