Watch: Forbidden Ground 2013 123movies, Full Movie Online – When an allied charge on the German lines goes horribly wrong, one man finds himself stranded in No Man’s Land. Reuniting with two other survivors, together they must help each other as they charge into the unknown across the muddy wasteland as the Germans quickly hone in on the desperate trio. Tensions rise between the soldiers as they are surrounded by explosions of grenades with the constant rattle of machine guns in their ears. Time is running out as they make their way back over enemy lines as an impending attack could soon take them out..
Plot: Three British soldiers find themselves stranded in No Man’s Land after a failed charge on the German Trenches. Set in France 1916.
Smart Tags: #1910s #world_war_one #two_word_title #independent_film
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Deconstructing War
Forbidden Ground – Battle Ground in other parts of the world – is a must see. The film pushes you – clue: a giant fishhook, you’ll know it when you see it – finding a balance between reality and heroism that is exceptionally well carried by the cast. Unlike most films of it’s genre, war and violence are not glorified as they are deconstructed. The characters build a convincing and consuming narrative that makes this more than just your average war film. Forbidden Ground proves that war in film is should not be simply well framed explosions – although those that are fans of a good detonation will not be disappointed – but a collection of heartbreaking and precious stories of survival, difficult choices, and perseverance. It is at heart a piece about people, and does not shy away from holding a mirror to battlefield politics and loss of innocence. Visually Forbidden Ground is sleek and where there are some visual effects that are noticeable, they do not intrude on the flow. All in all, Forbidden Ground is a fantastic effort and a quality production, and deserves all the international attention it is getting, and more!
Forbidden Ground from the perspective of Cultural Studies
According to Stuart Hall, Cultural Studies’ outlook takes for granted the fact that knowledge in all its forms is always, unavoidably, contextually bound. With this in mind, and given that Cultural Studies is the study of an ever-changing culture, I think that spectators should analyze Forbidden Ground not only as a complex contextual intervention or as a representation/dramatization of certain ideologies and mores within the framework of WW1, but also as a film that thanks to its powerful and emotional leading characters, it gives an in-depth exploration of the human conscience that certainly appeals to present-day audiences.Pierre Mackerey in ‘A Theory of Literary Production’ (1978) says that ‘what is important is what the text does not say’. For this reason, I would like to bring to the fore the symbolic meaning that Forbidden Ground conveys. Actually, silences and close-ups are recurrent throughout the movie to create this dramatic atmosphere. I should first point out that the character of Grace Wilkins (Denai Gracie) is essential to offer an accurate view of women’s relegation to the private sphere at the time. From a critical perspective, and as Grace is usually shown in closed spaces, this could be interpreted as a subtle way of underlining the tragic circumstances suffered by some women, especially the ones who due to their impure actions, were considered to threaten patriarchy. In this respect, we should also keep in mind, for example, the long-standing Nature/Culture dichotomy that, according to Sherry Ortner in ‘Is Female to Male as Nature is to Culture?’ (1982) or Simone De Beauvoir in ‘The Second Sex’ (1949), relegates women to being the ‘Other’ of men. And yet, this view is cleverly reversed in the scene where Sergeant Wilkins (Johan Earl) finally returns to England and kneels on the graveyard. However, a description of this particular scene would reveal too much information and I prefer leaving this task for any avid spectator who really wants to take a look ‘beyond the canvas’, that is, for those who are eager to explore the psychological aspects of the human being.
Thus, human connection is more important than any other issue in Forbidden Ground. In this respect, we should pay attention to the soldiers’ uniforms and the lack of distinguishing badges or patches that identify them. Director Johan Earl states that he wanted them to symbolize every soldier on the battlefield and not just one unit. And the battlefield itself could be a metaphor of our daily lives too, for life in itself is a roller-coaster, a story within the story, always a constant struggle.
Forbidden Ground connects with problems that affect most audiences, pointing out the cruel reality and imperfections of those past times but, at the same time, it gives a final message to understand Sergeant Wilkins’ physical and mental journey. This said, perhaps it is not coincidental that, in the above mentioned scene, he is shown by a river/lake, for the contact with Nature has always been said to symbolize a new beginning or at least, the chance to be redeemed from past mistakes and start from scratch.
The whole team and cast that made this movie possible should be praised for their dedication and effort (Adrian Powers did a brilliant job co-directing and editing). But above all, I should say that Johan Earl deserves a special mention. Earl’s work as a screenwriter, director and actor is absolutely outstanding and all his artistic decisions only enhance the high quality of the movie. With this in mind, I should conclude by asserting that Forbidden Ground is an excellent film to watch and a good exercise to unveil its hidden meanings. For this reason, it could also be taken to the academic field.
Original Language en
Runtime 1 hr 35 min (95 min)
Budget 0
Revenue 0
Status Released
Rated R
Genre Action, Drama, War
Director Johan Earl, Adrian Powers
Writer Johan Earl, Denai Gracie, Travis Spiteri
Actors Johan Earl, Tim Pocock, Martin Copping
Country Australia
Awards 3 wins & 1 nomination
Production Company N/A
Website N/A
Sound Mix Dolby Digital
Aspect Ratio 2.35 : 1
Camera Red Epic, Red One Camera, Sony PMW-F3
Laboratory DCP Australia
Film Length N/A
Negative Format N/A
Cinematographic Process Uncompressed Digital (2K)
Printed Film Format N/A