Jurassic World Dominion 2022 123movies

Watch: Jurassic World Dominion 2022 123movies, Full Movie Online – Four years after the destruction of Isla Nublar, dinosaurs now live–and hunt–alongside humans all over the world. This fragile balance will reshape the future and determine, once and for all, whether human beings are to remain the apex predators on a planet they now share with history’s most fearsome creatures..
Plot: Four years after the destruction of Isla Nublar, Biosyn operatives attempt to track down Maisie Lockwood, while Dr Ellie Sattler investigates a genetically engineered swarm of giant insects.
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Ratings:

	5.7/10 Votes: 145,323
	29% | RottenTomatoes
	38/100 | MetaCritic
	N/A Votes: 3899 Popularity: 837.223 | TMDB

Reviews:

**Not as bad as reviews say, but go in with reasonable expectations.**

As the conclusion of the Jurassic World trilogy, it, unfortunately, had similarities to Rise of Skywalker. A lot of things were going on. Some fun moments. Great nostalgia with the legacy cast. Lots of dino action. But it also felt like they had so much going on that they ran out of time to highlight characters and make us care. I will always love Jurassic Park, so this movie got a little boost in rating because of nostalgia from me.

With _Jurassic World Dominion_, a _Jurassic World_ film where dinosaurs are now free and interacting with the modern world shouldn’t feel this long-winded or this tiresome. There are a few action sequences that are worthwhile and Jeff Goldblum has a few great one-liners (“You made a promise to a dinosaur?”), but the film is a monumental disappointment overall.

The film has already made over $415 million at the worldwide box office, so the interest in the franchise is still there. But the chemistry between the cast is almost non-existent and it feels like the film is running on fumes as it tries to offer something new from what is otherwise dried up fossil fuel. If the _Jurassic Park/Jurassic World_ franchise is to continue, it desperately needs to go in a refreshing and unseen direction. Now that all of the nostalgia is out of the way, fans deserve a refreshing and unique adventure over what is otherwise a glorified rehash.

**Full review:** https://hubpages.com/entertainment/Jurassic-World-Dominion-2022-Review-You-Cant-Squeeze-Fun-From-a-Fossil

Wayne Knight said it best three decades ago: We got Dodgson here, and nobody cares.
I don’t know whether this is a fabled memory, but a few years ago I think I read an interview where director Colin Trevorrow said that the story of Dominion was always his ultimate go-to, that Jurassic World and Fallen Kingdom were the stepping stones to there (almost as if it was gathering the right build-up with characters, fan anticipation, budget, and technological advances). For every reason imaginable, I believed him. Where Fallen Kingdom ended, you had endless opportunity to explore the world with dinosaurs running amok and causing mayhem. Final shots of Fallen Kingdom included the T-Rex at a zoo, the Mosasaurus attacking surfers, a velociraptor overlooking a suburban California, and pterodactyls towering above a tourist-populated Las Vegas. It was all there; think The Lost World’s San Diego epilogue but on a grander scale with more dinosaurs. Throw in the military, philosophical conversations regarding their eradication versus their survival, advance some more characters, and you have a bona fide fun summer blockbuster.

This didn’t happen.

No matter what my actual opinion is of the film hereon out, I can’t help but be letdown with disappointment that Trevorrow either deluded himself into believing this was the kind of conclusion that fans yearned for ala War for the Planet of the Apes (which has a much more compelling protagonist that makes it work despite its story misdirection) or J. A. Bayona pulled a Rian Johnson and put him in a corner with the concluding chapter that he had to rectify and had no actual written plan of his own. And it’s not that there isn’t a medium where this story doesn’t work just fine. I can imagine the main plot elements being adapted from, say, a novelization or a comic series. Hell, there was even that Battle at Big Rock short that was done which could have told these elements on their own, or at the very least introduced them. Instead, they threw in extremely disjointed story bits for this final chapter that seemed to have no source of origin. They felt like they were the contrivance meant to unite our two character groups, and nothing more.

Dominion starts off very okay. It shows that it can slow down, have a genuine heartbeat, provide pathos for the existence of our reptilian brethren, trot the globe to see how they have integrated (or not) with our species, and reintroduce characters new and old (with possible internal conflicts) to show how they would pave their globetrotting paths. They even fix some of the poorly written aspects of Fallen Kingdom such as maturing Franklin’s character, giving better use to the laser-targeting attack system, and giving Maisie a more believable backstory. All of this is supported with fantastic animatronic work and much improved CGI blending with it. I thought the visuals were mostly a knockout and supported the onscreen setups.

Not only that, but Sam Neill, Laura Dern, and Jeff Goldblum kindled a similar flame to their interactions in JP1 and you sat forward to watch those moments. I caught myself smiling quite a few times during those exchanges. Jeff Goldblum was especially used well as he was able to inject entertainment and comedy through his dialogue where the film otherwise was flat with on its attempts. They were not small cameo appearances and served crucial roles to the film. You buy where they are in their lives, and even though TLW and JP3 are retconned the actors clearly tapped into those experiences for their performances to accentuate their statuses.

