Watch: Frost/Nixon 2008 123movies, Full Movie Online – Writer Peter Morgan’s legendary battle between Richard Nixon, the disgraced president with a legacy to save, and David Frost, a jet-setting television personality with a name to make, in the story of the historic encounter that changed both their lives. For three years after being forced from office, Nixon remained silent. But in summer 1977, the steely, cunning former commander-in-chief agreed to sit for one all-inclusive interview to confront the questions of his time in office and the Watergate scandal that ended his presidency. Nixon surprised everyone in selecting Frost as his televised confessor, intending to easily outfox the breezy British showman and secure a place in the hearts and minds of Americans (as well as a $600,000 fee). Likewise, Frost’s team harbored doubts about their boss’ ability to hold his own. But as cameras rolled, a charged battle of wits resulted..
Plot: For three years after being forced from office, Nixon remained silent. But in summer 1977, the steely, cunning former commander-in-chief agreed to sit for one all-inclusive interview to confront the questions of his time in office and the Watergate scandal that ended his presidency. Nixon surprised everyone in selecting Frost as his televised confessor, intending to easily outfox the breezy British showman and secure a place in the hearts and minds of Americans. Likewise, Frost’s team harboured doubts about their boss’s ability to hold his own. But as the cameras rolled, a charged battle of wits resulted.
Smart Tags: #watergate #based_on_real_person #political_leader #cold_war_era #u.s._politician #reference_to_richard_nixon #american_politician #interview #telephone_call #reference_to_john_f._kennedy #reference_to_leonid_brezhnev #checkbook_journalism #reference_to_henry_kissinger #beverly_hills_hotel #reference_to_gerald_ford #speaker_phone #vietnam_war #tv_journalism #publicly_disgraced #richard_m._nixon_character #hugh_hefner_character
123movies | FMmovies | Putlocker | GoMovies | SolarMovie | Soap2day
7.7/10 Votes: 108,595 | |
93% | RottenTomatoes | |
80/100 | MetaCritic | |
N/A Votes: 986 Popularity: 11.775 | TMDB |
Mr. Nixon, It’s Time for Your Close-up
Ron Howard’s competent film adaptation of Peter Morgan’s play (who also scripted and co-produced here) dramatizes the famous Frost/Nixon interviews from 1977. At one point in the film, Kevin Bacon’s character explains to Frank Langella’s Nixon that a portion of the interview will focus on “Nixon the man”. To which Nixon retorted, “As opposed to what? Nixon the horse?” Of course what was on everyone’s mind at the time was Watergate and how American was never able to give Nixon the trial they so desperately wanted. Through the unlikely Frost interviews, the American people finally heard the truth behind the scandal–straight from the horse’s mouth.Morgan’s source material translates smoothly onto film. Much as he did with “The Queen”, he mixes a behind the scenes look at the immediate time period leading up to the historical event and closes with an almost word-for-word dramatization of said event. Also, like “The Queen”, we have the excellent Michael Sheen on board, who after playing Tony Blair now takes on the mannerisms of the legendary British talk-show host and man-about-town David Frost. Director Ron Howard nicely interweaves archival news footage, faux-post interviews with the secondary players, and the dramatic reenactments of the actual Frost/Nixon interviews. Howard’s studied but pedestrian style of direction lends itself well to this type of docudrama as he allows the actual events to speak for themselves and the fine performances to shine on their own. Though it takes quite awhile to get where it’s going, the final interview where Frost takes Nixon head-on about the Watergate cover-up is a payoff well worth the wait.
Of course the most fascinating aspect of the film is Frank Langella’s portrayal of a shamed and swollen Richard Nixon. He plays him as a fallen man desperate for an act of contrition but still in too deep with his old trickery and slick ways. His performance, and the way it connects with the audience, is wonderfully layered. On one level, we have an aged actor thought to be well past his prime firing back on all cylinders in a renaissance role that will likely lead to a showering of award nominations. The way the film reduces his performance to that one lingering close-up after being steamrolled by Frost on the last day of the interview leaves a lasting impression. But it also works on another level as it is meant to represent the reduction of Nixon’s political life to that one lingering close-up on the television monitor when he realized it’s all over for him. The audience members who remember watching the interviews and can picture the actual close-up they saw on their TV screens are now allowed to share a communion with the audience members who weren’t even born yet and now only have a memory of Langella’s face on the silver screen. In that sense, Langella truly became Nixon, and his performance will not soon be forgotten.
excellent performances, excellent screenplay
Peter Morgan adapted his wonderful stage play Frost/Nixon for film with tremendous success. Directed by Ron Howard and starring Michael Sheen as David Frost and Frank Langella as Nixon, it tells the behind-the-scenes story of the famous series of interviews.For all many of us who lived through the Nixon presidency and Watergate, this is not the stuff of nostalgia or happy reminiscence. And when the Nixon tapes were published and his bigotry against just about everyone was revealed in explicit “expletive deleted” language, it was time to get disgusted all over again.
Here, portrayed by Frank Langella, we see Nixon as a lonely, vulnerable, angry, and bitter human being, a man who’s made a bed he must sleep in for the next twenty years. We also see a manipulative and highly intelligent individual who, despite a great deal of success, had no self-worth. It’s the feeling of being an outsider, of never being good enough, that led him to some atrocious decisions.
It’s Langella’s performance and Michael Sheen’s wonderful performance as David Frost — playboy, comedian, talk show host, and party-giver turned investigative journalist — that anchor “Frost/Nixon.” They are given great support by Kevin Bacon as Nixon’s protective assistant, Jack Brennan, Sam Rockwell as James Reston, determined that Nixon pay for Watergate, as well as Oliver Platt, Matthew Mcfadyen, and Toby Jones.
I found the determination of Frost as he attempted to raise financing for the interviews and get networks interested — with no luck — very admirable and inspiring. And his gut instinct paid off for him big time.
I transcribed an interview with Nixon that took place in his home in the 1980s, as well as a speech he made during one of the Presidential election periods. He was a brilliant speaker, and as an interviewee, when the interview was over, he engaged the reporter in a very friendly personal conversation. In the end, both those listening experiences made me sad, as did this film. For everything he achieved, Richard Nixon had undeveloped gifts and potential. He robbed the world of a lot more than the ability to trust government. But in the end, as the film shows, he robbed himself the most.
Original Language en
Runtime 2 hr 2 min (122 min)
Budget 25000000
Revenue 18593156
Status Released
Rated R
Genre Biography, Drama, History
Director Ron Howard
Writer Peter Morgan
Actors Frank Langella, Michael Sheen, Kevin Bacon
Country United Kingdom, France, United States
Awards Nominated for 5 Oscars. 23 wins & 81 nominations total
Production Company N/A
Website N/A
Sound Mix SDDS, Dolby Digital, DTS
Aspect Ratio 2.35 : 1
Camera Arricam LT, Cooke S4, Varotal, Angenieux Optimo and Nikkor Lenses, Arricam ST, Cooke S4, Varotal, Angenieux Optimo and Nikkor Lenses
Laboratory DeLuxe, Hollywood (CA), USA, EFILM Digital Laboratories, Hollywood (CA), USA (digital intermediate)
Film Length 3,360 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision2 100T 5212, Vision2 500T 5218)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema