Watch: Dark Blood 2012 123movies, Full Movie Online – Dealing with nuclear testing and its long-lasting deadly effects, the story portrays Boy, a young widower living in the desert on a nuclear testing site. Living as a hermit, he waits for the end of the world, carving Kachina dolls that he believes have magical powers. While travelling on a “second” honeymoon across the Arizona desert, the car of a Hollywood jet-set couple breaks down. They are rescued by Boy, who holds them prisoner, because he desires the woman, and wants to create a better world with her..
Plot: Filmed in 1993 but never completed due to River Phoenix’s death, Dark Blood tells the story of Boy, a young widower living on a nuclear testing site in the desert. Boy is waiting for the end of the world and carves Katchina dolls that supposedly contain magical powers. Boy’s solitude is interrupted when a Hollywood jet-set couple who are travelling across the desert become stranded after their car breaks down. The couple are rescued by Boy, who then holds them prisoner because of his desire for the woman and his ambition to create a better world with her.
Smart Tags: #two_word_title #star_died_before_release #desert #unfinished #star_died_during_filming #nuclear_testing #neo_western
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6.3/10 Votes: 1,341 | |
80% | RottenTomatoes | |
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N/A Votes: 17 Popularity: 2.083 | TMDB |
Will easily win over more people than just cinephiles
George Sluizer’s Dark Blood is one of the many oddities in the film world. Shot about eighty percent of the way in 1993, but put in an abandonment because of the death of its lead actor River Phoenix at age twenty-three, Dark Blood managed to be edited, reworked, and released at several film festivals in 2012, marking an end in the saga to one of the curious wonders of cinema. In 1999, the film was almost burned by the insurance company, who was sick of storing it in a vault without a plan for years on end, and would’ve been gone for good had Sluizer not taken action and stolen the film back in a period of forty-eight hours.River Phoenix died as a result of mixed drugs entering his system at Johnny Depp’s club The Viper Room in 1993, closing the book on a young, ambitious life so early and abruptly after doing a handful of acclaimed picture. Watching Dark Blood in 2014, when Phoenix has sadly escaped the minds of many, one could see that the talent he possessed and the emotions he managed to convey were natural and believable. It’s too bad that even with Dark Blood managing to get some sort of release, it will still be desperately short of attracting an audience it deserves.
The film focuses on an older couple named Harry (Jonathan Pryce) and Buffy (Judy Davis), who are traveling through the desert on a second honeymoon, hoping to pick up the pieces to their crumbling marriage. When their car breaks down in the middle of the desert, they meet a young widower who calls himself “Boy” (River Phoenix), who lives on his own, with his loyal mutt, following his wife’s death from radiation. The radiation was caused by nuclear tests conducted close in proximity to Boy’s ramshackle home in the middle of the desert. Now, the only thing he anticipates is the apocalypse (and the occasional passersby).
Initially, Boy seems gentle and grateful for the company, but Harry discovers long before Buffy does that he wants some sort of a romantic relationship with his wife. Boy longs for female companionship due to the loneliness and isolation that exists in the desert, and throughout the film, we see Boy’s anger and hostility escalate, which eventually leads to him kidnapping Harry and Buffy and keeping them in his confines.
Being that only about four-fifths of the film is complete, director George Sluizer tacks on narration during the scenes that were never completed (some of which being very significant chunks of the film), describing the scene and reciting the dialog. Even before the film is a minute-long narration about how after Phoenix died, it left everyone shell-shocked to the point where no one really wanted to complete the film without his participation. Sluizer states that upon become very ill he wanted to edit and compile the clips of the film into something before it was too late.
Being that Sluizer managed to complete a project that many felt would never see the light of day, and that he has done such a great job on many different aspects, it seems harsh to critique it any way. Saying the film is fragmentary, and sometimes a bit choppy, is a pretty demeaning and stupid point of criticism seeing there was little Sluizer could do to prevent that in post-production. Rather than nitpicking elements that probably unsatisfied Sluizer in addition, let’s focus on what the film really excels at, which is giving its lead actor a sendoff and bearing some great scenes of tension and excitement.
Consider the scene where Harry manages to momentarily break free from Boy’s clutches, or when both head for the hills in their pickup truck. Scenes like this are given unexpected leverage thanks not only do the performances, but Sluizer’s editing work, which still works to give old footage fresh vibes of suspense. Had Sluizer not taken the film seriously in terms of continuity and story, all seriousness and respect for the project would’ve dwindled to nothing, but thanks to the competent work orchestrated, Dark Blood manages to easily win more than just cinephiles over.
Starring: River Phoenix, Jonathan Pryce, and Judy Davis. Directed by: George Sluizer.
listen to “Ghost Dance” while reading this review – let yourself be illuminated by the film
Psychological thriller, art film and well acted with a strong American Indian theme, amid stunning cinematography (though obviously NOT the Arizona desert) – this flick is a rescued treasure and would be a gem in its own right, even had beloved River lived to complete the very few missing scenes. Dark Blood’s message: ‘Humanity is poisoning the earth and early colonizers were no worse than modern European Americans and other trespassers. Disrespectful to the land, as to its rightful stewards. You know nothing about this land and nothing about us. Just go. Could learning respect have been an option? Sure. Right up until the point where you killed EVERYTHING.’ Wow. *and then the parallel stories with the nuclear fallout and real-life actions* This is a very strong message the writer and director are passing on, while educating us about Anasazi ruins and the struggle of a mixed blood off the reservation in a multitude of ways. Viewing the ruins first as tourists, Harry and Buffy read about the ancient peaceful people who use to live here. They return to the site later as refugees; at this point,Harry passes a sign that says WHITE MAN, THIS LAND IS POISONED BY YOU. CURSED BY US.
Buffy passes a sign that says DEATH DO NOT ENTER HERE
I loved the soundtrack, but it was a big miss to not include Robbie Robertson’s “Ghost Dance” in it. A future edit should obviously include that song and Jonathan Pryce dubbing over George Suizer’s narration, slightly edited, so the script of it sounds like one of the actors, merely adding in his own thoughts.
Suizer and Jim Barton make a direct point to the audience (clearly one Phoenix approved). These writers probably knew something you don’t: how many tribes exist in North America today? Don’t know that? I recommend starting with The American Indians, by Edward H. Spicer. It is good to know about the past of the land we are living on, as well as the present. I am impressed with the current generation Germans wishing to understand and pay atonement for a genocide they personally had nothing to do with – makes me forgive them, as a Jew. I pray that, one day, my fellow Americans will be as humble, and learn more about American Indians, past and present.
Original Language en
Runtime 1 hr 26 min (86 min)
Budget 0
Revenue 0
Status Released
Rated N/A
Genre Thriller
Director George Sluizer, John Wolfe
Writer Jim Barton
Actors River Phoenix, Judy Davis, Jonathan Pryce
Country United States, United Kingdom, Netherlands
Awards N/A
Production Company N/A
Website N/A
Sound Mix N/A
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format 35 mm
Cinematographic Process N/A
Printed Film Format N/A