Everything, Everything 2017 123movies

Watch: Everything, Everything 2017 123movies, Full Movie Online – A 17-year-old girl named Madeline Whittier has a rare disease that requires her to stay indoors 24/7 with her filtered air. Her whole life, basically, is books, her mom, and her nurse Carla. One day, a moving truck pulls in next door, and out steps Olly Bright, Maddy’s new neighbor. They get to know each other through emails. The more they get to know each other, the deeper in love they fall. Olly makes Maddy realize she isn’t really living; this starts the adventures of her new life..
Plot: A teenager who’s lived a sheltered life because she’s allergic to everything, falls for the boy who moves in next door.
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Ratings:

	6.3/10 Votes: 39,394
	45% | RottenTomatoes
	52/100 | MetaCritic
	N/A Votes: 3492 Popularity: 16.665 | TMDB

Reviews:

Everything We Have Seen Before
Coming of age movies have come in a variety of styles, packages, and of course quality. While the number of generational novels (and subsequent movies) have increased over the decades, their quality has decreased for many, lost to the gimmick of modern, superficial entertainment it has become. And so here comes yet another addition to the teenage book movie collection Everything, Everything! Interesting title aside, I must admit I didn’t have high hopes for this movie, but nevertheless I’m back in the theater to give you the thoughts on yet another film. Let’s get it on…figuratively that is.

LIKES • Good pace • Great chemistry • Realistic, not annoying • Twist

Summary: Okay, when it comes to love stories…we know I find the pace to be slow and often boring, (yes, I’m a robot). However, in Everything, Everything, that trend was finally broken. No, your eyes are not playing tricks on you my friends, you read right. Everything, Everything keeps the pace moving, making sure to bring prompt, concise introductions and dive right into the story at hand. No this doesn’t mean they skip over too many things (admit haven’t read the story), but it keeps the adventure going, all while maintaining the romance involved.

What helped accomplish this? In all honesty, I think it was the chemistry that made the movie, with the two stars Amandla Stenberg and Nick Robinson having a fantastic relationship with each other. They play off each other’s emotions, seem to like working with other, and maximize the energy they bring to the screen. It’s like they are actually in love with each other, or at least friends, and that sold the relationship/story for me. An added bonus is that the relationship felt like a real example of a developing relationship, forgoing the cheap antics of cheesy love that most romantic comedies choose. They weren’t instantly soul mates or magically destined to succeed. So, nice to see that portrayed every once in a while.

Yet the main thing that sunk me into the tale was the twist in the story. It takes a lot to surprise me in movies (I’ve seen so many after all), but this movie was able to covertly hide some nuances that seemed inconsistent were instead hints at what was to come. While it took place a little late, it really brought the film to full circle and ended the film with a powerful finale. Nice job my friends… nice job.

DISLIKES • A slow abridged start • A few overacted moments • Some odd directions • Dropped characters • Uniqueness is kind of missing

Summary: I know what you’re thinking, you’re contradicting yourself again. Hear me out, overall the pace worked for me, but the opening took a little time to take off the ground. The introduction was a little dragged out and slow, merely a compellation of moping scenes with a monologue overlapping to explain the abridged, somewhat underdeveloped details.

In addition, the movie takes some odd turns in the film, going into some pointless tangents that were odder than anything. A common metaphor is the astronaut to which she compares her life to, a symbol of being a long individual stuck in the vast, empty void. Cool symbolism, but it gets lost in these trippy side arcs of the astronaut trying to do mundane tasks in the background while our characters act out their text messages. I’m guessing it was trying to be funny, but this weirdness was an unneeded distraction that did little but make me think some drugs could have been involved. Well that and helping distract from some of the more overacted moments. Despite a rich chemistry between each other, there were times that reaction failed to activated, leading too some flat attempts at get tears going. Fortunately, these eye rolling moments were kept to a minimum.

And while the story was good overall for me, there are still a few other flaws that hit me. First of all, the trailers spent some time building up a few characters (such as the nurse and for a while the mother), only for them to drop them out of the picture for a long while. Why the dropped story? Why the potential for a little emotional build up to really kick things up? Probably for more kissing and declarations of love I suppose. Still they cheated us out of some good character interactions, leaving us to explore those components by reading the book. How dare they! This brings me to the last dislike, the lack of uniqueness. Despite the twists, surprises and decent pace, Everything, Everything still lacks that unique touch that we all still look for. It has all the familiar elements of this genre, with little deviation and originality to compliment on. If this familiarity is what you want, then great, because that comfort is present in the movie. However, if you are looking for something with a little more pizazz and originality… then you will want to move along.

