Watch: Indigènes 2006 123movies, Full Movie Online – Algeria, 1943, through Italy and France, to Alsace in early 1945, with a coda years later. Arabs volunteer to fight Nazis to liberate France, their motherland. We follow Saïd, dirt poor, an orderly for a grizzled sergeant, Martinez, a pied noir with some willingness to speak up for his Arab troops; Messaoud, a crack shot, who in Province falls in love with a French woman who loves him back; and Abdelkader, a corporal, a budding intellectual with a keen sense of injustice. The men fight with courage against a backdrop of small and large indignities: French soldiers get better food, time for leave, and promotions. Is the promise of liberty, equality, and fraternity hollow?.
Plot: During WWII, four North African men enlist in the French army to liberate that country from Nazi oppression, and to fight French discrimination.
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7.0/10 Votes: 14,681 | |
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great film
indigenes is a WW2 epic – but it isn’t just about the spectacle and destruction of war but about the human aspect of warfare.Bouchareb has made a film that works on three different levels. On the one hand this is a films about comradeship, about men learning to work together as a team to overcome physical and mental hardship, and about survival. On the other it’s about the forgotten soldiers of the second world war. France whitewashed the algerian army’s support after Algeria declared independence from France, and it has become something of a scandal in recent years, one that the french government has now rectified on the back on this film.
On a much deeper level, and this is the reason I think the film is so important, it’s about the arab world and the western world uniting against a common evil. And I think that, given the chaos and the paranoia that we live in now regarding the East and the Arab world, Indigenes’ message is a powerful polemic that west and east can live and work together and that we have in the past been a unified force, and can still be – despite recent events.
A fantastic war film
This is an unfortunately generic title for a great war movie. The name in French (it’s a French-Algerian-Moroccan co-production) is Indigenes, which translates as “Natives”, which would have been a much more apt title. Its five main actors won the best prize for male acting at Cannes this year and with good reason. The movie is also Algeria’s official entry to the Oscars, and I hope it gets nominated. It would be great if it won. Indigenes deals with the Arab soldiers that fought for the French army in WWII and were treated with racism, unfairness and contempt by the French, which should not surprise anybody. This film is an excellent war movie that quietly asserts its outrage over the injustices committed to the North African soldiers which were recruited to fight in the name of Vive la France. The movie is a conventional war film, very well done, with great dramatic moments, great suspense and tension, and well rounded wisdom in the observation of humanity. Its greatest virtue is that it wears its outrage with dignity, not bombastic self-righteousness, which can be a common trait of outraged war movies. It reminded me of Kubrick’s Paths of Glory and of a fantastic film from Sidney Lumet with Sean Connery called The Hill; both about the cruelty of war, not between enemies, but inside your own ranks. It really is one of the best war movies I’ve seen and instead of the yearly Clint Eastwood kiss-ass festival, if you are going to see a war movie, this should be it. In Indigenes, the abuses keep coming, slowly, but surely. Many details, some relatively banal, others terribly outrageous, keep piling up as these men slowly realize they are being cynically used and abused by the French military. First there are no tomatoes for the Arabs and the Africans, then there is no leave to see their families, then it’s censorship of their letters (if addressed to French white women) then it’s no promotions through the ranks, despite outstanding heroism and evident leadership qualities. It slowly dawns on you that they are being used, quite cunningly and ruthlessly, as bait to get at the Nazis. The film raises some very interesting questions, extremely relevant to our day and age. It makes you quietly wonder how could the French fight against the Nazis and be so relentlessly racist themselves. Although it is mentioned once, one thinks of Vichy. And one thinks of France’s own unfortunate, brutal misadventures in Algeria. The movie is an indictment, not only of human prejudice (which not only happens from the French to the Arabs, but within the Arabs themselves), but also of the poisonous nature of European colonialism. More importantly, one thinks about the legacy of French colonialism and racism present today in the youths who set fire to their neighborhoods in France because today, as then, they are not truly allowed to participate fully in the egalité and the fraternité that the French are so proud of. After a while, even though they stick it out because they believe they will be rewarded somehow, because their sense of honor is genuine, you just know, painfully, that the North African soldiers are not going to see squat, not even a freaking thank you. Their contribution will not only be completely ignored, but a scandalous postscript at the end of the film confirms that to this day, the French refuse to honor the memory of these soldiers.
Original Language fr
Runtime 2 hr 3 min (123 min), 2 hr (120 min) (USA), 2 hr 8 min (128 min) (France), 2 hr 3 min (123 min) (Ontario) (Canada), 2 hr (120 min) (Toronto International) (Canada), 2 hr 8 min (128 min) (Mar del Plata) (Argentina)
Budget 14500000
Revenue 22963701
Status Released
Rated R
Genre Action, Drama, War
Director Rachid Bouchareb
Writer Rachid Bouchareb, Olivier Lorelle
Actors Samy Naceri, Roschdy Zem, Sami Bouajila
Country Algeria, France, Morocco, Belgium
Awards Nominated for 1 Oscar. 9 wins & 16 nominations total
Production Company N/A
Website N/A
Sound Mix Dolby Digital, DTS
Aspect Ratio 2.35 : 1
Camera Hawk Anamorphic Lenses
Laboratory Laboratoires GTC, Paris, France
Film Length 3,390 m (Portugal, 35 mm)
Negative Format 35 mm
Cinematographic Process Hawk Scope
Printed Film Format 35 mm