Speaking of buy-in, I would have given this film a long leash on a lot of things they could have done or did with this movie. We hit the point where we can embrace the ridiculous in several places. Want to make Blue become Owen’s pet and attack guard? Go right on ahead. Want to modernize the action and give our protagonists more ability and skill that you might see in the Fast & Furious franchise or with our human Marvel heroes? If the dinosaurs get their large share of the action as well, I’m on board (the Malta scene is a perfect example of this). Want to pay homage to the previous films as you conclude your franchise? That is what I expect. I also expect them to diversify this on a tonal level where need be as to not become too stale, and I think I was feeling that here. Hell, there is nearly a half-hour duration where not a single dinosaur is shown or brought up, and if it’s in anticipation for what is to come while building character or story then I will let it play out.

The problem really arose both when the movie decided to abandon the broad, peregrinating experience and confine its setting. Dominion is the saga’s epic conclusion and did not need to put on this hat. This was a major rug pull from what was anticipated, and soured itself spending an excruciatingly long time on something that left little entertainment, tension, or dinosaurs. When they do show up, the moments become a little one-note. Our good guys have plot armor such as raptors that can run at vehicle speeds but can’t catch up to running characters, or when they are cornered they just get roared at or ran/flown/swam past until they find their way out of the situation, or when they know they can stand around and trust that a carnivore won’t eat them because reasons. Bryce Dallas Howard got the best/most suspenseful dino encounters at this stage of the film and they actually work extremely well, but for a near 150-minute movie these are few and far between, and for this franchise you really have to sit and ask yourself if there is a chance that she won’t survive any of these instances.

A lot of this could have been made better if our Rexy got some great moments, but even she was backdropped and upstaged too often to matter, or when she does come on screen it seems to be a rehashed occurrence from something of old. She looked and sounded good, though. I want to restate how good the dinosaurs actually looked here, and I want to commend the visual effects departments for what they were able to do in that department. If there was a niggle I’d have here, it would probably be in the weight of the raptor movement which felt too light and jittery. That probably only makes sense in my head, but the rest looked really good. If knowing that I would have to wait 21 years after 2001’s Jurassic Park III to finally get the sequel with visuals that really soar, I would gladly take it. I just wish it was with a better film, or at least with a film that I would want to rewatch over and again. Instead, this left an aftertaste that makes me want to instead go and watch Top Gun: Maverick for a fourth time. Outside of demo material, I don’t even know if I will be a completionist and get this on UHD a few months down the line. Normally one shouldn’t fault a film for letting their own speculation become expectation, but in this particular instance I very much believe that you can. All signs and promotions hinted toward a different kind of movie and story, but despite the good parts it did have, this was too much of a misguided, ineffectual whimper.

Sorry It Was So Bad
Before I went to this film (because my Grandson is nuts about this series of films) I read one newspaper review. It wasn’t glowing, but it was positive. Unfortunately, this is a mess. Others have already talked about the issues I have. Granted, this is an empty headed summer movie, it could still have been done with some serious thought. I was hanging in there throughout with a new dinosaur attack every three minutes, and velociraptors going at fifty miles per hour and not getting tired. Humans being assaulted time after time and yet showing no fatigue. I also didn’t see a scratch on any of them. But the best of all was the promise made to a baby dinosaur and his mother that precluded saving the world from famine. Not to mentioned the coincidences of everyone showing up in just the right places. I still don’t understand how they got into that facility so easily. The return of the original cast was not helpful other than Jeff Goldblum’s sarcasm. Anyway, it’s all been said. This is a poor movie.

Other Information:

Original Language en
Runtime 2 hr 27 min (147 min), 2 hr 41 min (161 min) (extended edition)
Budget 165000000
Revenue 1001000000
Status Released
Rated PG-13
Genre Action, Adventure, Sci-Fi
Director Colin Trevorrow
Writer Emily Carmichael, Colin Trevorrow, Derek Connolly
Actors Chris Pratt, Bryce Dallas Howard, Laura Dern
Country United States, China, Malta
Awards 4 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix IMAX 6-Track, Auro 11.1, Dolby Atmos, Dolby Surround 7.1, Dolby Digital, DTS (DTS: X)
Aspect Ratio 1.33 : 1 (Charlotte Lockwood’s 1986 video log), 1.78 : 1 (NowThis News segments), 2.00 : 1
Camera Arriflex 235, Panavision Primo Lenses, Arriflex 435, Panavision Primo Lenses, Beaumont VistaVision Camera, Leica R Lenses, Panavision 65 HR Camera, Panavision Sphero 65 Lenses, Panavision Millennium DXL2, Panavision H-Series and Sphero 65 Lenses, Panavision Panaflex Lightweight II, Panavision Primo Lenses, Panavision Panaflex Millennium XL2, Panavision Primo Lenses, Panavision Panaflex Platinum, Panavision Primo Lenses, Panavision Panaflex System 65 Studio, Panavision Sphero 65 Lenses
Laboratory Company 3, Los Angeles (CA), USA (digital intermediate) (dailies) (color grading)
Film Length N/A
Negative Format 35 mm (also horizontal) (Kodak Vision3 250D 5207, Vision3 500T 5219), 65 mm (Kodak Vision3 250D 5207, Vision3 500T 5219), Redcode RAW
Cinematographic Process Digital Intermediate (4K) (master format), Panavision Super 70 (source format) (some scenes), Redcode RAW (8K) (source format) (some scenes), Super 35 (source format), VistaVision (source format) (some scenes)
Printed Film Format D-Cinema (also 3-D version), DCP Digital Cinema Package (4K)