It Is Not the Pornographer That Is Perverse… 2018 123movies

Watch: It Is Not the Pornographer That Is Perverse… 2018 123movies, Full Movie Online – Four omnibus segments with interconnected sex related themes and overlapping characters: **** Segment 1- Diablo en Madrid (The Devil in Madrid): A diminutive devil (Allen King) emerges from the underworld and begins to seduce all the men who are mourning in a large cemetery. An angel (Sean Ford) starts to observe his diabolical doings and finally confronts him, resulting in an epic battle between good and evil. **** Segment 2: Über Menschen (About Humans): A professor (Colby Keller) visiting Madrid from Buenos Aires contemplating killing himself by jumping off the Viaducto de Segovia, a notorious site for suicides. When his young Uber driver (Calvin Banks) figures out what his fare is up to on the way to the bridge, he talks him out of it and offers him a very personal tour of the city instead. **** Segment 3: Purple Army Faction: In the near future, a terrorist group (Arad Winwin, Dato Foland, and Levi Karter) called the Purple Army Faction (PAF) has formed to reduce reproduction in a dangerously over-populated world. To that end, they kidnap unsuspecting heterosexual (one is Francois Sagat) men and fuckwash them to the gay cause. **** Segment 4: Dirty Cinema (Fleapit): In the seventies, a grimy movie theatre that showed B-movies, exploitation films, and softcore porn was called a “fleapit.” In”Fleapit,” a group of eleven people (Arad WinWin, Dato Foland, Levi Karter, A.J. Alexander, Bishop Black) watching Bruce LaBruce’s “The Raspberry Reich” in a crumby theatre slowly start to flirt with each other, becoming more and more sexually aroused as they watch the porn on screen until they become part of the porn film themselves..
Plot: An omnibus film comprised of four short films with interconnected themes and overlapping characters. ‘Diablo in Madrid’ is inspired by the Pasolini short film La Terra vista dalla Luna (1967). ‘Uber Menschen’ finds a professor visiting Madrid and contemplating killing himself when an Uber driver talks him out of it. ‘Purple Army Fiction’ is a reworking of certain ideas developed in LaBruce’s feature film The Raspberry Reich (2004). ‘Fleapit’ is an homage to films that depict people having sex in movie theatres, from Lamberto Bava’s Demons (1985) to Frank Perry’s Last Summer (1969), and beyond.
Smart Tags: #male_explicit_nudity #gay_sex #pornography #erotica #gay_erotica #cemetery #ejaculation #group_sex #masturbation #male_masturbation #oral_sex #unsimulated_sex #gay_anal_sex #explicit_fellatio #female_full_frontal_nudity #male_full_frontal_nudity #male_rear_nudity #sex_in_porno_movie_theatre #male_frontal_nudity #omnibus

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Ratings:

	4.9/10 Votes: 129
	N/A | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 7 Popularity: 1.95 | TMDB

Reviews:

An excuse for 70 minutes of porn
However, it’s porn with a message, albeit that the meanings are somewhat banal. It would be hard to write a review with spoilers because the basic plots are given away in the IMDB storyline summary.

“Diablo en Madrid” is a story of serial temptation in a graveyard. An irresistibly goodlooking guy is playing the part of the Devil who’s come up to earth from hell. He succeeds in his mission of seduction, meeting resistance only when he encounters the “good” angel. This is portrayed as a battle of good and evil in the summary. But what is good and what is evil? Is the disapproval and avoidance of sexual pleasure good? Well, for me, the right one wins.

In “Über Menschen” there is a reference to Nietzschean philosophy in the title playing on his theme of the Übermensch from “Also Sprach Zarathustra”. I assume that the example of the taxi driver and his giving of his body is a rejection of religious indoctrination and the acceptance and embodiment of human idealism as an end and wellspring of itself and not imposed from outside.

It was a flaw to cast Francois Sagat in “Purple Army Faction”. I love the guy and have watched many of his films, both porn and otherwise. But he is so heavily identified with being a gay bottom that to present him as a hetero needing conversion to gayness was not convincing. I would be surprised if there were many people watching this who were not aware of him. Nonetheless, he played his part impeccably as always, as did the other three actors.

“Fleapit” brought memories back. There used to be one in Soho in London, there was a famous one in Paris, one in Bochum on Germany and another near the Zeinab Mosque in Cairo, all of which I have been to. This stylised and idealised portrayal of the institution was true to life and its idea. There was always an audience who got turned on but didn’t participate (or hardly did) and that happened here with the four who remained in their seats while the other audience members performed, eventually spurting their life-affirming juices on the stage in front of the screen to the delectation of the spectators.

An overall impression? The guys didn’t seem forced at all; they were having a good time. The themes were important but not susceptible to more than the most superficial treatment in the context of four films in seventy minutes. Normally I’d never watch this amount of unsimulated sex, but there was a meaning to it and it would have been hard to get the ideas across in another way.

An excuse for 70 minutes of porn
However, it’s porn with a message, albeit that the meanings are somewhat banal. It would be hard to write a review with spoilers because the basic plots are given away in the IMDB storyline summary.

“Diablo en Madrid” is a story of serial temptation in a graveyard. An irresistibly goodlooking guy is playing the part of the Devil who’s come up to earth from hell. He succeeds in his mission of seduction, meeting resistance only when he encounters the “good” angel. This is portrayed as a battle of good and evil in the summary. But what is good and what is evil? Is the disapproval and avoidance of sexual pleasure good? Well, for me, the right one wins.

In “Über Menschen” there is a reference to Nietzschean philosophy in the title playing on his theme of the Übermensch from “Also Sprach Zarathustra”. I assume that the example of the taxi driver and his giving of his body is a rejection of religious indoctrination and the acceptance and embodiment of human idealism as an end and wellspring of itself and not imposed from outside.

It was a flaw to cast Francois Sagat in “Purple Army Faction”. I love the guy and have watched many of his films, both porn and otherwise. But he is so heavily identified with being a gay bottom that to present him as a hetero needing conversion to gayness was not convincing. I would be surprised if there were many people watching this who were not aware of him. Nonetheless, he played his part impeccably as always, as did the other three actors.

“Fleapit” brought memories back. There used to be one in Soho in London, there was a famous one in Paris, one in Bochum on Germany and another near the Zeinab Mosque in Cairo, all of which I have been to. This stylised and idealised portrayal of the institution was true to life and its idea. There was always an audience who got turned on but didn’t participate (or hardly did) and that happened here with the four who remained in their seats while the other audience members performed, eventually spurting their life-affirming juices on the stage in front of the screen to the delectation of the spectators.

An overall impression? The guys didn’t seem forced at all; they were having a good time. The themes were important but not susceptible to more than the most superficial treatment in the context of four films in seventy minutes. Normally I’d never watch this amount of unsimulated sex, but there was a meaning to it and it would have been hard to get the ideas across in another way.

Other Information:

Original Language en
Runtime 1 hr 9 min (69 min)
Budget 0
Revenue 0
Status Released
Rated N/A
Genre Comedy, Drama, Romance
Director Bruce La Bruce
Writer Bruce La Bruce
Actors Sean Ford, Calvin Banks, Allen King
Country United States, Germany
Awards N/A
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 1.78 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A