Halloween 4: The Return of Michael Myers 1988 123movies

Watch: Halloween 4: The Return of Michael Myers 1988 123movies, Full Movie Online – It’s October 30, 1988 and Michael Myers has been in a coma since his pursuit of Laurie Strode, 10 years ago, was finally stopped (events of H1 and H2). However when he is transfered from Richmond Mental Institute to Smith’s Grove he awakes when he hears that he has a niece in Haddonfield and after killing the transfer crew he escapes. In Haddonfield, the niece, Jamie, has been adopted by the Carruthers family but keeps having nightmares about Michael (but she doesn’t know who he is). On Halloween night, Jamie goes out trick and treating, little knowing that her murdering Uncle is following her and her step-sister Rachel. Rushing to her aid is Dr. Loomis and with the help of Sheriff Meeker starts to search the town for Michael and to find Jamie to protect her. But can anything stop Michael this time?.
Plot: The apparently comatose Michael Myers is being transferred from one hospital to another, but he wakes up when the ambulance crew talk about his surviving niece, Jamie. After slaughtering his attendants, Myers sets out to find his one living relative who is, fortunately, being cared for by a kind and resourceful foster sister named Rachel. Meanwhile, the ever-cautious Dr. Loomis remains on the killer’s path.
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Ratings:

	5.8/10 Votes: 53,994
	33% | RottenTomatoes
	34/100 | MetaCritic
	N/A Votes: 1528 Popularity: 28.704 | TMDB

Reviews:

Better than the original; and one of the best 80’s slashers

Ten years after the events of “Halloween” and “Halloween II” (which both took place on Halloween night, 1978), Michael Myers escapes captivity a second time and again returns to his hometown in Illinois with a direly concerned Dr. Loomis (Donald Pleasence) hot on his trail. Myers goes after his sister’s daughter, Jamie, and is willing to take down the whole town of Haddonfield if necessary.

“Halloween 4: The Return of Michael Myers” (1988) ranks with the best 80’s slasher flicks and is actually superior to the somewhat overrated progenitor of the genre, “Halloween” (1978). Whereas the original “Halloween” was an effective low-key but classy slasher and deserves credit for starting the craze, it wasn’t without flaws and “Halloween 4” (1.) fixes those issues and (2.) improves upon its strengths.

For instance, while the original movie takes place during Halloween in Illinois, you certainly wouldn’t know this by the footage since it clearly looks like summer. This movie, by contrast, definitely looks like it takes place during the fall and has an all-around superior Halloween ambiance with trick-or-treaters and so forth. Another example is the original’s lack of drive and the fact that Michael only kills a few teenagers and doesn’t seem all that formidable whilst this film features a mounting build-up of suspense and potently conveys Michael’s deadly formidableness while upping the ante in the body count.

Other advances includes the lack of lame dialogue (like in the original when the girls were walking home) and Dr. Loomis has much more interesting things to do than lurk in the bushes by the Myer’s dilapidated abode speaking ridiculously ominous words. When Loomis speaks portentously in this entry there’s great reason to believe him (take, for instance, what happens to the Police Station).

Yet another (arguable) improvement is the women: Although Jamie Lee Curtis, Nancy Kyes (Loomis) and PJ Soles were fine in the original, “Halloween 4” has winsome Ellie Cornell as Rachel and hottie Kathleen Kinmont as Kelly and the movie wisely takes advantage of their presence in a classy way. Rachel may not strike you as anything special at first, but as the story progresses she emerges as an attractive and noble final girl.

The “Friday the 13th” franchise debuted two years after “Halloween” in 1980; and by October, 1988, when this film was released, the “Friday” franchise had no less than seven films under its belt. Meanwhile, “Halloween 4” was only the third Michael Myers movie (keeping in mind that “Halloween 3” was curiously disconnected from the Michael Myers mythos).

“Friday the 13th” of course ripped-off “Halloween,” but simultaneously added original components to the genre (e.g. summer camp and everything revolving around it, easily the best females in the slasher genre, as well as an increasingly devolving supernatural killing machine). “Halloween 4” sort of gets its revenge by borrowing from the “Friday” films; for instance, the character of Jamie Lloyd and what happens to her mirrors Tommy Jarvis’ story arc from 3-4 years earlier. Perhaps the greatest revenge is that “Halloween 4” is better than any of the “Friday” sequels after “Part 2” and is at least as effective as “Part 2.”

The original “Halloween” was shot in the Los Angeles area (South Pasadena & Hollywood) while this one was filmed in the Salt Lake City, Utah, region. Like the first film, it’s streamlined and doesn’t overstay its welcome.

GRADE: A

Apocalypse, End of the World, Armageddon. It’s always got a face and a name.

After Halloween III veered in a new direction without Michael Myers, the indestructible killing machine of the franchise, the rights to the series changed hands and so it came to pass that part 4 (though part 3 in essence) brought Myers back. After being in a coma for ten years Myers is up for a transfer to a sanitarium, but wouldn’t you know it, he wakes up and upon hearing he has a niece back in Haddonfield, he sets off on a murderous rampage back to where it all began.

