Look Who’s Talking 1989 123movies

Watch: Look Who’s Talking 1989 123movies, Full Movie Online – Double-crossed, the lovelorn and very pregnant New York City accountant, Mollie, gets into James’ cab and rushes to the hospital to give birth, after a failed attempt at love with a sleazy and self-centred businessman. Suddenly, Mollie is a single working mum–and what is even more disheartening–she has to embark on the nearly impossible quest to unearth the ideal father for her outspoken boy, Mikey. Could the perfect father be James, Mikey’s favourite babysitter?.
Plot: Mollie is a single working mother who’s out to find the perfect father for her child. Her baby, Mikey, prefers James, a cab driver turned babysitter who has what it takes to make them both happy. But Mollie won’t even consider James. It’s going to take all the tricks a baby can think of to bring them together before it’s too late.
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Ratings:

	5.9/10 Votes: 83,151
	55% | RottenTomatoes
	51/100 | MetaCritic
	N/A Votes: 1994 Popularity: 15.327 | TMDB

Reviews:

Well I’ll be damned…surprisingly good!!
This is certainly not my sort of film, but after my girlfriend began complaining we always watch my movies, I prepared myself for 90 minutes of fake laughter and smiling to keep her happy, after all who else was I gonna take to see the new ‘Clint’ movie out.

However the opening scene with the tadpoles set the way for 90 minutes of top notch comedy, not exactly a laugh a second sort of comedy like Scary Movie or The Naked Gun, but a more all round sort of comedy where most gags hit the mark, certainly a major difference to Scary Movie! The casting is spot on, one of the major differences to the sequel. Bruce Willis is a great choice to play the voice of Mikey, and John Travolta is fantastic. But for me it was George Segal who stole the show for me, playing Mikey’s real father, who in his words is going through a ‘selfish phase’.

Sadly the sequels are simply terrible, but this movie is one of the best comedies I’ve seen in a long time, and I gave it 8/10.

one of the cutest diversions of the past twenty years
Look Who’s Talking has guilty pleasure written all over it- a romantic comedy with the one twist being that you can hear the baby’s inner-dialog (which is really the sarcasm of adult-hood represented wonderfully by Bruce Willis). It’s a gimmick that actually does a service to a movie that otherwise would’ve been just another soapy rom-com about a woman looking for a father for her baby. Mollie (Kirstie Alley, in one of her most memorable performances, chiefly because she’s believable and sympathetic most the way), gets knocked up by her boss (George Segal, also quite good as a smug a-hole), and decides to have the baby thinking he might act as the father. He doesn’t, and she gets taken to the hospital thanks to cab-driver James (John Travolta, his kinda-sorta mini-comeback in the tail end of the 80s), and he soon befriends Mollie after returning her purse to her after her delivery. Soon a relationship unfolds, but not at first with him as Mollie tries to find someone who will be a *father* to her baby. All the while, the plucky little tyke just wants the guy who makes him laugh the most- and doesn’t annoy him by changing the channel when Snuggles the Bear is on.

So yeah, a lot of Look Who’s Talking, when I think back on it, is pretty cute and almost leans threateningly to the schmaltzy. But what saves it is its fantastic sensibility, mainly in the screenplay where the humor is genuine (however here and there of a sitcom side), and dealing through all of the goofy baby jokes a story and characters that shouldn’t be un-sympathetic or even un-empathetic to some viewers. And more often than not, the jokes connect so well that I still grin thinking back to more than a few scenes and lines, like when Mollie- trying one last time- takes Mikey to see his real father, and then as a fight almost breaks out, Mollie breaks a statue, and Mikey follows along (“Take that, Tonto!”) A terrific piece of casting is done on the supporting side for Abe Vigoda, who is pretty much hysterically funny in any scene he’s in. Travolta, too, is surprisingly funny and amiable here, with his charm meter the highest it’s been since. Although the ending is probably way too ‘uh-oh’, and the final little scene in the credits is a cheap set-up for lesser sequel(s) time, this is a movie that works best on its merits of working cleverly in a conventional format, but also with a good, bright soul to it too. I mean, what do you expect from a talking baby movie? Whatever it is, this is probably the best of the bunch.

Other Information:

Original Language en
Runtime 1 hr 33 min (93 min)
Budget 7500000
Revenue 296999813
Status Released
Rated PG-13
Genre Comedy
Director Amy Heckerling
Writer Amy Heckerling
Actors John Travolta, Kirstie Alley, Olympia Dukakis
Country United States
Awards 5 wins & 2 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Stereo
Aspect Ratio 1.85 : 1
Camera Panaflex Camera and Lenses by Panavision
Laboratory Alpha Cine Service, Vancouver, Canada, Technicolor, Hollywood (CA), USA (prints)
Film Length 2,610 m (Italy)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm