Mediterranea 2015 123movies

Watch: Mediterranea 2015 123movies, Full Movie Online – Two men make the dangerous journey from Africa to Italy for a better life, but then face hostility and violence in this shocking look at the life-and-death struggle of refugees..
Plot: Ayiva recently left his home in Burkina Faso in search of a way to provide for his sister and his daughter. He takes advantage of his position in an illegal smuggling operation to get himself and his best friend Abas off of the continent. Ayiva adapts to life in Italy, but when tensions with the local community rise, things become increasingly dangerous. Determined to make his new situation work he attempts to weather the storm, but it has its costs.
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Ratings:

	6.6/10 Votes: 1,659
	90% | RottenTomatoes
	77/100 | MetaCritic
	N/A Votes: 41 Popularity: 3.457 | TMDB

Reviews:

ANTI-BIASED!
Let’s make it clear that people coming to Europe to earn a decent work place are most welcomed. The main character played his role very well and at one point I’ve even forgotten that it’s a film and not a reality show… But all the actors did an amazing vivid job in creating this film. The story begins a bit blurry but I guess that’s not uncommon in places where the actual film sets off. As we go by, I was just hoping that they won’t be telling us another story about a “random” journey in the desert… Everyone living in households where there’s a toilet indoors should realise how lucky we are and be fully aware of other lives struggling for every piece of bred on a daily basis. It’s interesting, because normally I’m against any kind of migration BUT seeing this chap’s story I could imagine that lives like his is occurring. I can also understand, however, the European reaction to this hybrid environment where your street, your park, your town doesn’t look like what it used to be yesterday. The changes are dramatically and we need to separate terrorist from real migrants! Q: Is this symbiosis necessary? And if it is, couldn’t it done more civilised?

Unsensational take on immigration with a documentary feel
I knew nothing about this film when I sat down to it as part of a project to choose films for distribution in the Czech Republic. I took to it fast. The hand-held camera takes some getting used to, and there were times when the action was unclear due to a lack of light. The style was appropriate for the most part, however, suiting the subject and setting. The main characters are sympathetic and their stories comprehensible from the start. The brothers Ayiva and Abas we travel with from a few minutes into the film, are believably differentiated throughout. I personally understood Ayiva, whose POV the film takes, and who seemed to take a rope-a-dope stance to anything the world could throw at him, but could understand why his brother might look down on him for it.

The film is gentle. Never preachy. The acting is natural. I have come across references to the main characters having been played by non-actors, with Ayiva played by a refugee whose story resembles his character’s. True or not, it feels real enough. For most of the film, the story of the refugees life here stands in relation to many other similarly-themed films as Jarhead stands to other war films: though there is action, it’s low key, with much of it relating to work, to getting hands on a bargain, Skypeing home, the rituals of food. In the last third of the film, this changes somewhat, but if the pace steps up, it is never long frenetic.

In 2015, this is an important film that deserves some real success.

Other Information:

Original Language it
Runtime 1 hr 47 min (107 min)
Budget 0
Revenue 0
Status Released
Rated Unrated
Genre Drama
Director Jonas Carpignano
Writer Jonas Carpignano
Actors Alassane Sy, Koudous Seihon, Adam Gnegne
Country Italy, France, United States, Germany, Qatar
Awards 15 wins & 14 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 1.78 : 1
Camera Arriflex 16 SR3, Zeiss Ultra 16 Lenses, Arriflex 416, Zeiss Ultra 16 Lenses
Laboratory Film Factory, Paris, France
Film Length N/A
Negative Format 16 mm (Kodak Vision3 200T 7213, Vision3 500T 7219)
Cinematographic Process Digital Intermediate (2K) (master format), Super 16 (source format)
Printed Film Format D-Cinema, DCP