Watch: Compulsion 1959 123movies, Full Movie Online – In 1924 Chicago, Artie Strauss and Judd Steiner are friends and fellow law students who both come from wealthy backgrounds. They have few true friends as they believe all their contemporaries are intellectually inferior. Within their relationship, Artie is the dominant and Judd the submissive who says he will do whatever Artie tells him. Although Judd acts intellectually arrogant to others, he also shows signs of weakness and reticence most evident to Artie. Part of their goal in life is to experience how it feels to do everything. As such, they plot to commit what they consider the perfect crime – a kidnapping and murder – not only so that they can experience the sense of killing for killing’s sake, but also taunt the law with the knowledge of it and their superiority after the fact. They believe their crime is above the law. Their murder of young Paulie Kessler is not so perfect, with evidence at the scene uncovered by one of their law school colleagues, Sid Brooks, who also works for the Globe newspaper. As Artie and Judd try to manipulate their way out of how the evidence may implicate them, their manipulation ultimately backfires and they are charged with the murder. The most famed trial lawyer in town, Jonathan Wilk, is hired to defend the pair despite his atheism being against the families’ sensibilities. Jonathan, renowned for his ability to manipulate juries, has to decide how best to defend his clients in the overwhelming face of evidence against them. The testimony of Ruth Evans, Sid’s girlfriend, may have some impact on the trial’s outcome..
Plot: Two close friends kidnap and murder a young boy and are defended in court by a renowned attorney who makes an impassioned plea against capital punishment.
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Mesmerized by Dean Stockwell
I don’t know why I’m so attracted to this vulnerable weirdos. From Anthony Perkins as Norman Bates in Psycho to Colin Firth as Adrian Leduc in Apartment Zero, darkness and a fragility that is part of the unbearable suspense. Maybe I’m in need of professional attention but I don’t think so. What attracts me is by the undeniable innocence behind the horror and that has a lot, if not everything, to do with the actors playing them. Look at Anthony Perkins in Psycho! 57 years ago and it still looks and feels kind of revolutionary or Colin Firth in Apartment Zero, the character is so unique and real that you can see it a thousand times and always find some new extra something, then Dean Stockwell in Compulsion. He plays a monster, a sick, pathetic prince of a man. Yes all of that. The humanity of the actor makes the monster human and we can’t dismiss him, he doesn’t allow us. Orson Welles has a great entrance into the film and E.G Marshall is superb as per usual, it is the rest of the cast who seem a bit dated, specially when sharing the frame with the extraordinary Dean Stockwell
Lets go watch them slaughter the sheep!
Compulsion is directed by Richard Fleischer and adapted to screenplay by Richard Murphy from the novel written by Meyer Levin. It stars Dean Stockwell, Bradford Dillman, Orson Welles and Diane Varsi. Music is by Lionel Newman and cinematography by William C. Mellor.Based upon the real life Leopold and Loeb murder trial of the 1920s, Compulsion finds Artie Strauss (Dillman) and Judd Steiner (Stockwell) as two well to do young men attempting to commit the perfect crime – murder! But it wasn’t so perfect after all and they soon find themselves on trial for their own lives. Enter famed attorney Jonathan Wilk (Welles), who fights to keep them from the death penalty.
Healthily rated in some quarters, it’s a film that actually does divide opinions, which when all is considered is unsurprising given the capital punishment core of the story. The story builds superbly, brilliantly photographed and paced by cinematographer and director, and performed with imposing skills by Dillman and Stockwell. Then the crux of the film arrives in the form of Welles, who late in the play has the unenviable job of turning the piece into a soapbox anti capital punishment advertisement.
It’s also a performance from Welles that has drawn major pros and cons in critical circles. Whatever your thoughts on capital punishment, Welles makes a telling acting mark. The sound mix could have been fine tuned, as Welles is prone to mumble during his speeches, but it remains gripping on court room drama terms, even if there’s a little deflation – a feeling of anti-climax – after the build up had been so good. Not really capturing the notoriety of the real case, it’s nonetheless a compelling piece and well worth seeking out. 7/10
Original Language en
Runtime 1 hr 43 min (103 min), 1 hr 39 min (99 min) (FMC Library Print)
Budget 0
Revenue 0
Status Released
Rated Approved
Genre Biography, Crime, Drama
Director Richard Fleischer
Writer Richard Murphy, Meyer Levin
Actors Orson Welles, Dean Stockwell, Diane Varsi
Country United States
Awards Nominated for 1 BAFTA Award1 win & 6 nominations total
Production Company N/A
Website N/A
Sound Mix 4-Track Stereo (35 mm magnetic prints) (Westrex Recording System), Mono (35 mm optical prints) (Westrex Recording System)
Aspect Ratio 2.35 : 1
Camera Bausch & Lomb Lenses
Laboratory N/A
Film Length N/A
Negative Format 35 mm
Cinematographic Process CinemaScope (anamorphic)
Printed Film Format 35 mm