It’s one of the Halloween sequels that causes much debate among the series’ fans, there are those who decry its lack of blood and its ordinary screenplay (both viable complaints), and those such as myself who like that it reverts back to what made the series start so brilliantly. Including a superbly devilish nod to the start of the 78 film.

Haddonfield becomes a town under siege, this the work of one monster, or as Donald Pleasence’s scar faced doctor says – “evil on two legs”. Myers once again is just glimpsed here and there, adding that unearthly suspense factor, until he hones in on his niece and her foster sister and the pursuit begins. Some of the interim characterisations are padding out the run time, the usual teen angst romantic flannel, but Pleasence’s determined Dr. Loomis is never far away to remind us that everyone is doomed! Then of course there’s the ending, which is an absolute beaut.

There’s no brains on offer here, but it’s a worthy sequel and a good tracer line for its iconic bogeyman. The story has moved on to another level and leaves the fans hankering for more. 7/10

The Return We Needed.
The Good: Maybe it’s having just watched H20 and Resurrection, but H4 is a masterpiece in comparison. I almost forgot how scary Michael Myers could be until I re-watched this movie. He truly seems like a force of nature; a spookier Terminator who will kill anyone who gets in his way and you can only temporarily stop him. I think seeing him from the perspective of a little girl really helps; he’s the boogeyman and you feel it. This movie expertly generates tension from a creepy atmosphere, in a return to form that must have been SO SATISFYING to audiences starved for Michael Myers back in 1988.

Danielle Harris’ performance is truly amazing. She really captures the trauma and terror that her character is put through and is the emotional core of this movie. Honestly, without her powerhouse performance, this movie would not work as well as it does.

Even without her though, this movie is a lot of fun: Loomis is back and crazier than ever, you have the classic horror tropes and a final set piece that makes sense and is super effective. Instead of feeling dated, it almost feels…comforting.

The Bad: Unfortunately, this movie is pretty weak when it comes to kills, an important metric for any slasher. A lot of them are bloodless and generic, save for the opening kill and…well, the final one. It’s also more than a little annoying as to how Michael can just teleport wherever he needs to be and becomes outright hilarious by the end.

The Ugly: Not gonna lie, I absolutely lost it at the sight of dozens of schoolchildren running after a little girl chanting: “Jaimie’s an orphan!” The 1980s were not a subtle decade, that’s for sure.

The watchable return of Michael Myers
John Carpenter’s 1978 ‘Halloween’ is wholly deserving of its status as a horror classic. To this day it’s still one of the freakiest films personally seen and introduced the world to one of horror’s most iconic villainous characters Michael Myers.

Which is why it is such a shame that not only are all of the sequels nowhere near as good but that the decline in quality is so drastic. Ok, the original ‘Halloween’ is very difficult to follow on from, but most of the sequels could at least looked like effort was made into them. ‘Halloween 4: The Return of Michael Myers’ may still be no great shakes but actually is one of the better and more watchable ‘Halloween’ sequels, better than the previous two sequels and much better than most of the ones that were to follow.

Lets start with what is good first. Donald Pleasance and Danielle Harris are very good, particularly Pleasance, who is just as creepy and deranged as Michael Myers himself. Ellie Cornell is sweet without being too much so and doesn’t overdo it too much.

A few of the deaths are unsettling, especially the first one, and the settings and the music score are suitably eerie. Things are taken more seriously than the previous two sequels and it’s not as stupid or illogical while the characters are nowhere near as annoying as before. Praise is given for returning back to its roots somewhat and it feels more of a ‘Halloween’ film than ‘Season of the Witch’ which tried to do something different but failed.

However, ‘Halloween 4’ has its issues. Pleasance, Harris and Cornell aside, the acting really isn’t worth mentioning, something that was expected but even by ‘Halloween’ sequel standards it was really terrible. The less said about the even worse script the better, was not expecting much from the dialogue in the first place but again by the sequel standards the cringe factor was high. The characters may not be as annoying here but they are incredibly dull.

Praise is to be given for returning back to its roots, as said, but like the second film it is too much of a bland retread with very little, if anything new, with scares, chills and suspense seriously lacking and most of the deaths having little imagination or the shock factor. The ending didn’t feel that well rounded off, some of the film is sluggishly paced and directed (but not as inept as in ‘Season of the Witch’) and the cinematography on the most part is too dark.

In conclusion, watchable if no great shakes. 5/10 Bethany Cox

Other Information:

Original Language en
Runtime 1 hr 28 min (88 min)
Budget 5000000
Revenue 17800000
Status Released
Rated R
Genre Horror, Thriller
Director Dwight H. Little
Writer Dhani Lipsius, Larry Rattner, Benjamin Ruffner
Actors Donald Pleasence, Ellie Cornell, Danielle Harris
Country United States
Awards 1 win & 2 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Ultra Stereo, Dolby Atmos
Aspect Ratio 1.85 : 1
Camera Panavision Panaflex
Laboratory DeLuxe, Hollywood (CA), USA
Film Length N/A
Negative Format 35 mm
Cinematographic Process Digital Intermediate (4K) (2021 remaster), Dolby Vision, Spherical
Printed Film Format 35 mm