Faults 2014 123movies

Watch: Faults 2014 123movies, Full Movie Online – Washed-up and broke, an author whose books on mind control were once respected reluctantly helps a couple in deprogramming their daughter from the control of a cult named “Faults.” But this assignment turns out to be more complicated than he had expected..
Plot: Claire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire’s parents recruit one of the world’s foremost experts on mind control, Ansel Roth.
Smart Tags: #cult #mind_control #death #kidnapping #sexual_innuendo #panties #personal_crisis #crisis #plan #mysterious_person #desperation #anguish #rage #anger #murder #embarrassment #bitterness #depression #mental_manipulation #danger #menace

Find Alternative – Faults 2014, Streaming Links:

123movies | FMmovies | Putlocker | GoMovies | SolarMovie | Soap2day

Ratings:

	6.7/10 Votes: 9,939
	92% | RottenTomatoes
	70/100 | MetaCritic
	N/A Votes: 187 Popularity: 9.157 | TMDB

Reviews:

> What we’re, won’t be the same at the end of the level.

The film had more hidden facts than one gets in his casual viewing. If you were really focused, you would start to dig for some answers. The opening of the film was very smooth in a comedic sense. But that’s not how the entire film going to be. When the story’s purpose begins to roll, with an unexpected event the narration moves to a single location for almost the rest of the film with the limited cast. So it is where our guessing game commence.

I must agree the writing was a bit cleverer than I projected. The film characters were not so complicated, but towards the end it looked like unavoidably becomes that way. At first, it promises to be a good entertainer and then turns to be smarter with the story development, but in a low key. The film does not say anything about its timeline, but seems it was in the 70s that inspired by the real deprogramming.

I did not get the last 10-15 minutes of the film, but you know by guessing and visiting various film discussion forums on the net about what others thought about it gave more perspectives. But we still won’t reach anywhere near what the writer intended to tell all of us. Compared to the opening, the end was totally a different contrast. In fact feels turned to be another genre and theme. So you would end watching it with the possibilities of like this and that. That means not all the viewers end up happy for what they just saw. Definitely it is for a certain kind of people, including for those has no intention of any expectations from the film.

6/10

Writer-director Riley Stearns masterfully concocts the sinister dramedy ‘Faults’ that registers with a bizarre blend of terror and off-the-cuff cheekiness. Stearns’s caustic yet cockeyed vision into the exploration of cults and mind-control methods is gloriously wacky and makes for one of the most unique psychological dramas to register with forthright nerve within recent years. The peculiar appeal found in ‘Faults’ rests on the beleaguered shoulders of the film’s desperate and dysfunctional lead protagonist Ansel Roth (played with harried brilliance by Leland Orser), a one-time notable authority on cult activities. However, in the aftermath of some success comes the lean times when this so-called shifty deprogramming expert, now in the dumps financially and otherwise, needs to rise to the challenge and ironically escape his own self-inflicting trance. Hence, ‘Faults’ roams into tricky territory and manages to juggle the sensitive themes of psyche imprisonment with spirited, naughty ribaldry.

Deliciously dark and twisted, ‘Faults’ resonates because of Stearns’s off-key fascination with his shady characters and the compromising predicaments that ensue. As the ringleader of the crazy-minded goings-on, Orser’s Roth is seriously flawed and this serves as the devilish foundation for Stearns’s chaotic universe of unstructured disillusionment.

The easy thing to do is automatically label ‘Faults’ Dr. Ansel Roth as a down-and-out loser with questionable ethics. Sure, his credentials are somewhat boast-worthy in that he has authored a book on the subject matter regarding his expertise in the un-brainwashing of cult victims as manipulated prey. Still, the pitiful Roth is in a precarious pickle and the only way he can redeem his dire circumstances is return to what he does best regarding his trade as a renowned psychologist. Thankfully, Roth does get that golden opportunity when an older middle-aged couple requests his services in retrieving their jeopardised daughter Claire (Mary Elizabeth Winstead, ‘Scott Pilgrim vs. The World’) from the cult faction known as Faults.

For the concerned parents of the missing Claire, there is a remote sense of hope for Roth to reclaim his own disruptive existence. After all, the hapless soul needs something to overcome his personalised demons. Unfortunately, Roth fell into a tailspin in the aftermath of a former patient’s suicide during his deprogramming watch. So now this justified Roth’s jerk-like tendencies and pauper way of living. The recounting of Roth’s sad ‘way of life’ includes living out of his broken-down vehicle, mooching breakfast from an already used food voucher at a cheap motel restaurant or forcing his book on disinterested parties at scarcely attended hotel seminars. With eating packets of ketchup as a substitute meal or getting a beating at one of his hosted sessions, it appears that Ansel Roth cannot get a decent break.

Naturally, coming to the aid of the abducted Claire on behalf of her worried folks is a golden given for the weasel Roth. He can both exploit the couple’s emotional emergency for financial gain and embrace a semblance of redemption and legitimacy as the prominent professional mind-bending problem solver he once was revered in his field. Besides, his paid assignment to rescue the imperiled Claire depends on his own mortality. It is revealed that Roth owes some serious loot to his ex-manager (Jon Gries from ‘Taken’ and ‘Napoleon Dynamite’ fame) and in the process has to avoid the shakedown from one of his enforcing goons (Lance Riddick) looking to collect big time.

The notable revelation in ‘Faults’ stems from the complicated consciousness of both Orser and Winstead as the tandem trapped in an anguished grip of psychological hostility. Orser’s Ansel Roth is the broken man at the helm of self-destruction and despair. Stearns’s ironic presentation of a psyche ‘fixer’ that requires his own brand of mental repairing is oddly compelling and comical in off-kilter fashion. Orser conveys Roth as a walking disaster area whose arrogance and misguided morality shrewdly begs for some sense of sympathy and remorse. He is the main key to the orchestrated mind-numbing madness that Stearns injects into this crafty, cockeyed caper. Winstead’s Claire is transfixing as the brainwashed beauty battling the scars of bleakness. She is convincingly haunting despite her sorority girl freshness look. The supporting players in the aforementioned Gries and Riddick as well as other participants in Stearns’s concentrated center of creepiness skillfully balance the wickedness and wit felt so piercingly realized.

‘Faults’ is a resourceful black comedy that works effectively and never strays away from its pedigree of outrageous misfortune. This is one psychological character study that demonstrates its motivation for unconventional strife with devilish conviction. The inspired insane-induced performances from the film’s detached duo of Orser’s Dr. Ansel Roth and Winstead’s Claire is proof enough to not find any ounce of perceived Faults with Stearns’s risque roller-coaster on-screen examination of violated distraught boundaries.

Faults (2014)

Screen Media Films

1 hr. 30 mins.

Starring: Leland Orser, Mary Elzabeth Winstead, Jon Gries, Lance Riddick, Chris Ellis and Beth Grant

Written and Directed by: Riley Stearns

MPAA Rating: NR

Genre: Psychological Drama/Cults and Deprogramming Caper

Critic’s rating: *** stars (out of 4 stars)

An Original Thriller
I was very impressed with this film. We follow a down and out Cult novelist who specializes in understanding the methodology of how cults control individuals. The novelist is divorced, homeless, broke, suicidal and in debt with some very nasty former business partner when we meet him. When two parents approach him desperate for help, he agrees to help them with an extreme intervention with their cult involved daughter. The goal is to deprogram her. Arranging a kidnapping, he abducts the girl and isolates her in a motel room for days attempting to mentally break her down and understand her cult programing. It was engaging and completely unpredictable. I’m not totally satisfied how the story concluded but found the entire ride fun and intriguing.

Do you know what a fault is?
Hired to deprogram a young woman who has fallen victim to an abusive cult, an expert in mind control techniques starts to question whether or not there is actually some value to her cult in this curious independent film. From the outset, the movie seems like a contemporary updating of the likes of ‘Split Image’ and ‘Ticket to Heaven’ — two sensational films from the early 1980s about rescuing youths from religious cults — but the results here are decidedly different as the film ends up as anything but a straight drama. There are elements of comedy, drama, mystery, thriller, horror and even fantasy throughout, and while all this genre-hopping is sometimes detrimental (none of the comedy really works and the scenes with the protagonist’s publisher and his hired goon do not quite fit in) for the most part, the multi-genre style renders the film a perfectly unsettling experience. As a viewer, we never feel entirely in control, placed on the exact same level as the protagonist with all his doubts and insecurities. Speaking of which, Leland Orser is excellent in the role. While he initially seems money-grubbing and pathetic, he gradually becomes a sympathetic lonely soul for whom the world seems to have turned against. Mary Elizabeth Winstead (best known as McClane’s daughter in the ‘Die Hard’ series) is also superb as the young cultist. As for the rest of the film, it is best viewed with minimal plot expectations. Suffice it to say though, the ending is endlessly creepy and for a film that is not overtly horror, the chill that ‘Faults’ sends down the spine is incredible.

Other Information:

Original Language en
Runtime 1 hr 29 min (89 min)
Budget 0
Revenue 0
Status Released
Rated Not Rated
Genre Drama, Mystery, Thriller
Director Riley Stearns
Writer Riley Stearns
Actors Leland Orser, Mary Elizabeth Winstead, Chris Ellis
Country United States
Awards 6 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera Arri Alexa
Laboratory N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A