Copying Beethoven 2006 123movies

Watch: Copying Beethoven 2006 123movies, Full Movie Online – Vienna, 1824. In the days before the first performance of the Ninth Symphony, Beethoven needs help with copying out the charts, so a promising student of composition, Anna Holtz, 23, is sent to assist him. She not only aids the transcription of the notes, she provides guidance from the orchestra pit as Beethoven conducts the work’s debut. During the next two years, the final ones of Beethoven’s life, Anna provides assistance to the deaf, temperamental, ailing man. In return, he tutors her in composition and explains to her the ideas and principles of Romanticism. He tries to speak for God..
Plot: A fictionalised exploration of Beethoven’s life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna’s assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.
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Ratings:

	6.7/10 Votes: 13,723
	28% | RottenTomatoes
	59/100 | MetaCritic
	N/A Votes: 140 Popularity: 10.924 | TMDB

Reviews:

I really, really, really wanted to like this
And parts of it I loved. The casting of Ed Harris in the role of Beethoven was a stroke of genius in itself and like Philip Seymour Hoffman, Ed inhabits every role he’s in, extraordinary actors both, without mannerisms or methodisms. He just is. It is a serious misfortune that the script fell far short of his talent.

Diane Kruger for the most part is luminous and believable, I don’t know if the picture was filmed sequentially, but in the beginning she appears to be struggling to find her feet, to roll herself into the part, and after a few wobbles, she eventually does.

The interpretation of the Ninth is sublime on many levels, the main one being the absolute sensuousness of Anna Holtz (played by Diane) guiding the maestro through the conducting of the Ninth at its debut. Right up there with memorable movie moments.

The main difficulties I had were with the depiction of Beethoven’s hearing (he was totally deaf when he wrote the sublime Ninth) and with the anachronistic dialogue which had me “ouching” far too much. Using terms like “mooning”, Beethoven himself no less christening his own Moonlight Sonata – spare us, American accents slopping around, a single woman completely chaperonless running freely around Vienna and on and of course the passionate kissing scenes with her kinda-fiancé, I think not.

As to the “Wash Me” scene, I got it (I think). He was composing in synch to her washing motions. More could have been made of it.

I understand why the director, Agnieszka Holland, would develop the story to highlight and Mozartize Beethoven, but I would have to say the experiment was a failure.

Evocative lighting but a sad little script which seriously under estimated this viewer’s intelligence and I believe I’m not alone. 7 out of 10 for the bits that worked.

For a lovely little movie depicting the just about demented from deafness Beethoven composing his Ninth, see the delightful “Beethoven Lives Upstairs.”

An Embarrassment
Not of riches. Of film-making, and by such an experienced, accomplished director! My comments are based on viewing 20 minutes of the film – it joins very rare company with films I’ve walked out of (maybe 5) before half was over. What I saw reminded me a lot of music appreciation movies I saw in the 7th grade (I’m over 60) – in terms of sophistication, believability, acting, accuracy and intelligence. The normally great Ed Harris becomes a cartoon character. I’m embarrassed to see that so many thought more than a 3 of it, though Beethoven of course is probably the most difficult and brilliant composer who ever lived (and the most misunderstood: fur Elise notwithstanding). It’s impossible to say enough bad things about the movie. Maybe if I’d seen all of it I’d have more…..It might have been improved if it were a silent movie, or if the musical soundtrack was heard without the imagery. Most music videos are better. Pathetic, embarrassing, disappointing, shameful, puzzling (how? why was it made?). Maybe it’s a female thing (the director is a woman): I’ve rarely known women who can love or hear more than 10% of Beethoven. Maybe she made it to attract more, but if she succeeds, it’s not music’s gain. Not sexist: just observation.

The greatest fictional Beethoven film I know of is Gary Oldman’s “Immortal Beloved.”

Other Information:

Original Language en
Runtime 1 hr 44 min (104 min)
Budget 11000000
Revenue 6191746
Status Released
Rated PG-13
Genre Biography, Drama, Music
Director Agnieszka Holland
Writer Stephen J. Rivele, Christopher Wilkinson
Actors Ed Harris, Diane Kruger, Matthew Goode
Country Germany, United Kingdom, Hungary
Awards 2 wins & 5 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 2.39 : 1
Camera N/A
Laboratory Technicolor, Hollywood (CA), USA
Film Length 2,844 m (Portugal, 35 mm), 2,861 m
Negative Format 35 mm
Cinematographic Process Super 35
Printed Film Format 35 mm (anamorphic)