Watch: Malone 1987 123movies, Full Movie Online – A former CIA-assassin, on the run from his former employers, gets stranded in a small Wyoming town and stays to help a local farmer and his daughter fight the corrupt sheriff who’s under the thumb of a ruthless land developer out to evict all the farmers from their homes..
Plot: Erstwhile C.I.A. assassin Richard Malone hopes for a tranquil retirement in the placid Pacific Northwest, but what he gets is a rumble with a right-wing extremist plotting a secret revolution. Adapted from the novel “Shotgun,” by William Wingate.
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5.8/10 Votes: 3,261 | |
33% | RottenTomatoes | |
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N/A Votes: 51 Popularity: 6.352 | TMDB |
Familiar, but well made.
Malone (Burt Reynolds) is a former CIA man who wanders into a town in rural Oregon on pure chance and becomes embroiled in a conflict with a group of far right extremists terrorizing the residents.Malone was one of a number of Reynolds movies released in the 80s, and like many others was subject to critical derision and financial disappointment. In Malone’s case it was unfavorably compared to classic western Shane, and while the comparison isn’t unwarranted, Malone is still a well made contemporary action thriller with a traditional western framework.
Reynolds as the titular Malone is actually pretty good in the movie, and it’s nice to see Reynolds play against his established persona that had colored his career from Smokey and the Bandit onward. While he still maintains his dry laconic delivery in some humorous instances in the movie, the movie also allows Reynolds to convey a level of simmering intensity hidden behind a stone faced facade of quiet resignation that makes Malone a bit meatier than your average 80s action shoot ’em up. The villains are adequately dispicable and hateful, with Cliff Robertson being a memorably grotesque Delaney and Alex Diakun giving superbly slimey performance as Delaney’s sadistic henchman Madrid. The only drawback to Malone really is that the comparisons to Shane are indeed as accurate today as they were then, but is that necessarily a bad thing?
Malone is a perfectly serviceable action film. Burt Reynolds gives a commander performance in what’s essentially a classic western dressed up in contemporary clothes. It doesn’t have much lasting impact, but it’s a perfectly suitable time killer.
“I bought your badge. Not your opinion.”
Burt Reynold’s might go low-key and solemn for his performance in “Malone”, but when it came to delivering the action it’s a full-on assault. Slow-motion and shotgun = win-win. And that sequence is beautifully staged for action fans. “Malone” is a moodily straight- face, if ridiculously plotted late 80s action fodder. Something very different to what Reynolds was participating in within this 80s period. Fans of “Sharky’s Machine” might just dig it, because of the violence and a non-mugging Reynolds.Still what stood out to me just how closely it followed Clint Eastwood’s formula in the 1985 western “Pale Rider”, especially the connection the between the young impressionable girl (the delightful Cynthia Gibb) and the ex-CIA hit-man drifter who unwillingly gets caught up a small town drama. That was a western, but here it takes a modern-day approach but the western vibe of a mysterious stranger coming into town lingers heavily. Someone escaping their past, trying to get by to only find themselves bringing unwanted attention. The script is rather slapdash and some story arches are questionable (main character’s ability to heal), contrived and incredibly silly. Like that of Hutton’s assassin, in what feels like nothing more than to push the plot along and add motivation.
Malone was a CIA hit-man who suddenly calls it quits despite the disapproval of his bosses. This leads him to hitting the road to escape his past, but he finds himself stranded in a small town when his car breaks down. For the time being he stays with the mechanic and his daughter until its repaired, but its not a peaceful stay as he comes to blows with a pitiless land developer with very ambitious political interest in seeing America weed out its traitors.
For most part “Malone” is predictable, stoic and casually paced with quick bursts of brutal, heated violence. However this all changes when it becomes personal for Reynold’s hit-man, as the crackerjack climatic showdown feels like something out of a comic book James Bond outing. Nonetheless some scenes do pack a punch and the striking sequence of Reynold’s coming out of the shadows to confront Cliff Robertson’s callously patriotic bad-guy is a marvellous touch. You gotta love his paranoid ramblings and the extreme lengths he goes to. Robertson nails down the puppeteer character with great intent, despite a certain hammy glee to his grandeur viper illustration. There’s some good support from the likes of Scott Wilson, Lauren Hutton, Kenneth McMillan, Alex Diakun, Phillip Anglim, Dennis Burkley and character actor Tracy Walter who has a very memorable encounter with the title character.
Director Harley Cokeliss’ plain direction is sturdy without showing much style, despite his use of slow-motion and capturing shots of an attractive valley backdrop.
Going back to serious roots, Reynold’s “Malone” is sober, tough and mindless action.
“Are you so important?”
Original Language en
Runtime 1 hr 32 min (92 min)
Budget 0
Revenue 0
Status Released
Rated R
Genre Action, Drama, Thriller
Director Harley Cokeliss
Writer Christopher Frank, William P. Wingate
Actors Burt Reynolds, Cliff Robertson, Kenneth McMillan
Country United States
Awards N/A
Production Company N/A
Website N/A
Sound Mix Dolby Stereo
Aspect Ratio 1.85 : 1
Camera Arriflex 35 BL III
Laboratory DeLuxe, Hollywood (CA), USA (prints), Gastown Laboratories, Vancouver, Canada
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm