Watch: Les Adieux à la reine 2012 123movies, Full Movie Online – In July 1789, the French Revolution is rumbling. Far from the turmoil, at the Château de Versailles, King Louis XVI, Queen Marie-Antoinette and their courtiers keep on living their usual carefree lives. But when the news of the storming of the Bastille reaches them, panic sets in and most of the aristocrats and their servants desert the sinking ship, leaving the Royal Family practically alone. Which is not the case of Sidonie Laborde, the Queen’s reader, a young woman, entirely devoted to her mistress; she will not give her up under any circumstances. What Sidonie does not know yet is that these are the last three days she will spend in the company of her beloved Queen….
Plot: A look at the relationship between Marie Antoinette and one of her readers during the final days of the French Revolution.
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More about seduction, loyalty, and betrayal than social upheaval
Written and directed by Benoît Jacquot and based on the novel by Chantal Thomas, Farewell, My Queen explores the death throes of the French monarchy over a period of three days in July, 1789. Set in the Palace of Versailles at the beginning of the French Revolution, Sidonie (Lea Seydoux), known as the reader for Queen Marie-Antoinette (Diane Kruger), is responsible for selecting books and reading them aloud to the queen. Because of her closeness to the monarch, she is able to act as a spy, securing information about events taking place inside and outside the palace, pressing selected servants for information, and eavesdropping on conversations to gather the most up-to-date gossip to pass along to Marie.The film is seen from Sidonie’s point of view, a vantage point that illuminates the sharp social divisions inside the palace with the servants living in crowded rat-infested quarters, and the royals dwelling in opulent accommodations. Lea Seydoux delivers a powerful performance as the devoted servant of the queen, conveying an air of mystery about who she really is in a way that adds to her allure. Kruger portrays Marie-Antoinette as sensual and hedonistic and there is a hint of more than Platonism in the way she interacts with both Sidonie and the Duchess de Polignac (Virginie Ledoyen), a relationship that tests Sidonie’s loyalty.
On the morning of July 15th, news spreads rapidly that the king had been awakened at two in the morning. No one knows the reason, but fear spreads throughout the court. If the king is ill, who will protect those totally dependent on the nobles who control their lives? It is soon revealed, however, that the king is not ill, but that a mob has stormed the Bastille and a revolt has begun against the aristocracy. Little information is available. Rumors abound based only on conversations whispered in the hallways and the servant’s quarters. When the King travels to Paris and the Queen decides against an escape to Metz, an aura of inevitably descends on the Palace and the nobles begin to abandon ship, competing for places on the coaches seeking a safe haven.
Antoinette makes every effort to continue with business as usual, looking at magazines to admire new styles and colors for the coming season, paying scant attention to the fact that her name is number one in a list of 300 targets for the guillotine. Fearful of losing her only connection to the world, Sidonie is willing to risk the ultimate sacrifice if it is in the queen’s best interest. Even though Farewell, My Queen is historically questionable and may hold us at arms length emotionally, it provides a fresh view of events that we know about only from history books or stuffy costume dramas.
Jacquot captures the authenticity of time and place and also the human side of the power struggle. Unfortunately, the film pays little attention to the issues that led to the revolt, never mentioning the abuse of power by the monarchy. Indeed, the Revolution serves only as a backdrop for the story which is more about seduction, loyalty, and betrayal than social upheaval. Rather than making a statement that is relevant for our times, the intricacies of sexual intrigue and love triangles dominate the film, titillating rather than persuading, and making the goings on difficult to care about.
Beautiful, but boring
I love a good costume drama, but anything that includes Marie-Antoinette is apparently bound to be a repetition of the same old clichés over and over.We get it, she was completely disconnected from reality, careless and pampered and bored and tended to for every bit a normal human being does itself. Age-old cliché that Marie-Antoinette was nothing more than a self-absorbed bimbo? Check.
We get it also, the French Revolution was an immense shock to the royalty and aristocracy; not only did they not see it coming, they didn’t think it was possible at all to see the end of their reign. Again, the tried-and-true representation of 18th century French aristocrats as clueless morons? Check.
So, after reinstating the same backdrop again (and again), this version puts forth a bigger focus on rumours of a lesbian love affair the queen was accused of having back then, because that would make the movie so unique.. or not. The story was already a snorefest on paper so let’s toss in some sexual material to spice it up in spite of one’s better judgement? Check.
The list goes on.
The photo direction is beautiful, the costumes and decors are gorgeous, the actors are all excellent, all this movie is missing is an actual story worthy of your attention. A real shame.
Original Language fr
Runtime 1 hr 40 min (100 min)
Budget 0
Revenue 5297232
Status Released
Rated R
Genre Drama, History, Romance
Director Benoît Jacquot
Writer Benoît Jacquot, Gilles Taurand, Chantal Thomas
Actors Léa Seydoux, Diane Kruger, Virginie Ledoyen
Country France, Spain
Awards 6 wins & 12 nominations
Production Company N/A
Website N/A
Sound Mix Dolby Digital, Dolby SR
Aspect Ratio 2.35 : 1
Camera Arri Alexa, Zeiss Master Prime and Angenieux Optimo Lenses
Laboratory Laboratoires Franay Tirages Cinematographiques (LTC), Paris, France
Film Length 2,719 m
Negative Format SxS Pro
Cinematographic Process Digital Intermediate (2K) (master format), ProRes 4:4:4 (1080p/24) (source format)
Printed Film Format 35 mm (anamorphic), D-Cinema