The VERDICT:

Despite lacking originality, this reviewer is pleased to see a quality coming of age movie hit the theaters this weekend. Everything, Everything certainly has everything you want in a teenage chick flick with a decent pace, good acting chemistry, and a nice twist to spruce things up. Yet it still is that familiar story of love Hollywood likes and lacks a lot of theater worthy elements that make it worth the admission price. Therefore, I can recommend this movie for a visit if you’re looking for a good book movie, but I still recommend waiting for Redbox to see this film.

My score is:

Drama/Romance: 8.0 Movie Overall: 6.5

Solid Opening Acts But Ends Up Being Convoluted Near the End
“Everything, Everything” is an adaptation from a young adult novel by author Nicola Yoon explores the compelling question of what balances life, quality or quantity? The first two acts does a brilliant job of responding to this question, but then once we’ve reached the climax of the movie the realism takes an unfortunate nosedive that the contrivances becomes a bit overwhelming. This revealing twist may shock you in the end, but seems to be out of nowhere quite too soon which can be a bit misleading to some.

The movie like the novel centres on young teenager Madeline Whittier (Amandla Stenberg) who has become an involuntary recluse due to a rare disease called SCID which suspends her from even stepping outside her sterilized home and is under the care of her widowed physician mother, Pauline (Aninka Noni Rose) and her nurse Carla (Ana De La Reguera) and her friend who’s Carla’s daughter Rosa (Danube R. Hermosillo). Her pastimes including gazing out the window wondering what is out there that she is missing out, takes online courses in modeling architecture, watching movies with her overbearing mother and living in a pathogen free atmosphere.One day, a new family arrives and a kid roughly about her age named Olly Bright (Nick Robinson) who may be her ticket to escape from her reclusive lifestyle as she’s very attractive to this boy and has always wanted to more than anything is to go to the beach.

Under the careful direction from Stella Meghie, “Everything, Everything” faithfully examines the world around our leading protagonist as she lives her life through the Internet, the window viewing and her imagination. I don’t think the scenes with the astronaut was needed as it didn’t provide much, but her texting to her new friend Olly is a symbolic cry for help as as each want out of their doldrums.

Sadly though, Olly’s story which was prominent in Yoon’s story is quite secondary almost as an afterthought as Maddy’s story is the primary focus making Olly’s character lacking dimension as his world is also hers as well. We know he’s got family issues too as he lives with an abusive father but they’re only touched upon very briefly. His character is rendered as just a prop for Maddy as she escapes to the outside world for the first time regardless of her illness as she sacrifices her well-being just to come out and enjoy life. Olly’s views of life have little affect on the story as he’s an underdeveloped love decoy and not a costar. It’s a sigh of relief that the movie never emphasizes on the biracial aspect of their relationship which shouldn’t matter because everyone’s all the same regardless of their skin colour. I bring this up because society seems obsessed with race politics being the top issue in filming these days.

In the dying minutes of the movie, the scenes presented seem to fall under a revelation that’s very last second, rushed and not entirely believable. I wasn’t sure if it was due to the many rewrites of how they wanted the movie to end, but it just seems to not gel well to the narrative we’ve been fed to us in the opening acts of the movie.

When it came to the casting choices of the two main characters they were seeking for relative unknowns, however they ended up getting two known performers to play Maddy and Olly. Stenberg is known for her role as Rue from “The Hunger Games” and while Robinson is known for his role in the “Jurassic World” movies. And though they they both inject great spark into their interactions with one another, there are times when the film goes way too fast that we all can’t catch up to what they’ll be doing next and situations are handled way too quickly and are solved very easily it can be surreal at times.

Aside from the incoherent ending, “Everything, Everything” falls victim to the lack of patience in various scene that could have potential development to the characters. Sure I can understand that the movie is aimed towards a younger age demographic not adjusted to developing characters but scenes seem opted for quick solutions and the feelings Maddy and Olly have for each other are forced upon them as opposed to being organic. There needs to be a more effective element for a romantic relationship to blossom rather than just two youngsters gazing at each other from opposite sides of the window, but the crew just wanted the relationship covered without hesitation which feels at times unnatural. Sure there are other young adult films out there that might attract teenagers everywhere, “Everything Everything” is only average at best.

Other Information:

Original Language en
Runtime 1 hr 36 min (96 min)
Budget 10000000
Revenue 61621140
Status Released
Rated PG-13
Genre Drama, Romance
Director Stella Meghie
Writer J. Mills Goodloe, Nicola Yoon
Actors Amandla Stenberg, Nick Robinson, Anika Noni Rose
Country United States
Awards 2 wins & 5 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 1.78 : 1
Camera N/A
Laboratory EFilm (digital intermediate)
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format Digital (Digital Cinema Package DCP)