Kick-Ass 2010 123movies

Watch: Kick-Ass 2010 123movies, Full Movie Online – Dave Lizewski is an unnoticed high school student and comic book fan with a few friends and who lives alone with his father. His life is not very difficult and his personal trials not that overwhelming. However, one day he makes the simple decision to become a super-hero even though he has no powers or training..
Plot: Dave Lizewski is an unnoticed high school student and comic book fan who one day decides to become a super-hero, even though he has no powers, training or meaningful reason to do so.
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Ratings:

	7.6/10 Votes: 563,475
	76% | RottenTomatoes
	66/100 | MetaCritic
	N/A Votes: 10433 Popularity: 48.991 | TMDB

Reviews:

Good – not great.
Seeing how the audience’s standards seem to have lowered over the past decade, I generally expect a movie heralded as “great” to be decent, but almost never great.

That’s where Kick-Ass lies in my book. I enjoyed the ride, and as an incredibly picky viewer, that says something. The film is, however, far from perfect – which is forgivable. There were a number of things, however, that could’ve been avoided or addressed, that would’ve helped the film to be truly great.

First, and most notably, is the film’s outright identity crisis in theme. In a normal superhero or awesome vigilante tale, we expect a great amount of suspension of disbelief. Lots of things are going to happen that are totally unrealistic. That’s fine. We expect that. Then, what amount of realism can be injected into the tale is a sort of treat – it helps with the immersion and seems to give the outlandish stuff some credibility… At least, enough to keep you involved.

With Kick-Ass, however, it was the complete opposite. The first act of the movie stresses the idea that “this story is grounded in a realistic world”. That’s fine. But then, later, when the outlandish stuff goes on… It’s cool, and I can enjoy it, but it ripped me out of the world I thought I had just been introduced to. Only now do we understand that this is more of a mish-mash of themes – that it’s actually not much different at heart from other superhero tales. That’s fine. But what gives? You got me to LIKE the “realistic” side of things. You got me invested in it. Did you really think you couldn’t stick to that for the entire movie, still follow the same plot, and not have it walk away victorious? Sigh.

The music has the same problems. One second we’re immersed under hypnotically epic tracks from the films “28 Days Later” and “Sunshine” – – then it turns around and prods a pop-rock track at us akin to a normal “edgy teen flick”.

In short, I found myself not knowing what to feel at a given moment, because I was too busy wondering how I should feel about the previous 20 minutes. Speaking of running time, with the amount of scenes that were drawn out for dramatic effect (only to be resolved in a minute or two by grandiose action), they could’ve developed one more superhero and had him/her die in a gritty, realistic manner. Would’ve helped.

Worst of all was the final reveal of the “secret weapon”, which, even though it exists in the real world, was seriously off the mark. I won’t spoil anything, but if the “secret weapon” had been revealed to be a tricked-out grenade launcher, a single mini-gun, one of those armed robot rover things… Anything along those ends would’ve sufficed. What it actually turned out to be was just too much.

All in all, I still found my attention fixed on the film, and I did find myself “digging it”. The effort was noble. The result was well-done. For a little get-away into a movie on a Friday night, I supposed you couldn’t ask for more.

Kick-Ass kicks ass, but I’ll have to stick with The Dark Knight as the best modern superhero flick … for now. 7/10

wild ride
The heroes in ‘Kick-Ass’ are not made of special forms of matter and are not un-breakable. They try however to live to the ambitions of the super-heroes myth in a world which seems to believe in myths, and take the superhero life-style paths. Of course, when regular people act as super-heroes they can also get hurt, especially as they are at different levels of evolution in their training. A dad and his 11 years daughter seem to be the most advanced, with a high-school teenager who is actually the main hero following them bravely on the same path. Another teenager rather seems to be on the dark side, but he also tries the funny costumes and the weapons of the trade. The names of the heroes are Big Daddy, Hit Girl, Kick-Ass which seem like warnings not to take things too much seriously. There are some background explanations, but these do not count too much. The general tone of the film is on the comic register, a combination of superheroes parody and teenager growing pains comedy but the mix becomes lethal when it comes to action scenes. These are actually as violent as you can get in a Tarantino movie, and the scenes featuring the father training his 11 years daughter to become a killing machine (even if for the good cause of justice) risk to upset anybody who stops for a second to reflect at what is presented on the screen, and takes the subject too seriously and out of the nonsense territory.

The film does also belong to another genre – the ‘how could Nicholas Cage pick such a role?’ one. With all due respect for the film, which is actually a well made, well paced and entertaining movie if you can overcome or you do not care about the moral aspects, Cage’s presence in a supporting role in which he walks most of the time with a ridiculous thick make-up is wasted time for his enormous talent. That’s certainly just a (big) fan opinion. Otherwise you can accept the convention and just enjoy the wild ride.

Other Information:

Original Language en
Runtime 1 hr 57 min (117 min)
Budget 28000000
Revenue 96188903
Status Released
Rated R
Genre Action, Comedy, Crime
Director Matthew Vaughn
Writer Jane Goldman, Matthew Vaughn, Mark Millar
Actors Aaron Taylor-Johnson, Nicolas Cage, Chloë Grace Moretz
Country United Kingdom, United States
Awards 19 wins & 62 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 2.35 : 1
Camera Panavision Panaflex Millennium XL, Panavision Primo and G-Series Lenses
Laboratory Technicolor Digital Intermediates, London, UK (digital intermediate), Technicolor, London, UK
Film Length 3,200 m (Portugal, 35 mm), 3,207 m (Sweden)
Negative Format 35 mm (Kodak Vision2 250D 5205, Vision2 500T 5218, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (2K) (master format), Panavision (anamorphic) (source format), Super 35 (source format) (some scenes)
Printed Film Format 35 mm (Fuji Eterna-CP 3513DI), D-Cinema